GREETINGS CITIZENS OF PLANET EARTH
I
HAVE HERE
A
MESSAGE
I AM THE OPPOSITE OF THE OPPOSITE I AM THE OPPOSITE OF OPPOSITE IS THE AM I ALWAYS AM
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THE |
33 |
15 |
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RAINBOW |
82 |
37 |
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LIGHT |
56 |
29 |
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1+5 |
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1+7+1 |
8+1 |
- |
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15 |
THE RAINBOW LIGHT |
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THE |
33 |
15 |
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R |
18 |
9 |
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A |
1 |
1 |
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I |
9 |
9 |
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N+B+O+W |
54 |
18 |
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L |
12 |
3 |
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I |
9 |
9 |
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G+H+T |
35 |
17 |
|
15 |
THE RAINBOW LIGHT |
171 |
81 |
54 |
1+5 |
|
1+7+1 |
8+1 |
5+4 |
6 |
THE RAINBOW LIGHT |
9 |
9 |
9 |
HAVE I A SENSE OF HUMOUR I HAVE A SENSE OF HUMOUR
DIVINE LOVE LOVE DIVINE
WELCOME
F |
= |
6 |
9 |
FRATERNAL |
95 |
41 |
5 |
G |
= |
7 |
9 |
GREETINGS |
104 |
50 |
5 |
- |
- |
13 |
18 |
First Total |
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- |
1 |
1+3 |
1+8 |
Add to Reduce |
1+9+9 |
9+1 |
1+0 |
Q |
- |
4 |
9 |
Second Total |
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- |
- |
- |
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Reduce to Deduce |
1+9 |
1+0 |
- |
Q |
- |
4 |
9 |
Third Total |
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- |
- |
- |
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Reduce to Deduce |
1+0 |
- |
- |
- |
- |
4 |
|
Essence of Number |
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18 |
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E |
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- |
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E |
E |
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- |
- |
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-- |
- |
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5 |
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- |
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9 |
5 |
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1 |
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2+0 |
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-- |
- |
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14 |
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- |
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9 |
14 |
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19 |
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5+6 |
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1+1 |
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18 |
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E |
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- |
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E |
E |
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- |
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-- |
- |
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1 |
2 |
5 |
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1 |
3 |
- |
7 |
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5 |
5 |
2 |
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7 |
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7+1 |
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- |
- |
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1 |
20 |
5 |
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1 |
12 |
- |
7 |
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5 |
5 |
20 |
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7 |
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1+4+3 |
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18 |
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E |
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- |
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E |
E |
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- |
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- |
- |
6 |
18 |
1 |
20 |
5 |
18 |
14 |
1 |
12 |
- |
7 |
18 |
5 |
5 |
20 |
9 |
14 |
7 |
19 |
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1+9+9 |
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1+9 |
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1+0 |
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- |
- |
6 |
9 |
1 |
2 |
5 |
9 |
5 |
1 |
3 |
- |
7 |
9 |
5 |
5 |
2 |
9 |
5 |
7 |
1 |
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9+1 |
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1+0 |
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18 |
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- |
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1 |
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1 |
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occurs |
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3 |
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occurs |
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- |
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occurs |
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3 |
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4 |
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occurs |
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25 |
2+5 |
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occurs |
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6 |
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occurs |
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14 |
1+4 |
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8 |
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occurs |
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3+6 |
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1+2 |
1+8 |
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3+3 |
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1+8 |
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9+1 |
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3+7 |
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1 |
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5 |
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5 |
1 |
3 |
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7 |
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5 |
5 |
2 |
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5 |
7 |
1 |
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1+0 |
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1+0 |
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18 |
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E |
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5 |
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9 |
5 |
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1 |
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2+0 |
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14 |
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9 |
14 |
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19 |
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5+6 |
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1+1 |
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18 |
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E |
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E |
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1 |
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5 |
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1 |
3 |
- |
7 |
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5 |
5 |
2 |
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7 |
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7+1 |
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1 |
20 |
5 |
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1 |
12 |
- |
7 |
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5 |
5 |
20 |
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7 |
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1+4+3 |
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18 |
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E |
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E |
E |
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- |
6 |
18 |
1 |
20 |
5 |
18 |
14 |
1 |
12 |
- |
7 |
18 |
5 |
5 |
20 |
9 |
14 |
7 |
19 |
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1+9+9 |
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1+9 |
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1+0 |
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- |
6 |
9 |
1 |
2 |
5 |
9 |
5 |
1 |
3 |
- |
7 |
9 |
5 |
5 |
2 |
9 |
5 |
7 |
1 |
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9+1 |
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1+0 |
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18 |
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1 |
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1 |
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occurs |
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occurs |
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occurs |
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3 |
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occurs |
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25 |
2+5 |
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occurs |
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6 |
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occurs |
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14 |
1+4 |
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occurs |
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3+6 |
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1+8 |
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3+3 |
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1+8 |
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9+1 |
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3+7 |
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3 |
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7 |
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5 |
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2 |
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5 |
7 |
1 |
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1+0 |
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1+0 |
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6 |
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15 |
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1+5 |
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5 |
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9 |
3 |
4 |
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2+1 |
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- |
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23 |
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18 |
12 |
4 |
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5+7 |
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1+2 |
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- |
- |
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23 |
15 |
18 |
12 |
4 |
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7+2 |
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= |
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5 |
6 |
9 |
3 |
4 |
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2+7 |
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occurs |
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occurs |
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--- |
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occurs |
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--- |
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occurs |
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7 |
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occurs |
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1+8 |
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2+7 |
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2+7 |
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15 |
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1+5 |
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2+1 |
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23 |
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18 |
12 |
4 |
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5+7 |
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1+2 |
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23 |
15 |
18 |
12 |
4 |
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7+2 |
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9 |
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2+7 |
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occurs |
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occurs |
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occurs |
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occurs |
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occurs |
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2+7 |
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2+7 |
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A
MAZE
IN
ZAZAZA ENTER ZAZAZA
ZAZAZAZAZAZAZAAZAZAZAZAZAZAZ
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGICALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
WORK DAYS OF GOD
Herbert W Morris D.D.circa 1883
Page 22
"As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."
LIGHT AND LIFE
Lars Olof Bjorn 1976
Page 197
"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
A |
B |
C |
D |
E |
F |
G |
H |
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
S |
T |
U |
V |
W |
X |
Y |
Z |
I |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
9 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
ME |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
= |
9 |
= |
9 |
= |
9 |
= |
9 |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
A |
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1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
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1 |
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2 |
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5 |
6 |
7 |
8 |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
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6 |
7 |
8 |
A |
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E |
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A
HISTORY OF GOD
Karen Armstrong
The God of the Mystics
Page 250
"(The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."
A |
B |
C |
D |
E |
F |
G |
H |
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
S |
T |
U |
V |
W |
X |
Y |
Z |
I |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
9 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
ME |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
= |
9 |
= |
9 |
= |
9 |
= |
9 |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF
THE
ALPHABET
IS
GIVEN
A
NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
A |
B |
C |
D |
E |
F |
G |
H |
I |
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K |
L |
M |
N |
O |
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Q |
R |
S |
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V |
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Y |
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1 |
2 |
3 |
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6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
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15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
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|
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
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1 |
2 |
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1 |
2 |
3 |
4 |
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7 |
8 |
9 |
1 |
2 |
3 |
4 |
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6 |
7 |
8 |
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C |
D |
E |
F |
G |
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I |
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FINGERPRINTS OF THE GODS
A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time"
'Of all the other stupendous inventions,' Galileo once remarked,
what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."
"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"
"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
|
|
|
|
|
|
|
|
|
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
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A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
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T |
U |
V |
W |
X |
Y |
Z |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
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U |
V |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
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1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
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T |
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A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
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S |
T |
U |
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THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
AT THE THROW OF THE NINTH RAM WHEN IN CONJUNCTION SET
THE
FAR YONDER SCRIBE
MADE RECORD OF THEIR FALL
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Cycles and Patterns
Page 165
Patterns
"The essence of mathematics is to look for patterns.
Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.
These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!
Searching out patterns is a pure delight.
Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.
And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
NETERS TEN NET ENTERS
- |
THE RAINBOW LIGHT |
- |
- |
- |
|
THE |
33 |
15 |
|
|
RAINBOW |
82 |
37 |
|
|
LIGHT |
56 |
29 |
|
15 |
THE RAINBOW LIGHT |
171 |
81 |
9 |
1+5 |
|
1+7+1 |
8+1 |
- |
6 |
THE RAINBOW LIGHT |
9 |
9 |
9 |
3 |
3 |
- |
A+B+C |
6 |
6 |
6 |
2 |
- |
2 |
D+E |
9 |
9 |
9 |
3 |
3 |
- |
F+G+H |
21 |
21 |
3 |
1 |
- |
1 |
I |
9 |
9 |
9 |
3 |
3 |
- |
J+K+L |
33 |
6 |
6 |
2 |
- |
2 |
M+N |
27 |
9 |
9 |
2 |
2 |
- |
O+P |
31 |
13 |
4 |
3 |
- |
3 |
QRS |
54 |
18 |
9 |
3 |
- |
3 |
TUV |
63 |
9 |
9 |
3 |
- |
3 |
WXY |
72 |
18 |
9 |
1 |
1 |
- |
Z |
26 |
8 |
8 |
26 |
12 |
14 |
First Total |
351 |
126 |
81 |
2+6 |
1+2 |
1+4 |
Add to Reduce |
3+5+1 |
1+2+6 |
8+1 |
8 |
3 |
5 |
Reduce to Deduce |
9 |
9 |
9 |
3 |
A+B+C |
6 |
6 |
6 |
- |
D+E |
- |
- |
- |
3 |
F+G+H |
21 |
21 |
3 |
- |
I |
- |
- |
- |
3 |
J+K+L |
33 |
6 |
6 |
- |
M+N |
- |
- |
- |
2 |
O+P |
31 |
13 |
4 |
- |
QRS |
- |
- |
- |
- |
TUV |
- |
- |
- |
- |
WXY |
- |
- |
- |
1 |
Z |
26 |
8 |
8 |
12 |
First Total |
117 |
54 |
27 |
2+6 |
Add to Reduce |
1+1+7 |
5+4 |
2+7 |
8 |
Reduce to Deduce |
9 |
9 |
9 |
- |
A+B+C |
- |
- |
- |
2 |
D+E |
9 |
9 |
9 |
- |
F+G+H |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
J+K+L |
- |
- |
- |
2 |
M+N |
27 |
9 |
9 |
- |
O+P |
- |
- |
- |
3 |
QRS |
54 |
18 |
9 |
3 |
TUV |
63 |
9 |
9 |
3 |
WXY |
72 |
18 |
9 |
- |
Z |
- |
- |
- |
14 |
First Total |
234 |
72 |
54 |
1+4 |
Add to Reduce |
2+3+4 |
7+2 |
5+4 |
5 |
Reduce to Deduce |
9 |
9 |
9 |
- |
4 |
ZERO |
64 |
28 |
1 |
1 |
3
|
ONE |
34
|
16
|
7
|
2 |
3
|
TWO |
58
|
13
|
4
|
3 |
5
|
THREE |
56
|
29
|
2
|
4 |
4
|
FOUR |
60
|
24
|
6
|
5 |
4
|
FIVE |
42
|
24
|
6
|
6 |
3
|
SIX |
52
|
16
|
7
|
7 |
5
|
SEVEN |
65
|
20
|
2
|
8 |
5
|
EIGHT |
49
|
31
|
4
|
9 |
4
|
NINE |
42
|
24
|
6
|
45 |
40 |
- |
522 |
225 |
45 |
4+5 |
4+0 |
- |
5+2+2 |
2+2+5 |
4+5 |
9 |
4 |
- |
9 |
9 |
9 |
THE
ZED ALIZ ZED
AGAIN IMAGES JUST THE RIGHT AMOUNT OF MAGI MAGIC
HAMLET'S MILL
AN ESSAY INVESTIGATING THE ORIGINS OF HUMAN KNOWLEDGE
AND ITS TRANSMISSION THROUGH MYTH
Giorgio De Santillana and Hertha Von Dechend 1969
Intoduction
Page 1 (number omitted)
" The unbreakable fetters which bound down the Great Wolf Fenrir had been cunningly forged by Loki from these: the footfall of a cat, the roots of a rock, the beard of a woman, the breath of a fish, the spittle of a bird. The Edda
Toute vue des choses qui n'est pas estrange est fausse. VALERY
THIS IS meant to be only an essay. It is a first reconnaissance of a realm well-nigh unexplored and uncharted. From whichever way onc enters it, one is caught in the same bewildering circular complexity, as in a labyrinth, for it has no deductive order in the abstract sense, but instead resembles an organism tightly closed in itself, or even better, a monumental "Art of the Fugue."
The figure of Hamlet as a favorable starting point came by chance. Many other avenues offered themselves, rich in strange symbols and beckoning with great images, but the choice went to Hamlet because he led the mind on a truly inductive quest through a familiar landscape-and one which has the merit of its literary setting. Here is a character deeply present to our awareness, in whom ambiguities and uncertainties, tormented self-questioning and dispassionate insight give a presentiment of the modern mind. His personal drama was that he had to be a hero, but still try to avoid the role Destiny assigned him. His lucid intellect remained above the conflict of motives-in other words, his was and is a truly con/ Page 2 / temporary consciousness. And yet this character whom the poet made one of us, the first unhappy intellectual, concealed a past as a legendary being, his features predetermined, preshaped by longstanding myth. There was a numinous aura around him, and many clues led up to him. But it was a surprise to find behind the mask an ancient and all-embracing cosmic power-the original master of the dreamed-of first age of the world.
Yet in all his guises he remained strangely himself. The original Amlodhi, * as his name was in Icelandic legend, shows the same characteristics of melancholy and high intellect. He, too, is a son dedicated to avenge his father, a speaker of cryptic but inescapable truths, an elusive carrier of Fate who must yield once his mission is accomplished and sink once more into concealment in the depths of time to which he belongs: Lord of the Golden Age, the Once and Future King.
This essay will follow the figure farther and farther afield, from the Northland to Rome, from there to Finland, Iran, and India; he will appear again unmistakably in Polynesian legend. Many other Dominations and Powers will materialize to frame him within the proper order.
Amlodhi was identified, in the crude and vivid imagery of the Norse, by the ownership of a fabled mill which, in his own time, ground out peace and plenty. Later, in decaying times, it ground out salt; and now finally, having landed at the bottom of the sea, it is grinding rock and sand, creating a vast whirlpool, the Maelstrom (i.e., the grinding stream, from the verb mala, "to grind"), which is supposed to be a way to the land of the dead. This imagery stands, as the evidence develops, for an astronomical process, the secular shifting of the sun through the signs of the zodiac which determines world-ages, each numbering thousands of years. Each age brings a World Era, a Twilight of the Gods. Great structures collapse; pillars topple which supported the great fabric; floods and cataclysms herald the shaping of a new world.
The image of the mill and its owner yielded elsewhere to more / Page 3 / sophisticated ones, more adherent to celestial events. In Plato's powerful mind, the figure stood out as the Craftsman God, the Demiurge, who shaped the heavens; but even Plato did not escape the idea he had inherited, of catastrophes and the periodic rebuilding of the world.
Tradition will show that the measures of a new world had to be procured from the depths of the celestial ocean and tuned with the measures from above, dictated by the "Seven Sages," as they are often cryptically mentioned in India and elsewhere. They turn out to be the Seven Stars of Ursa, which are normative in all cosmological alignments on the starry sphere. These dominant stars of the Far North are peculiarly but systematically linked with those which are considered the operative powers of the cosmos, that is, the planets as they move in different placements and configurations along the zodiac. The ancient Pythagoreans, in their conventional language, called the two Bears the Hands of Rhea (the Lady of Turning Heaven), and called the planets the Hounds of Persephone, Queen of the Underworld. Far away to the south, the mysterious ship Argo with its Pilot star held the depths of the past; and the Galaxy was the Bridge out of Time. These notions appear to have been common doctrine in the age before history-all over the belt of high civilizations around our globe. They also seem to have been born of the great intellectual and technological revolution of the late Neolithic period.
The intensity and richness, the coincidence of details, in this cumulative thought have led to the conclusion that it all had its origin in the Near East. It is evident that this indicates a diffusion of ideas to an extent hardly countenanced by current anthropology. But this science, although it has dug up a marvelous wealth of details, has been led by its modern evolutionary and psychological bent to forget about the main source of myth, which was astronomy -the Royal Science. This obliviousness is itself a recent turn of events-barely a century old. Today expert philologists tell us that Saturn and Jupiter are names of vague deities, subterranean or atmospheric, superimposed on the planets at a "late" period; they neatly sort out folk origins and "late" derivations, all unaware that planetary periods, sidereal and synodic, were known and rehearsed / Page 4 / in numerous ways by celebrations already traditional in archaic times. If a scholar has never known those periods even from elementary science, he is not in the best position to recognize them when they come up in his material.
Ancient historians would have been aghast had they been told that obvious things were to become unnoticeable. Aristotle was proud to state it as known that the gods were originally stars, even if popular fantasy had later obscured this truth. Little as he believed in progress, he felt this much had been secured for the future. He could not guess that W. D. Ross, his modern editor, would condescendingly annotate: "This is historically untrue." Yet we know that Saturday and Sabbath had to do with Saturn, just as Wednesday and Mercredi had to do with Mercury. Such names are as old as time; as old, certainly, as the planetary heptagram of the Harranians. They go back far before Professor Ross' Greek philology. The inquiries of great and meticulous scholars such as Ideler, Lepsius, Chwolson, BoIl and, to go farther back, of Athanasius Kircher and Petavius, had they only been read carefully, and noted, would have taught several relevant lessons to the historians of culture, but interest shifted to other goals, as can be seen from current anthropology, which has built up its own idea of the "primitive" and what came after.
One still reads in that most unscientific of records, the Bible, that God disposed all things by number, weight and measure; ancient Chinese texts say that "the calendar and the pitch pipes have such a close fit, that you could not slip a hair between them." People read it, and think nothing of it. Yet such hints might reveal a world of vast and firmly established complexity, infinitely different from ours. But the experts now are benighted by the current folk fantasy, which is the belief that they are beyond all this-critics without nonsense and extremely wise.
In 1959 I wrote:
The dust of centuries had settled upon the remains of this great world-wide archaic construction when the Greeks came upon the scene. Yet something of it survived in traditional rites, in myths and fairy tales no longer understood. Taken verbally, it matured the / Page 5 / bloody cults intended to procure fertility, based on the belief in a dark universal force of an ambivalent nature, which seems now to monopolize our interest. Yet its original themes could flash out again, preserved almost intact, in the later thought of the Pythagoreans and of Plato.
But they are tantalizing fragments of a lost whole. They make one think of those "mist landscapes" of which Chinese painters are masters, which show here a rock, here a gable, there the tip of a tree, and leave the rest to imagination. Even when the code shall have yielded, when the techniques shall be known, we cannot expect to gauge the thought of those remote ancestors of ours, wrapped as it is in its symbols.
Their words are no more heard again Through lapse of many ages. . .
We think we have now broken part of that code. The thought behind these constructions of the high and far-off times is also lofty, even if its forms are strange. The theory about "how the world began" seems to involve the breaking asunder of a harmony, a kind of cosmogonic "original sin" whereby the circle of the ecliptic (with the zodiac) was tilted up at an angle with respect to the equator, and the cycles of change came into being.
This is not to suggest that this archaic cosmology will show any great physical discoveries, although it required prodigious feats of concentration and computing. What it did was to mark out the unity of the universe, and of man's mind, reaching out to its farthest limits. Truly, man is doing the same today.
Einstein said: "What is inconceivable about the universe, is that it should be at all conceivable." Man is not giving up. When he discovers remote galaxies by the million, and then those quasi-stellar radio sources billions of light-years away which confound his speculation, he is happy that he can reach out to those depths. But he pays a terrible price for his achievement. The science of astrophysics reaches out on a grander and grander scale without losing its footing. Man as man cannot do this. In the depths of space he loses himself and all notion of his significance. He is unable to fit himself into the concepts of today's astrophysics short of schizophrenia. Modern man is facing the nonconceivable. Archaic man, however, kept a firm grip on the conceivable by framing within his cosmos / Page 6 / an order of time and an eschatology that made sense to him and reserved a fate for his soul. Yet it was a prodigiously vast theory, with no concessions to merely human sentiments. It, too, dilated the mind beyond the bearable, although without destroying man's role in the cosmos. It was a ruthless metaphysics.
Not a forgiving universe, not a world of mercy. That surely not. Inexorable as the stars in their courses, miserationis parcissimae, the Romans used to say. Yet it was a world somehow not unmindful of man, one in which there was an accepted place for everything, rightfully and not only statistically, where no sparrow could fall unnoted, and where even what was rejected through its own error would not go down to eternal perdition; for the order of Number and Time was a total order preserving all, of which all were members, gods and men and animals, trees and crystals and even absurd errant stars, all subject to law and measure.
This is what Plato knew, who could still speak the language of archaic myth. He made myth consonant with his thought, as he built the first modern philosophy. We have trusted his clues as landmarks even on occasions when he professes to speak "not quite seriously." He gave us a first rule of thumb; he knew what he was talking about.
Behind Plato there stands the imposing body of doctrine attributed to Pythagoras, some of its formulation uncouth, but rich with the prodigious content of early mathematics, pregnant with a science and a metaphysics that were to flower in Plato's time. From it come such words as "theorem," "theory," and "philosophy." This in its turn rests on what might be called a proto-Pythagorean phase, spread all over the East but with a focus in Susa. And then there was something else again, the stark numerical computing of BabyIon. From it all came that strange principle: "Things are numbers."
Once having grasped a thread going back in time, then the test of later doctrines with their own historical developments lies in their congruence with tradition preserved intact even if half understood. For there are seeds which propagate themselves along the jetstream of time.
Page 7
And universality is in itself a test when coupled with a firm design. When something found, say, in China turns up also in Babyionian astrological texts, then it must be assumed to be relevant, for it reveals a complex of uncommon images which nobody could claim had risen independently by spontaneous generation.
Take the origin of music. Orpheus and his harrowing death may be a poetic creation born in more than one instance in diverse places. But when characters who do not play the lyre but blow pipes get themselves flayed alive for various absurd reasons, and their identical end is rehearsed on several continents, then we feel we have got hold of something, for such stories cannot be linked by internal sequence. And when the Pied Piper turns up both in the medieval German myth of Hamelin and in Mexico long before Columbus, and is linked in both places with certain attributes like the color red, it can hardly be a coincidence. Generally, there is little that finds its way into music by chance.
Again, when one finds numbers like 108, or 9 x 13, reappearing under several multiples in the Vedas, in the temples of Angkor, in Babylon, in Heraclitus' dark utterances, and also in the Norse Valhalla, it is not accident.
There is one way of checking signals thus scattered in early data, in lore, fables and sacred texts. What we have used for sources may seem strange and disparate, but the sifting was considered, and it had its reasons. Those reasons will be given later in the chapter on method. I might call it comparative morphology. The reservoir of myth and fable is great, but there are morphological "markers" for what is not mere storytelling of the kind that comes naturally. There is also wonderfully preserved archaic material in "secondary" primitives, like American Indians and West Africans. Then there are courtly stories and annals of dynasties which look like novels: the Feng Shen Yen I, the Japanese Nihongi, the Hawaiian Kumulipo. These are not merely fantasy-ridden fables.
In hard and perilous ages, what information should a well-born man entrust to his eldest son? Lines of descent surely, but what else? The memory of an ancient nobility is the means of preserving the / Page 8 / arcana imperii, the arcana legis and the arcana mundi, just as it was in ancient Rome. This is the wisdom of a ruling class. The Polynesian chants taught in the severely restricted Whare-wananga were mostly astronomy. That is what a liberal education meant then.
Sacred texts are another great source. In our age of print one is tempted to dismiss these as religious excursions into homiletics, but originally they represented a great concentration of attention on material which had been distilled for relevancy through a long period of time and which was considered worthy of being committed to memory generation after generation. The tradition of Celtic Druidism was delivered not only in songs, but also in tree-lore which was much like a code. And in the East, out of complicated games based on astronomy, there developed a kind of shorthand which became the alphabet.
As we follow the clues-stars, numbers, colors, plants, forms, verse, music, structres-a huge framework of connections is revealed at many levels. One is inside an echoing manifold where everything responds and everything has a place and a time assigned to it. This is a true edifice, something like a mathematical matrix, a World-Image that fits the many levels, and all of it kept in order by strict measure. It is measure that provides the countercheck, for there is much that can be identified and redisposed from rules like the old Chinese saying about the pitch pipes and the calendar. When we speak of measures, it is always some form of Time that provides them, starting from two basic ones, the solar year and the octave, and going down from there in many periods and intervals, to actual weights and sizes. What modern man attempted in the merely conventional metric system has archaic precedents of great complexity. Down the centuries there comes an echo of Al-Biruni's wondering a thousand years ago, when that prince of scientists discovered that the Indians, by then miserable astronomers, calculated aspects and events by means of stars-and were not able to show him anyone star that he asked for. Stars had become items for them, as they were to become again for Leverrier and Adams, who never troubled to look at Neptune in their life although they had computed and discovered it in 1847. The Mayas and the Aztecs in their / Page 9 / unending calculations seem to have had similar attitudes. The connections were what counted. Ultimately so it was in the archaic universe, where all things were signs and signatures of each other, inscribed in the hologram, to be divined subtly. And Number dominated them all (appendix # I ).
This ancient world moves a little closer if one recalls two great transitional figures who were simultaneously archaic and modern in their habits of thought. The first is Johannes Kepler, who was of the old order in his unremitting calculations and his passionate devotion to the dream of rediscovering the "Harmony of the Spheres." But he was a man of his own time, and also of ours, when this dream began to prefigure the polyphony that led up to Bach. In somewhat the same way, our strictly scientific world view has its counterpart in what John Hollander, the historian of music, has described as "The Untuning of the Sky." The second transitional figure is no less a man than Sir Isaac Newton, the very inceptor of the rigorously scientific view. There is no real paradox in mentioning Newton in this connection. John Maynard Keynes, who knew Newton as well as many of our time, said of him:
Newton was not the first of the Age of Reason. He was the last of the magicians, the last of the Babylonians and Sumerians, the last great mind which looked out on the visible and intellectual world with the same eyes as those who began to build our intellectual world rather less than 10,000 years ago. . . Why do I call him a magician? Because he looked on the whole universe and all that is in it as a riddle, as a secret which could be read by applying pure thought to certain evidence, certain mystic clues which God had laid about the world to allow a sort of philosopher's treasure hunt to the esoteric brotherhood. He believed that these clues were to be found partly in the evidence of the heavens and in the constitution of elements (and that is what gives the false suggestion of his being an experimental natural philosopher), but also partly in certain papers and traditions handed down by the brethren in an unbroken chain back to the original cryptic revelation in Babylonia. He regarded the universe as a cryptogram set by the Almighty-just as he himself wrapt the discovery of the calculus in a cryptogram when he communicated with Leibniz. By pure thought, by concentration of mind, the riddle, he believed, would be revealed to the initiate.1
Page 10
Lord Keynes' appraisal, written ca. 1942, remains both unconventional and profound. He knew, we all know, that Newton failed. Newton was led astray by his dour sectarian preconceptions. But his undertaking was truly in the archaic spirit, as it begins to appear now after two centuries of scholarly search into many cultures of which he could have had no idea. To the few clues he found with rigorous method, a vast number have been added. Still, the wonder remains, the same that was expressed by his great predecessor Galileo:
But of all other stupendous inventions, what sublimity of mind must have been his who conccived how to communicate his most secret thoughts to any othcr person, though very far distant either in time or place, speaking with those who are in the In dies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years) And with no greater difficulty than the various arrangement of two dozcn little signs upon paper? Let this be the seal of all the admirable inventions of man.
'Way back in the 6th century A.D., Gregoire de Tours was writing: "The mind has lost its cutting edge, we hardly understand the Ancicnts." So much more today, despite our wallowing in mathematics for the million and in sophisticated technology.
It is undeniable that, notwithstanding our Classics Departments' labors, the wilting away of classical studies, the abandonment of any living familiarity with Greek and Latin has cut the omphaloessa, the umbilical cord which connected our cultUre-at least at its top level-with Greece, in the same manner in which men of the Pythagorean and Orphic tradition were tied up through Plato and a few others with the most ancient Near East. It is beginning to appear that this destruction is leading into a very up-to-date Middle Ages, much worse than the first. People will sneer: "Stop the World, I want to get off." It cannot be changed, however; this is the way it goes when someone or other tampers with the reserved knowledge that science is, and was meant to represent.
But, as Goethe said at the very onset of the Progressive Age, "Noch ist es Tag, da ruhre sich der Mann! Die Nacht tritt ein, wo niemand wirken kann." ("It is still day, let men get up and / Page 11 / going-the night creeps in, when there is nothing doing.") There might come once more some kind of "Renaissance" out of the hopelessly condemned and trampled past, when certain ideas come to life again, and we should not deprive our grandchildren of a last chance at the heritage of the highest and farthest-off times. And if, as looks infinitely probable, even that last chance is passed up in the turmoil of progress, why then one can still think with Poliziano, who was himself a master humanist, that there will be men whose minds find a refuge in poetry and art and the holy tradition "which alone make men free from death and turn them to eternity, so long as the stars will go on, still shining over a world made forever silent." Right now, there is still left some daylight in which to undertake this first quick reconnaissance. It will necessarily leave out great and significant areas of material, but even so, it will investigate many unexpected byways and crannies of the past."
Page 2 Note *. The indulgence of specialists is asked for the form of certain transliterations throughout the text; for example, Amlodhi instead of Amlodi, Grotte instead of Grotti, etc. (Ed.)
Page 9 Note 1 1 "Newton the Man," in The Royal Society. Newton Tercentenary Celebrations (1947), p. 29.
- |
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E |
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8 |
9 |
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3+1 |
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8 |
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- |
15 |
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8 |
9 |
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4+0 |
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2 |
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9 |
1 |
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3 |
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2 |
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4 |
5 |
3 |
7 |
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5+0 |
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20 |
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5 |
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18 |
1 |
3 |
12 |
5 |
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1 |
20 |
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4 |
5 |
12 |
16 |
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1+2+2 |
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20 |
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15 |
18 |
1 |
3 |
12 |
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1 |
20 |
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4 |
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12 |
16 |
8 |
9 |
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1+6+2 |
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9 |
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7 |
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8+1 |
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17 |
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HAMLET'S MILL
AN ESSAY INVESTIGATING THE ORIGINS OF HUMAN KNOWLEDGE
AND ITS TRANSMISSION THROUGH MYTH
Giorgio De Santillana and Hertha Von Dechend 1969
Page 162
"Finally, there is one remarkable and disturbing coincidence from the same direction. It is known that in the final battle of the gods, the massed legions on the side of "order" are the dead warriors, the "Einherier" who once fell in combat on earth and who have been transferred by the Valkyries to reside with Odin in Valhalla-a theme much rehearsed in heroic poetry. On the last day, they issue forth to battle in martial array. Says the Grimnismal (23): "Five hundred gates and forty more-are in the mighty building of Walhalla-eight hundred 'Einherier' come out of each one gate-on the time they go out on defence against the Wolf."
That makes 432,000 in all, a number of significance from of old.
This number must have had a very ancient meaning, for it is also the number of syllables in the Rigveda. But it goes back to the basic figure 10,800, the number of stanzas in the Rigveda (40 syllables to a stanza) which, together with 108, occurs insistently in Indian tradition. 10,800 is also the number which has been given by Heraclitus for the duration of the Aion, according to Censorinus (De die natali 18), whereas Berossos made the Babylonian Great Year to last 432,000 years. Again, 10,800 is the number of bricks of the Indian fire-altar (Agnicayana). 32
"To quibble away such a coincidence," remarks Schroder, "or to ascribe it to chance, is in my opinion to drive skepticism beyond its limits."33 Shall one add Angkor to the list? It has five gates, and to each of them leads a road, bridging over that water ditch which surrounds the whole place. Each of these roads is bordered by a row of huge stone figures, 108 per avenue, 54 on each side, altogether 540 statues of Deva and Asura, and each row carries a huge Naga / Page 163 / serpent with nine heads. Only, they do not "carry" that serpent, they are shown to "pull" it, which indicates that these 540 statues are churning the Milky Ocean, represented (poorly, indeed) by the water ditch,34 using Mount Mandara as a churning staff, and Vasuki, the prince of the Nagas, as their drilling rope. (Just to prevent misunderstanding: Vasuki had been asked before, and had agreeably consented, and so had Vishnu's tortoise avatar, who was going to serve as the fixed base for that "incomparably mighty churn," and even the Milky Ocean itself had made it clear that it was willing to be churned.) The whole of Angkor thus turns out to be a colossal model set up for "alternative motion" with true Hindu fantasy and incongruousness to counter the idea of a continuous one-way Precession from west to east."
CITY OF REVELATION
John Michell 1972
Page 77
CHAPTER SEVEN
3168, The Perimeter of the Temple
"If the numbers of the sacred principles, mentioned by St John in connection with the New Jerusalem, are obtained from the Greek text by the cabalistic method of gematria, it is found that they correspond to the dimensions of the city, set out in Fig 16. (Figure omitted) For example, the perimeter of a hexagon contained within the circle representing the earth, 7920 feet in diameter, measures 2376 feet, and 2376 is the number of (Greek text omitted), the twelve apostles of the Lamb (Revelation 21.14). 2376 x 2 feet is equal to 1746 MY, and 1745 = (Greek text omitted), the twelve apostles. The names of the apostles are said to be in the twelve foundations of the wall of the city. The wall is the circle of diameter 7920 feet and 14,400 cubits in circumference, and the foundations are the twelve corners of the double hexagon inscribed within it, fonowing the customary pattern of an astrological chart. The position of the twelve apostles in the scheme is thus clearly defined.
Of all the canonical numbers the most notable is 3168. The New Jerusalem measures 48,000 furlongs or 31,680,000 feet round the perimeter of its four sides; the mean perimeter of the Stonehenge sarsen circle is 316.8 feet; the perimeter of the square 12 hides of Glastonbury is 31,680 feet; the significance of 31,680 in the canon of cosmology is illustrated in Fig.11, and we shall also find this number set round the border of Plato's mystical city, described in Laws.
Obviously the number 3168 had an important symbolic meaning, the Christian interpretation of which is provided in New Testament
gematria. The most sacred name of Christianity is (Greek text omitted);
(Greek text omitted), Lord Jesus Christ, and the number of these three words together is 3168. (Greek text omitted) is an astrological term meaning the ruler or dominant influence.
Another sacred phrase from the New Testament, (Greek text omitted) the Power of Christ (2 Corinthians 12.9) has the value 3168 if the alternative spelling of Christos, (Greek text omitted) is adopted.
Page 78
The perimeter of the temple is 3168, Lord Jesus Christ, when the temple is measured by the foot, the most sacred unit of ancient metrology. In terms of the megalithic yard (2.72 feet), however, the perimeter measures 1164, because 3168 feet = 1164 MY. Yet this makes no difference to the symbolic interpretation by gematria, for 1164 is the number of another name of Christ, (Greek text omitted) Son of God.
As a geodetic or earth-measuring number, 3168 also demonstrates the antiquity and sacred origin of British metrology, for
31,680 inches = half a mile
31,680 ft. = 6 miles.
31,680 furlongs = 3960 miles = radius of the earth.
31,680 miles = perimeter of square containing the terrestrial sphere.
31,680 miles = circumference of circle drawn on the combined diameters of the earth and moon (10,080 miles)
Other cosmological correspondences of 3168 are given on page 109.
The Stonehenge sarsen circle with circumference of 316.8 feet
contains an area of 888 square yards, 888 being the number of Jesus, which is equal to 1080 square MY. The circle contained within a square of perimeter 316.8 feet, corresponding to the bluestone circle at Stonehenge, has an area of 666 square MY. Thus the two stone circles at Stonehenge have areas of 1080 and 666 square MY, these two numbers representing the opposite poles of lunar and solar or negative and positive energy.
The number 144 or 122 is characteristic of the New Jerusalem scheme, and 3168 demonstrates the value of (pi symbol 22/7 omitted) in terms of this number, for 144 x 7 = 1008 and 144 x 22 = 3168.
3168 in Plato's city
A remarkable use of the number 3168 occurs in Plato's account in Book V of.Laws of the mystical dimensions of the perfect city. Throughout his work Plato makes guarded reference to a secret canon of numbers that applies universally to every aspect of human life and activity, including government, astronomy, acoustics, kinetics, plane and solid geometry and divination. Linear measurements, areas and volumes are obviously incommensurable, but Plato declares that there are certain numbers that link these with each other and with all phenomena capable of being measured. As an example of these numbers, the study of which Plato recommends as the most sanctifying of all pursuits, he gives 5040. This is the ideal number of citizens in the state and serves other purposes in con/ Page 79 / nection with the framing of laws and standards. The reason why it is most suitable for all matters of division is that for its size it has the greatest number of divisors, 60 in all, including the entire decad, the numbers 1 - 10. Another property of the number 5040 is that it is the radius of a circle with circumference 31,680. Further examination of the numerical foundations of Plato's state shows that the scheme to which he refers is the ancient plan of the cosmic temple.
The lawgivers in Plato's state are reminded that the perfect human society would be one in which all possessions, wives, children, land and chattels were held in common, where all the citizens were of one mind and acted together so harmoniously that it were as if eyes, ears and hands were also common property. To keep this ideal alive is the function of the prophet. Human nature and conditioning, however, demand a more practical alternative, 'very near to the first in immortality and second to it in merit'. This is provided in Laws V.
Plato's state is arranged in a manner that can scarcely be understood literally, and is obviously intended, like the New Jerusalem, as a geometer's allegory. The land is all divided into twelve parts, each dedicated to one of the twelve gods and populated by one of the twelve tribes of the 5040 households. The city is similarly divided, forming a microcosm of the state as a whole. In the centre of the city is the acropolis and 'from this centre he must divide up the city itself and the whole country into twelve parts. The twelve parts must be equalised by making those of good land small and those of inferior land greater. He must mark off 5040 allotments, and each of these he must cut in two and join two pieces to form the allotments, so that each contains a near piece and a distant piece - joining the piece next to the city with the piece furthest off, the second nearest with the second furthest, and so on with the rest.'
The only way in which this division can be represented is by a circle of radius 5040, a hundred times larger than that of Stonehenge measured in feet; the perimeter of this circle is 31 ,680. In Fig. 24 (Figure 24 omitted) the radius of the circle should be divided equally into 5040 parts to produce 5040 concentric circles. These are bisected into 10,080 semicircles by the diameter and positioned out in Plato's manner into 5040 double allotments, each of equal area.
In this scheme 31,680 is not only the circumference of the circular state, but also the area of each of its 2520 pairs of rings, proving Plato's assertion that linear and area pleasurements can be made / Page 80 / (Figure 24 omitted) commensurable by number. The entire circle is divided into two halves, each containing 39,916,800 square units of land. These numbers, which are inherent in the New Jerusalem scheme, have the following significance:
31,680 is divisible by all the numbers1-12 with the exception of 7
5040 = 1 x 2 x 3 x 4 x 5 x 6 x 7
39,916,800 = 1 x 2 x 3 x 4 x 5x 6 x 7 x 8 x 9 x.10 x 11
5040, the radius of the circular city, is the product of the numbers1 - 7; 7920, the side of the square city, is the product of numbers 8 - 11. In each case the perimeter of the city is 31,680. In Plato's Republic is the famous, cryptic reference to the 'marriage number', which should be consulted by the guardians of the state in all matters relating to the seasonal union of male and female. There appear to be two numbers involved, adding up to a third, but the riddle is so obscure that no firm solution has been reached despite the vast literature on the subject. For various reasons the number 12,960,000 or 36002 is most commonly proposed, and this would seem appropriate, for 12,960 = 5040 + 7920. 12,960 therefore represents the union of square and circle, symbol of the sacred marriage, and the gematria is also appropriate, for 1296 = (Greek text omitted) Mary mother of Jesus.
FIGURE 24 (Figure omitted) Plato's city divided into 5040 rings, Perimeter = 31,680, Areas: A + a = B + b = C + c = 31,680.
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"Plato declares that there are certain numbers that link these with each other and with all phenomena capable of being measured. As an example of these numbers, the study of which Plato recommends as the most sanctifying of all pursuits, he gives 5040."
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27 |
2+7 |
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THREE |
56 |
29 |
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SIX |
52 |
25 |
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1+0+8 |
5+4 |
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WITH EPISODIC SENSE OF DE JAVU THE FAR YONDER SCRIBE AND OFT TIMES SHADOWED
SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN SWIFT REPEAT SCATTER THE SACRED NUMBERS AMONGST THE LETTERS OF THEIR PROGRESS
AT THE THROW OF THE NINTH RAM WHEN IN CONJUNCTION SET THE FAR YONDER SCRIBE MADE
RECORD OF THE FALL
THE ATLANTIS SECRET
A COMPLETE DECODING OF PLATOS LOST CONTINENT
Alan F. Alford 2001
Page v
ATLANTIS RECONSIDERED
"All of these myths, and many others besides, concealed a 'Secret of secrets' that was accepted, unquestioningly, as a true account of the origins of the cosmos and man...."
Page v
"...Until now, this mainstream breakthrough in comparative religion has found limited application, for, if truth be told, the literature of the Near East is as much of a puzzle to scholars as the literature of the Greeks. Now, however, in the light of my recent deciphering of the Egyptian and Mesopotamian myths, the full import of these parallels may be felt For the first time ever, it becomes possible to understand the Greek myths by literally standing under them. For the first time ever, we can get inside Plato's mind and reconsider the story of Atlantis from an ancient, rather than a modern, perspective.
The result is nothing short of a sensation. In this book, I present not only a complete decoding of the lost continent of Atlantis, but also a complete decoding of ancient Greek religion in its entirety. I am able to decode the myths of the Olympian gods and their associated mystery cults; I am able to decode the myth of the golden age and the fall of man; I am able to decode the scientific cosmogoniess of Thales, Arnixim-inder, Heraclitus, Anaxagoras, Empedocies and Philolaos; I am able to decode the 'soul religion' of Orpheus, Pythagoras, Parmenides, Socrates and Plato; and I am able to decode Plato's Theory of Forms, his account nf the creation by the Demiourgos, and his story of Atlantis. Behind all of these ideas there lies a single secret of stunning simplicity - ..."
Page 19 (number omitted)
Chapter Two
CATACLYSMS AND THE GODS
Veiled in thick mist, the Muses walk by night,
uttering beautiful voice, singing of Zeus
who bears the aegis.
(Hesiod, Theogony, 8th-7th century BC)
We now have an overview of the story of the gods. We have learned of their origins, ultimately from Ouranos and Gaia. We have learned of their battles, in which Kronos and then Zeus rose, in turn, to supremacy. We have learned of their establishment of the world order and their division of the world into regions. We have learned of the gods' creation of mankind, apparently preceded by at least one pre-human race of earth- born people. And we have learned of the mingling that allegedly took place between the gods and the earth-born people, which resulted in the race of half-gods, or god-like heroes, and their mighty descendants.
But it is now time to focus in more detail on the various attributes of the gods. Were they really as human-like as Homer and the Euhemerists (such as Ignatius Donnelly) have led us to believe?
We will begin with the physical appearance of the gods, and as good a starting point as any is the hair by which so many were distinguished. There is the 'dark' hair of Poseidon, for example, the 'long, flowing' hair of Apollo, the 'braided' hair of Calypso, and the 'beautiful' hair of Leto and Demeter.' But what should we make of the hair of Zeus, which is described in the Iliad thus:
So the son of Kronos [i.e. Zeus] spoke, and he nodded his dark brows. The lord god's immortal hair streamed forward from his deathless head and he shook the heights of Olympus.2
What kind of hair, might we ask, is 'immortal'? What kind of hair is attached to a head that can shake the Heaven when it is nodded? The unavoidable answer, surely, is the hair of a head of a supernatural body.
Page 20
And, as if to confirm this supposition, the Iliad informs us that when the mighty Zeus sat down upon his throne the Heaven was shaken:
Zeus took his seat on the golden throne and great Olympus was shaken under his feet.3
Similarly, the Heaven was shaken by the movements of Zeus' wife Hera. Again in the Iliad, we read:
Queen Hera was angry. She tossed on her throne and shook the heights of Olympus...4
Were Zeus and Hera literally human-like giants, or are we simply dealing with exaggerated poetic metaphors? Or might there be more to it? Whatever the answer, these descriptions fit into a much wider theme of the gods' supernatural attributes.
Take the way the gods moved around, for example. Poseidon, the god of Atlantis, could descend from the highest mountain of Samos into the depths of the sea in four giant strides.5 Hera could move from Olympus to Lemnos by hopping from one mountain peak to another.6 Apollo, the Far-shooter, could move from Delphi to Thessaly in one stride and his footsteps could cause an entire island to shake.7 The aforementioned descent of Poseidon is described in the Iliad as follows:
Immediately the Earth-shaker [Poseidon] came down from the rocky mountain with fast strides, and the high mountains and the forests trembled under the immortal feet of Poseidon in motion. He took three strides and with the fourth reached his goal, Aigai, where his glorious palace was built in the depths of the water in gleaming gold, imperishable for ever.
Quite apart from Poseidon's supernatural footwork, we might well ask what kind of god had need of such a palace beneath the sea.
Supernatural motion went hand in hand with supernatural body-size and supernatural strength. Although the gods could and did take on the standard human form at will (see later), the true forms of the gods seem to have been literally superhuman. Thus, when the goddess Demeter took on human form in order to search for her missing daughter Persephone, she entered the palace at Eleusis and her head touched the ceiling.8 Thus, similarly, when Aphrodite visited the hero Anchises, she stood as tall as the roof.9 And thus, when the war-god Ares was felled by bright-eyed Athene, his body was said to have covered seven whole acres.10
Superhman size and strength feature particularly in those gods who fought the battle of the Titans. In Theogony, for example, Hesiod tells us / Page
20 /
that the Hundred-handers had 'boundless strength'; when they went into battle, they wielded 'sheer cliffs' in their hands and when they launched their missiles they 'darkened the Titans' sky'.11 Later, when Zeus went into mid-air battle against the monstrous god Typhoeus, Heaven and Eart were shaken, and when Typhoeus' body plunged to the ground, the Earth 'burned far and wide'.12 And, in the aftermath of this battle, the superhuman god par excellence is encountered in the form of Atlas - the giant who was forced to, bear the Heave on his head and shoulders.
Men, too, were said to have had supernatural size and strength. In the Odyssey, Homer describes the god-like Otus and Ephialtes as follows:
... those short-lived twins, the god-like Otus and Ephialtes, famed in story, the largest men Earth ever nourished and finer by far than all but the glorious Orion. In their ninth year they were nine cubits across the shoulders and nine fathoms tall. It was this pair that threatened to go to war with the very gods on Olympus in the din and turmoil of battle. It was their ambition to pile Mount Ossa on Olympus and wooded Pelion on Ossa, to make a stairway up to Heaven."
The case of Otus and Ephialtes may be exceptional, but it is nevertheless consistent with the general idea that the half-gods — the heroes — could throw huge rocks which could not even be picked up by 'the folk that live now'.
Page VII
Reading Note 2
"I have used male pronouns throughout this book, and I apologise to anyone who finds this practice offensive; I have done so purely to avoid the constant clumsiness of 'he or she', 'himself or herself, 'his or her', et cetera. In addition, I have used the words 'man', 'men' and 'mankind' to refer, on occasions, to the entire human race. Absolutely no offence is intended towards women, and I certainly do not wish to suggest any inequality between the sexes..."
HAIR HEAD CODE DECODE CODE HEAD HAIR
DECODE CODE HEAD HAIR CODE DECODE
HA I R HEAD CO DE DE CO DE CO DE HEAD HA I R
DECODE CODE HEAD HAIR CODE DECODE
HERA REAH HE HER RA ARE
alphabet, alphabetos, from alpha + beta, first two letters of the Greek alphabet. athlete, athletes "contestant in the games," from athlein "to contest for ... www.nvtc.gov/lotw/months/february/greek.
The word "alphabet" came into Middle English from the Late Latin Alphabetum, which in turn originated in the Ancient Greek Alphabetos, from alpha and beta, ... in.answers.yahoo.com/question/index
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ALPHABETUM |
99 |
36 |
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ALPHABETOS |
99 |
36 |
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
3+2 |
|
|
1+0 |
|
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
7 |
8 |
1 |
2 |
5 |
2 |
6 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
8 |
|
|
|
|
6 |
1 |
|
= |
|
1+5 |
|
|
= |
|
- |
|
|
|
8 |
|
|
|
|
15 |
19 |
|
= |
|
4+2 |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1 |
3 |
7 |
|
1 |
2 |
5 |
2 |
|
|
|
= |
|
2+1 |
|
|
= |
|
- |
1 |
12 |
16 |
|
1 |
2 |
5 |
20 |
|
|
|
= |
|
5+7 |
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1 |
12 |
16 |
8 |
1 |
2 |
5 |
20 |
15 |
19 |
|
= |
|
9+9 |
|
|
1+8 |
|
- |
1 |
3 |
7 |
8 |
1 |
2 |
5 |
2 |
6 |
1 |
|
= |
|
3+6 |
|
|
= |
|
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
|
3 |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
|
- |
- |
|
|
- |
|
- |
- |
6 |
- |
- |
- |
6 |
occurs |
x |
|
= |
6 |
|
- |
- |
7 |
|
- |
|
- |
- |
|
- |
- |
- |
7 |
occurs |
x |
|
= |
7 |
|
|
|
|
8 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
3+2 |
|
|
1+0 |
|
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
7 |
8 |
1 |
2 |
5 |
2 |
6 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
8 |
|
|
|
|
|
= |
|
|
|
|
= |
|
- |
- |
|
|
|
8 |
|
|
|
|
|
= |
|
|
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
1 |
3 |
7 |
|
1 |
2 |
5 |
2 |
|
= |
|
2+1 |
|
|
= |
|
- |
- |
1 |
12 |
16 |
|
1 |
2 |
5 |
20 |
|
= |
|
5+7 |
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
1 |
12 |
16 |
8 |
1 |
2 |
5 |
20 |
|
= |
|
6+5 |
|
|
1+1 |
|
- |
- |
1 |
3 |
7 |
8 |
1 |
2 |
5 |
2 |
|
= |
|
2+9 |
|
|
1+1 |
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
3 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
|
|
- |
- |
|
|
- |
|
- |
- |
- |
- |
6 |
|
|
|
|
- |
- |
|
- |
- |
7 |
|
- |
|
- |
- |
- |
- |
7 |
occurs |
x |
|
= |
7 |
|
|
|
|
|
8 |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
9 |
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+9 |
- |
|
|
|
|
|
|
|
|
|
|
2+6 |
|
|
|
|
2+9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
1 |
3 |
7 |
8 |
1 |
2 |
5 |
2 |
|
|
|
|
|
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
8 |
|
|
|
|
|
= |
|
|
|
|
= |
|
- |
|
|
|
8 |
|
|
|
|
|
= |
|
|
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1 |
3 |
7 |
|
1 |
2 |
5 |
2 |
|
= |
|
2+1 |
|
|
= |
|
- |
1 |
12 |
16 |
|
1 |
2 |
5 |
20 |
|
= |
|
5+7 |
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1 |
12 |
16 |
8 |
1 |
2 |
5 |
20 |
|
= |
|
6+5 |
|
|
1+1 |
|
- |
1 |
3 |
7 |
8 |
1 |
2 |
5 |
2 |
|
= |
|
2+9 |
|
|
1+1 |
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
2 |
|
|
|
|
|
occurs |
x |
|
= |
|
- |
|
3 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
- |
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
|
- |
- |
7 |
|
- |
|
- |
- |
- |
- |
7 |
occurs |
x |
|
= |
7 |
|
|
|
|
8 |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
2+6 |
|
|
|
|
2+9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
7 |
8 |
1 |
2 |
5 |
2 |
|
|
|
|
|
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I
THAT
AM ALWAYS AM
|
|
|
|
|
|
38 |
20 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
|
2 |
|
|
|
|
|
|
28 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
1 |
|
|
|
|
|
|
35 |
17 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
|
8 |
|
|
|
|
|
|
42 |
15 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
|
6 |
|
|
|
|
|
|
90 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
|
9 |
|
|
|
|
|
|
52 |
16 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
|
7 |
|
|
|
|
|
|
26 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
|
8 |
|
|
|
|
|
|
54 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
|
9 |
|
|
|
|
|
|
45 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
|
9 |
|
|
|
|
|
|
45 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
|
9 |
|
|
|
|
|
|
33 |
15 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
|
6 |
|
|
|
|
|
|
34 |
7 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
|
7 |
|
|
|
|
|
|
35 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
|
8 |
|
|
|
|
|
|
33 |
15 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
|
6 |
|
|
|
|
|
|
87 |
42 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
|
6 |
|
|
|
|
|
|
25 |
16 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
|
7 |
|
|
|
|
|
|
41 |
23 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
- |
|
5 |
|
|
|
|
|
SIGMA |
49 |
22 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
SIGMA |
7 |
|
|
|
|
|
|
42 |
6 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
|
6 |
|
|
|
|
|
|
106 |
34 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
|
7 |
|
|
|
|
|
|
33 |
24 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
|
6 |
|
|
|
|
|
|
20 |
20 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
|
2 |
|
|
|
|
|
|
44 |
17 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
|
8 |
|
|
|
|
|
|
41 |
23 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
- |
|
5 |
|
|
|
|
|
|
1078 |
|
151 |
- |
1 |
4 |
- |
- |
10 |
36 |
35 |
32 |
36 |
- |
|
151 |
|
|
1+1+4 |
|
1+0+0 |
|
1+0+7+8 |
4+4+8 |
1+5+1 |
- |
- |
- |
- |
- |
1+0 |
3+6 |
3+5 |
3+2 |
3+6 |
- |
|
1+5+1 |
|
|
|
|
|
|
16 |
16 |
7 |
- |
1 |
4 |
- |
- |
1 |
9 |
8 |
5 |
9 |
- |
|
7 |
|
|
|
|
|
|
1+6 |
1+6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
|
|
|
|
|
|
7 |
7 |
7 |
- |
1 |
4 |
- |
- |
1 |
9 |
8 |
5 |
9 |
- |
|
7 |
|
|
|
|
|
|
90 |
36 |
9 |
|
|
|
|
|
|
54 |
18 |
9 |
|
|
|
|
|
|
45 |
18 |
9 |
|
|
|
|
|
|
45 |
18 |
9 |
|
|
|
|
|
|
234 |
|
36 |
|
|
1+8 |
|
2+1 |
|
2+3+4 |
9+0 |
3+6 |
|
|
|
|
|
|
9 |
9 |
9 |
|
|
|
|
|
|
35 |
17 |
8 |
|
|
|
|
|
|
26 |
8 |
8 |
|
|
|
|
|
|
35 |
8 |
8 |
|
|
|
|
|
|
44 |
17 |
8 |
|
|
|
|
|
|
140 |
|
32 |
|
|
2+4 |
|
1+3 |
|
1+4+0 |
5+0 |
3+2 |
|
|
|
|
|
|
5 |
5 |
5 |
|
|
|
|
|
|
52 |
16 |
7 |
|
|
|
|
|
|
34 |
7 |
7 |
|
|
|
|
|
|
25 |
16 |
7 |
|
|
|
|
|
SIGMA |
49 |
22 |
7 |
|
|
|
|
|
|
106 |
34 |
7 |
|
|
|
|
|
|
266 |
|
32 |
|
|
2+2 |
|
2+0 |
|
2+6+6 |
5+0 |
3+2 |
|
|
|
|
|
|
14 |
|
5 |
|
|
|
|
|
|
1+4 |
5+0 |
3+2 |
|
|
|
|
|
|
5 |
5 |
5 |
|
|
|
|
|
|
42 |
15 |
6 |
|
|
|
|
|
|
33 |
15 |
6 |
|
|
|
|
|
|
33 |
15 |
6 |
|
|
|
|
|
|
87 |
42 |
6 |
|
|
|
|
|
|
42 |
6 |
6 |
|
|
|
|
|
|
33 |
24 |
6 |
|
|
|
|
|
|
270 |
|
36 |
|
|
2+7 |
|
2+6 |
|
2+7+0 |
1+1+7 |
3+6 |
|
|
|
|
|
|
9 |
9 |
9 |
|
|
|
|
|
|
41 |
23 |
5 |
|
|
|
|
|
|
41 |
23 |
5 |
|
|
|
|
|
|
82 |
|
10 |
|
|
1+5 |
|
- |
|
8+2 |
4+6 |
1+0 |
|
|
|
|
|
|
10 |
|
1 |
|
|
|
|
|
|
1+0 |
1+0 |
- |
|
|
|
|
|
|
1 |
1 |
1 |
FOUR NONE NONE FOUR
THREE NONE NONE THREE
|
|
|
|
|
|
38 |
20 |
2 |
|
|
|
|
|
|
20 |
20 |
2 |
|
|
|
|
|
|
58 |
|
|
|
|
|
|
- |
|
5+8 |
4+0 |
- |
|
|
|
|
|
|
13 |
|
|
|
|
|
|
|
|
1+3 |
- |
- |
|
|
|
|
|
|
4 |
4 |
4 |
|
|
|
|
|
|
90 |
36 |
9 |
|
|
|
|
|
|
54 |
18 |
9 |
|
|
|
|
|
|
45 |
18 |
9 |
|
|
|
|
|
|
45 |
18 |
9 |
|
|
|
|
|
|
234 |
|
36 |
|
|
1+8 |
|
2+1 |
|
2+3+4 |
9+0 |
3+6 |
|
|
|
|
|
|
9 |
9 |
9 |
|
|
|
|
|
|
42 |
15 |
6 |
|
|
|
|
|
|
33 |
15 |
6 |
|
|
|
|
|
|
33 |
15 |
6 |
|
|
|
|
|
|
87 |
42 |
6 |
|
|
|
|
|
|
42 |
6 |
6 |
|
|
|
|
|
|
33 |
24 |
6 |
|
|
|
|
|
|
270 |
|
36 |
|
|
2+7 |
|
2+6 |
|
2+7+0 |
1+1+7 |
3+6 |
|
|
|
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|
9 |
9 |
9 |
All about the planets in our Solar System. The nine planets that orbit the sun are (in order from the sun): Mercury,Venus, Earth, Mars, Jupiter, Saturn, ... www.enchantedlearning.com/subjects/astronomy/planets
Our solar system consists of the sun, eight planets, moons, dwarf planets, an asteroid belt, comets, meteors, and others. The sun is the center of our solar system; the planets, their moons, the asteroids, comets, and other rocks and gas all orbit the sun.
The nine planets that orbit the sun are (in order from the sun): Mercury,Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, and Pluto (a dwarf planet). A belt of asteroids (minor planets made of rock and metal) lies between Mars and Jupiter. These objects all orbit the sun in roughly circular orbits that lie in the same plane, the ecliptic (Pluto is an exception; it has an elliptical orbit tilted over 17° from the ecliptic).
- |
|
- |
- |
- |
|
THE |
33 |
15 |
|
|
SOLAR |
65 |
29 |
|
|
SYSTEM |
101 |
38 |
|
14 |
THE SOLAR SYSTEM |
199 |
82 |
10 |
1+4 |
|
1+9+9 |
8+2 |
1+0 |
5 |
THE SOLAR SYSTEM |
19 |
10 |
1 |
- |
|
1+9 |
1+0 |
- |
5 |
THE SOLAR SYSTEM |
10 |
1 |
1 |
- |
|
1+0 |
- |
- |
5 |
THE SOLAR SYSTEM |
1 |
1 |
1 |
3 |
SUN |
54 |
9 |
|
7 |
MERCURY |
103 |
40 |
4 |
5 |
VENUS |
81 |
18 |
9 |
5 |
EARTH |
52 |
25 |
7 |
4 |
MOON |
57 |
21 |
3 |
4 |
MARS |
51 |
15 |
6 |
7 |
JUPITER |
99 |
36 |
9 |
6 |
SATURN |
93 |
21 |
3 |
6 |
URANUS |
94 |
22 |
4 |
7 |
NEPTUNE |
95 |
32 |
5 |
5 |
PLUTO |
84 |
21 |
3 |
59 |
First Total |
863 |
260 |
62 |
5+9 |
Add to Reduce |
8+6+3 |
2+6+0 |
6+2 |
16 |
Second Total |
17 |
8 |
8 |
1+6 |
Reduce to Deduce |
1+7 |
- |
- |
7 |
Essence of Number |
8 |
8 |
8 |
3 |
SUN |
54 |
9 |
|
5 |
EARTH |
52 |
25 |
7 |
4 |
MOON |
57 |
21 |
3 |
12 |
First Total |
163 |
55 |
19 |
1+2 |
Add to Reduce |
1+6+3 |
5+5 |
6+2 |
3 |
Second Total |
10 |
10 |
10 |
- |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
3 |
Essence of Number |
7 |
7 |
7 |
THE
LIVING REALITY OF PLANET EARTH
DIVINE LOVE LOVE DIVINE
I = 9 9 = I
MIN DOTH DREAM WHAT DOTH MIN MEAN
THE
DREAM
OF
THE
RAINBOW COVENANT
AZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZA
LOVE DIVINE DIVINE LOVE
THAT LIGHT THAT
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O |
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- |
- |
- |
9 |
6 |
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1+5 |
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- |
- |
9 |
15 |
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2+4 |
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O |
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- |
- |
- |
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2 |
1 |
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- |
- |
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20 |
1 |
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2+1 |
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1+2 |
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O |
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- |
- |
- |
9 |
15 |
20 |
1 |
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4+5 |
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- |
- |
9 |
6 |
2 |
1 |
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1+8 |
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4 |
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- |
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- |
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- |
1 |
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occurs |
x |
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= |
1 |
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- |
- |
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occurs |
x |
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= |
2 |
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- |
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- |
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- |
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- |
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- |
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- |
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- |
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- |
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occurs |
x |
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= |
6 |
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- |
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- |
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- |
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- |
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9 |
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- |
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9 |
occurs |
x |
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= |
9 |
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2+7 |
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- |
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1+8 |
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1+8 |
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O |
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- |
- |
9 |
6 |
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1+5 |
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- |
9 |
15 |
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2+4 |
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O |
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- |
- |
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2 |
1 |
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- |
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|
20 |
1 |
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2+1 |
|
|
1+2 |
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O |
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|
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|
- |
- |
9 |
15 |
20 |
1 |
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|
4+5 |
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|
- |
9 |
6 |
2 |
1 |
|
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|
1+8 |
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|
4 |
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- |
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- |
|
- |
1 |
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occurs |
x |
|
= |
1 |
|
- |
- |
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|
occurs |
x |
|
= |
2 |
|
- |
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- |
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|
occurs |
x |
|
= |
6 |
|
9 |
|
- |
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|
9 |
occurs |
x |
|
= |
9 |
|
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- |
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|
1+8 |
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|
1+8 |
|
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|
|
|
|
|
|
|
|
4 |
IRIS |
55 |
28 |
1 |
4 |
HERA |
32 |
23 |
5 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
ZEUS |
71 |
35 |
8 |
6 |
HERMES |
68 |
32 |
5 |
3 |
THE |
33 |
15 |
6 |
6 |
GOLDEN |
|
|
|
7 |
SECTION |
85 |
31 |
4 |
16 |
- |
|
|
|
1+6 |
- |
1+7+5 |
7+6 |
1+3 |
7 |
- |
|
|
|
8 |
THIRTEEN |
|
|
|
3 |
THE |
33 |
15 |
6 |
6 |
GOLDEN |
|
|
|
9 |
RECTANGLE |
85 |
40 |
4 |
7 |
SECTION |
|
|
|
9 |
RECTANGLE |
85 |
40 |
4 |
3 |
|
33 |
15 |
|
9 |
|
135 |
63 |
|
|
First Total |
|
|
|
1+2 |
Add to Reduce |
1+6+8 |
7+8 |
1+5 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+5 |
1+5 |
|
|
Essence of Number |
|
|
|
4 |
|
27 |
18 |
|
7 |
|
108 |
27 |
|
6 |
|
54 |
18 |
|
8 |
|
72 |
36 |
|
9 |
|
91 |
37 |
|
|
|
|
|
|
2 |
H+A |
9 |
9 |
|
1 |
R |
18 |
9 |
|
1 |
E |
5 |
5 |
|
|
HARE |
|
|
|
- |
|
3+2 |
2+3 |
2+3 |
|
HARE |
|
|
|
|
|
|
|
|
2 |
H+A |
9 |
9 |
|
1 |
1 |
9 |
9 |
|
1 |
R |
18 |
9 |
|
|
HAIR |
|
|
|
- |
|
3+6 |
2+7 |
2+7 |
|
HAIR |
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- |
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|
- |
- |
|
|
1 |
7 |
18 |
1 |
|
|
|
2+7 |
= |
|
- |
|
|
|
1 |
7 |
9 |
1 |
|
|
|
1+8 |
= |
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- |
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- |
--- |
-- |
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- |
- |
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occurs |
x |
|
= |
|
2 |
- |
- |
- |
- |
- |
|
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|
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|
|
|
3 |
- |
- |
- |
- |
- |
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4 |
- |
- |
- |
- |
- |
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5 |
- |
- |
- |
- |
- |
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|
6 |
- |
- |
- |
- |
- |
|
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|
- |
-- |
|
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- |
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occurs |
x |
|
= |
|
8 |
- |
- |
- |
- |
- |
|
|
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|
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|
|
|
- |
-- |
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|
- |
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|
occurs |
x |
|
= |
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|
|
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|
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|
2+8 |
|
- |
- |
- |
- |
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|
1+7 |
- |
|
|
- |
1+8 |
|
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|
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|
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|
1+0 |
|
- |
- |
- |
- |
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|
- |
- |
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- |
- |
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- |
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- |
- |
|
1 |
7 |
18 |
1 |
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|
2+7 |
= |
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- |
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|
1 |
7 |
9 |
1 |
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|
1+8 |
= |
|
- |
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- |
-- |
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- |
- |
|
occurs |
x |
|
= |
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-- |
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|
- |
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|
occurs |
x |
|
= |
|
-- |
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- |
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occurs |
x |
|
= |
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|
|
|
- |
- |
- |
- |
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|
1+7 |
- |
|
|
- |
1+8 |
|
|
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|
|
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|
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|
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|
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|
- |
- |
- |
- |
|
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- |
- |
|
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- |
- |
|
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|
|
|
|
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|
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|
7 |
|
108 |
27 |
|
3 |
|
33 |
15 |
|
5 |
|
72 |
36 |
|
2 |
|
21 |
12 |
|
6 |
|
54 |
18 |
|
|
First Total |
|
|
|
2+3 |
Add to Reduce |
2+8+8 |
1+0+8 |
3+6 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
|
|
Essence of Number |
|
|
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|
|
R |
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- |
- |
|
- |
- |
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6 |
|
6 |
|
9 |
1 |
|
|
|
2+2 |
|
|
- |
|
|
|
- |
- |
|
|
|
15 |
|
15 |
|
9 |
19 |
|
|
|
5+8 |
|
|
1+3 |
|
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R |
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- |
- |
|
- |
- |
|
3 |
9 |
|
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|
3 |
|
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|
|
|
2+3 |
|
|
- |
|
|
|
- |
- |
|
3 |
18 |
|
|
|
12 |
|
|
|
|
|
5+0 |
|
|
- |
|
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|
R |
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|
|
|
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|
- |
- |
|
- |
- |
1 |
3 |
18 |
15 |
16 |
15 |
12 |
9 |
19 |
|
|
|
1+0+8 |
|
|
|
|
|
|
- |
- |
1 |
3 |
9 |
6 |
7 |
6 |
3 |
9 |
1 |
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|
4+5 |
|
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|
9 |
|
|
R |
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- |
- |
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1 |
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occurs |
x |
|
= |
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- |
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- |
- |
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- |
- |
- |
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3 |
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3 |
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occurs |
x |
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= |
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- |
- |
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- |
- |
- |
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- |
- |
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- |
- |
- |
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6 |
|
6 |
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occurs |
x |
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= |
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occurs |
x |
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= |
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9 |
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|
- |
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|
occurs |
x |
|
= |
18 |
1+8 |
|
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|
R |
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|
1+0 |
- |
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|
2+6 |
|
|
- |
|
4+5 |
|
2+7 |
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R |
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|
1+0 |
- |
1 |
3 |
9 |
6 |
7 |
6 |
3 |
9 |
1 |
|
|
- |
|
|
- |
|
- |
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- |
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R |
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R |
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- |
- |
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- |
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|
6 |
|
6 |
|
9 |
1 |
|
|
|
2+2 |
|
|
- |
|
|
|
- |
|
|
|
15 |
|
15 |
|
9 |
19 |
|
|
|
5+8 |
|
|
1+3 |
|
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R |
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- |
- |
|
- |
|
3 |
9 |
|
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|
3 |
|
|
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|
|
2+3 |
|
|
- |
|
|
|
- |
|
3 |
18 |
|
|
|
12 |
|
|
|
|
|
5+0 |
|
|
- |
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R |
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- |
- |
|
- |
1 |
3 |
18 |
15 |
16 |
15 |
12 |
9 |
19 |
|
|
|
1+0+8 |
|
|
|
|
|
|
- |
1 |
3 |
9 |
6 |
7 |
6 |
3 |
9 |
1 |
|
|
|
4+5 |
|
|
|
|
|
|
9 |
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
3 |
|
|
|
|
3 |
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
6 |
|
6 |
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
9 |
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
2+6 |
|
|
- |
|
4+5 |
|
2+7 |
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
1 |
3 |
9 |
6 |
7 |
6 |
3 |
9 |
1 |
|
|
- |
|
|
- |
|
- |
|
- |
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
9 |
|
111 |
48 |
|
|
Add to Reduce |
|
|
|
1+2 |
Reduce to Deduce |
1+4+4 |
6+3 |
- |
|
Essence of Number |
|
|
|
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
2 |
P+A |
17 |
8 |
8 |
1 |
R |
18 |
9 |
9 |
1 |
T |
20 |
2 |
2 |
3 |
H+E+N |
27 |
18 |
9 |
2 |
O+N |
29 |
11 |
2 |
|
|
|
|
|
|
|
1+4+4 |
6+3 |
3+6 |
|
|
|
|
|
12 |
THE PARTHENON |
144 |
63 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
8 |
|
|
|
|
|
|
8 |
|
5 |
6 |
5 |
|
|
|
3+2 |
|
|
|
|
|
|
- |
- |
|
8 |
|
|
|
|
|
|
8 |
|
14 |
15 |
14 |
|
|
|
5+9 |
|
|
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
20 |
|
5 |
|
16 |
1 |
18 |
20 |
|
5 |
|
|
|
|
|
|
3+1 |
|
|
|
|
|
|
- |
- |
2 |
|
5 |
|
7 |
1 |
9 |
2 |
|
5 |
|
|
|
|
|
|
8+5 |
|
|
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
20 |
8 |
5 |
|
16 |
1 |
18 |
20 |
8 |
5 |
14 |
15 |
14 |
|
|
|
1+4+4 |
|
|
|
|
|
|
- |
- |
2 |
8 |
5 |
|
7 |
1 |
9 |
2 |
8 |
5 |
5 |
6 |
5 |
|
|
|
6+3 |
|
|
|
|
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
20 |
2+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
16 |
1+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
- |
- |
|
|
|
|
|
- |
- |
|
|
|
|
|
|
3+8 |
|
|
1+2 |
|
6+3 |
|
3+6 |
|
|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
2 |
8 |
5 |
|
7 |
1 |
9 |
2 |
8 |
5 |
5 |
6 |
5 |
|
- |
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
8 |
|
|
|
|
|
|
8 |
|
5 |
6 |
5 |
|
|
|
3+2 |
|
|
|
|
|
|
- |
|
8 |
|
|
|
|
|
|
8 |
|
14 |
15 |
14 |
|
|
|
5+9 |
|
|
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
20 |
|
5 |
|
16 |
1 |
18 |
20 |
|
5 |
|
|
|
|
|
|
3+1 |
|
|
|
|
|
|
- |
2 |
|
5 |
|
7 |
1 |
9 |
2 |
|
5 |
|
|
|
|
|
|
8+5 |
|
|
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
20 |
8 |
5 |
|
16 |
1 |
18 |
20 |
8 |
5 |
14 |
15 |
14 |
|
|
|
1+4+4 |
|
|
|
|
|
|
- |
2 |
8 |
5 |
|
7 |
1 |
9 |
2 |
8 |
5 |
5 |
6 |
5 |
|
|
|
6+3 |
|
|
|
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
20 |
2+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
16 |
1+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
- |
- |
|
|
|
|
|
- |
- |
|
|
|
|
|
|
3+8 |
|
|
1+2 |
|
6+3 |
|
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
2 |
8 |
5 |
|
7 |
1 |
9 |
2 |
8 |
5 |
5 |
6 |
5 |
|
- |
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
EROS |
57 |
21 |
3 |
4 |
SORE |
57 |
21 |
3 |
6 |
SIRIUS |
95 |
32 |
5 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
IRIS |
55 |
28 |
1 |
4 |
SIRI |
55 |
28 |
1 |
2 |
US |
40 |
4 |
4 |
6 |
SIRIUS |
95 |
32 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
7 |
1 |
|
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
7 |
1 |
9 |
1 |
|
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
1 |
|
1 |
|
|
|
occurs |
x |
|
= |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
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|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
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|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
occurs |
x |
|
= |
7 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
- |
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+8 |
|
|
|
|
- |
|
|
1+7 |
|
|
|
|
1+8 |
|
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|
|
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|
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|
|
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|
|
1+0 |
- |
7 |
1 |
9 |
1 |
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- |
- |
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|
9 |
|
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|
|
|
|
|
|
|
|
|
- |
- |
7 |
1 |
|
1 |
|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
7 |
1 |
9 |
1 |
|
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
1 |
|
1 |
|
|
|
occurs |
x |
|
= |
2 |
|
7 |
|
|
|
|
|
|
occurs |
x |
|
= |
7 |
|
|
|
9 |
- |
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
1+7 |
|
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|
1+8 |
|
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|
- |
7 |
1 |
9 |
1 |
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|
- |
- |
- |
|
|
6 |
|
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|
|
- |
- |
|
|
15 |
|
|
|
1+5 |
|
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|
|
|
|
- |
- |
- |
2 |
1 |
|
|
|
|
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|
|
|
|
- |
- |
20 |
1 |
|
|
|
|
2+1 |
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
20 |
1 |
15 |
|
|
|
3+6 |
|
|
|
|
- |
- |
2 |
1 |
6 |
|
|
|
|
|
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|
- |
|
|
|
1 |
- |
|
|
|
occurs |
x |
|
= |
1 |
|
|
2 |
|
|
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|
occurs |
x |
|
= |
2 |
|
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|
- |
|
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- |
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|
occurs |
x |
|
= |
6 |
|
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|
- |
|
|
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- |
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- |
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|
3+6 |
|
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- |
|
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3 |
|
|
O |
|
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- |
- |
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|
6 |
|
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|
- |
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|
15 |
|
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|
1+5 |
|
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|
|
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|
- |
- |
2 |
1 |
|
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|
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|
|
- |
20 |
1 |
|
|
|
|
2+1 |
|
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|
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|
|
- |
- |
20 |
1 |
15 |
|
|
|
3+6 |
|
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|
- |
2 |
1 |
6 |
|
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|
- |
|
|
1 |
|
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|
occurs |
x |
|
= |
1 |
|
2 |
|
|
|
|
|
occurs |
x |
|
= |
2 |
|
|
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|
|
occurs |
x |
|
= |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
V |
= |
4 |
2 |
V+E |
27 |
9 |
9 |
R |
= |
9 |
1 |
R |
18 |
9 |
9 |
M |
= |
4 |
3 |
M+I+N |
36 |
18 |
9 |
- |
- |
17 |
|
|
|
|
|
- |
- |
1+7 |
- |
- |
8+1 |
3+6 |
2+7 |
- |
- |
8 |
|
|
|
|
|
|
|
|
|
|
3 |
M+I+N |
36 |
18 |
9 |
3 |
E+R+V |
36 |
18 |
9 |
1 |
A |
1 |
1 |
1 |
|
|
|
|
|
|
|
8+2 |
3+7 |
1+9 |
|
|
|
|
|
|
|
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
2 |
G+E |
12 |
12 |
3 |
3 |
M+I+N |
36 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
5+7 |
3+9 |
2+1 |
|
|
|
|
|
|
|
1+2 |
1+2 |
- |
|
|
|
|
|
7 |
REALITY |
90 |
36 |
9 |
2 |
IS |
28 |
10 |
1 |
8 |
REVEALED |
72 |
36 |
9 |
3 |
THE |
33 |
15 |
6 |
8 |
EQUINOX |
105 |
42 |
6 |
3 |
THE |
33 |
15 |
6 |
9 |
EQUINOXES |
129 |
48 |
3 |
12 |
Add to Reduce |
|
|
|
1+2 |
Reduce to Deduce |
1+6+2 |
6+3 |
- |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
8 |
|
|
|
|
|
9 |
5 |
6 |
6 |
|
1 |
|
|
|
3+5 |
|
|
|
|
|
|
- |
- |
|
8 |
|
- |
|
|
|
9 |
14 |
15 |
24 |
|
19 |
|
|
|
8+9 |
|
|
1+7 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
|
5 |
- |
5 |
8 |
|
|
|
|
|
5 |
|
|
|
|
2+8 |
|
|
1+0 |
|
|
|
- |
- |
|
|
5 |
- |
5 |
17 |
|
|
|
|
|
5 |
|
|
|
|
7+3 |
|
|
1+0 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
20 |
8 |
5 |
|
5 |
17 |
21 |
9 |
14 |
15 |
24 |
5 |
19 |
|
|
|
1+6+2 |
|
|
|
|
|
|
- |
- |
2 |
8 |
5 |
|
5 |
8 |
3 |
9 |
5 |
6 |
6 |
5 |
1 |
|
|
|
6+3 |
|
|
- |
|
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
- |
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
- |
|
|
|
- |
|
- |
|
|
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
|
|
|
|
- |
- |
|
|
|
- |
|
- |
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
|
|
|
|
- |
- |
|
|
|
- |
|
- |
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
- |
- |
|
|
|
|
- |
- |
- |
|
occurs |
x |
|
= |
20 |
2+0 |
|
|
|
|
- |
|
- |
|
- |
|
- |
|
|
|
|
- |
- |
- |
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
|
- |
- |
|
- |
|
- |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
16 |
1+6 |
|
|
|
|
- |
|
- |
|
- |
|
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
1+2 |
- |
- |
|
- |
|
- |
|
|
|
|
|
|
|
|
|
3+4 |
|
|
1+2 |
|
6+3 |
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
8 |
5 |
|
5 |
8 |
3 |
|
5 |
6 |
6 |
5 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
8 |
|
- |
|
|
|
9 |
5 |
6 |
6 |
|
1 |
|
|
|
3+5 |
|
|
|
|
|
|
- |
|
8 |
|
- |
|
|
|
9 |
14 |
15 |
24 |
|
19 |
|
|
|
8+9 |
|
|
1+7 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
5 |
- |
5 |
8 |
|
|
|
|
|
5 |
|
|
|
|
2+8 |
|
|
1+0 |
|
|
|
- |
|
|
5 |
|
5 |
17 |
|
|
|
|
|
5 |
|
|
|
|
7+3 |
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
20 |
8 |
5 |
|
5 |
17 |
21 |
9 |
14 |
15 |
24 |
5 |
19 |
|
|
|
1+6+2 |
|
|
|
|
|
|
- |
2 |
8 |
5 |
|
5 |
8 |
3 |
9 |
5 |
6 |
6 |
5 |
1 |
|
|
|
6+3 |
|
|
- |
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
- |
|
|
|
- |
|
- |
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
|
|
|
- |
- |
- |
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
- |
- |
|
|
|
- |
- |
- |
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
20 |
2+0 |
|
- |
- |
- |
|
- |
|
- |
|
- |
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
- |
- |
|
|
- |
- |
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
16 |
1+6 |
|
- |
- |
- |
|
- |
|
- |
|
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
- |
- |
|
- |
|
- |
|
|
|
|
|
|
|
|
|
3+4 |
|
|
1+2 |
|
6+3 |
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
8 |
5 |
|
5 |
8 |
3 |
|
5 |
6 |
6 |
5 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
24 |
P |
R |
E |
C |
E |
S |
S |
I |
O |
N |
- |
O |
F |
- |
T |
H |
E |
- |
E |
Q |
U |
I |
N |
O |
X |
E |
S |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
|
|
9 |
6 |
5 |
- |
6 |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
9 |
5 |
6 |
6 |
- |
1 |
+ |
= |
63 |
6+3 |
= |
|
= |
|
= |
- |
|
- |
- |
- |
- |
- |
- |
- |
|
|
9 |
15 |
14 |
- |
15 |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
9 |
14 |
15 |
24 |
- |
19 |
+ |
= |
180 |
1+8+0 |
= |
|
= |
9 |
= |
- |
9 |
|
24 |
P |
R |
E |
C |
E |
S |
S |
I |
O |
N |
- |
O |
F |
- |
T |
H |
E |
|
E |
Q |
U |
I |
N |
O |
X |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
16 |
18 |
5 |
3 |
5 |
- |
- |
- |
- |
|
|
- |
6 |
- |
20 |
|
|
- |
5 |
17 |
- |
|
- |
- |
- |
5 |
- |
+ |
= |
|
1+2+6 |
= |
9 |
= |
|
= |
- |
|
- |
|
7 |
9 |
5 |
3 |
5 |
- |
- |
- |
- |
|
|
- |
6 |
- |
2 |
|
5 |
- |
5 |
8 |
- |
|
- |
- |
- |
5 |
- |
+ |
= |
|
6+3 |
= |
9 |
= |
|
= |
- |
|
|
24 |
P |
R |
E |
C |
E |
S |
S |
I |
|
|
- |
|
F |
- |
|
H |
E |
|
E |
Q |
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
16 |
18 |
5 |
3 |
5 |
19 |
19 |
9 |
15 |
14 |
|
15 |
6 |
- |
20 |
8 |
5 |
|
5 |
17 |
21 |
9 |
14 |
15 |
24 |
5 |
19 |
+ |
= |
306 |
3+0+6 |
= |
9 |
= |
|
= |
- |
|
|
|
7 |
9 |
5 |
3 |
5 |
1 |
1 |
9 |
6 |
5 |
|
6 |
6 |
- |
2 |
8 |
5 |
|
5 |
8 |
3 |
9 |
5 |
6 |
6 |
5 |
1 |
+ |
= |
126 |
1+2+6 |
= |
|
= |
|
= |
- |
|
|
24 |
P |
R |
E |
C |
E |
S |
S |
I |
|
|
- |
|
F |
- |
|
H |
E |
|
E |
Q |
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
1 |
- |
- |
|
occurs |
x |
3 |
= |
|
= |
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
1 |
= |
|
= |
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
2 |
= |
|
= |
- |
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
4 |
- |
|
- |
- |
- |
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
5 |
- |
|
|
|
|
5 |
- |
- |
5 |
- |
- |
- |
5 |
occurs |
x |
7 |
= |
|
3+5 |
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
- |
|
|
|
|
- |
6 |
6 |
- |
- |
- |
- |
|
occurs |
|
5 |
- |
|
3+0 |
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
7 |
occurs |
x |
1 |
= |
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
8 |
|
|
- |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
2 |
= |
|
1+6 |
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
3 |
= |
|
2+7 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
- |
126 |
|
- |
|
- |
2+4 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
4+1 |
- |
- |
2+4 |
- |
1+2+6 |
|
- |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
6 |
- |
|
|
- |
|
- |
- |
7 |
9 |
5 |
3 |
5 |
1 |
1 |
9 |
6 |
5 |
|
6 |
6 |
- |
2 |
8 |
5 |
|
5 |
8 |
3 |
9 |
5 |
6 |
6 |
5 |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
6 |
- |
|
|
- |
|
10 |
PRECESSION |
123 |
51 |
6 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
9 |
EQUINOXES |
129 |
48 |
3 |
24 |
First Total |
306 |
126 |
18 |
2+4 |
Add to Reduce |
3+0+6 |
1+2+6 |
1+8 |
6 |
Final Total |
9 |
9 |
9 |
6 |
AUTUMN |
90 |
18 |
9 |
6 |
SPRING |
83 |
38 |
2 |
6 |
SUMMER |
89 |
35 |
8 |
6 |
WINTER |
89 |
35 |
8 |
24 |
First Total |
351 |
126 |
27 |
2+4 |
Add to Reduce |
3+5+1 |
1+2+6 |
2+7 |
6 |
Final Total |
9 |
9 |
9 |
24 |
AUTUMN + WINTER + SPRING + SUMMER |
351 |
126 |
9 |
26 |
NUMERICAL VALUE OF ENGLISH ALPHABET A TO Z |
351 |
126 |
9 |
OS IRIS SO IRIS
SO RISES THAT SUN SO SETS THAT SUN
SO IRIS OS IRIS
6 |
OSIRIS |
89 |
35 |
8 |
4 |
THAT |
49 |
13 |
4 |
3 |
SON |
48 |
12 |
3 |
13 |
- |
186 |
60 |
15 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
SO |
34 |
7 |
7 |
5 |
RISES |
70 |
25 |
7 |
4 |
THAT |
49 |
13 |
4 |
3 |
SUN |
54 |
9 |
9 |
14 |
- |
207 |
27 |
27 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
SO |
34 |
7 |
7 |
4 |
SETS |
63 |
9 |
9 |
4 |
THAT |
49 |
13 |
4 |
3 |
SON |
48 |
12 |
3 |
11 |
- |
160 |
34 |
16 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
SO |
34 |
7 |
7 |
4 |
SETS |
63 |
9 |
9 |
4 |
THAT |
49 |
13 |
4 |
3 |
SUN |
54 |
9 |
9 |
13 |
|
200 |
38 |
29 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
51 |
Grand Total |
|
|
|
5+1 |
Add to Reduce |
7+5+3 |
1+8+6 |
8+7 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+5 |
1+5 |
1+5 |
|
Essence of Number |
|
|
|
ISIS
OSIRIS SIRIUS SIRIUS OSIRIS
ISIS
8 |
PROBABLE |
71 |
35 |
8 |
11 |
PROBABILITY |
129 |
57 |
3 |
6 |
THEORY |
91 |
37 |
1 |
|
|
T |
R |
O |
I |
A |
|
|
|
- |
- |
|
|
- |
- |
|
|
|
- |
- |
6 |
9 |
- |
|
|
|
1+5 |
= |
|
- |
|
|
|
|
|
- |
- |
15 |
9 |
- |
|
|
|
2+4 |
= |
|
- |
|
|
|
|
|
T |
R |
O |
I |
A |
|
|
|
- |
- |
|
|
- |
- |
|
|
|
2 |
9 |
- |
- |
1 |
|
|
|
1+2 |
= |
|
- |
|
|
|
|
|
20 |
18 |
- |
- |
1 |
|
|
|
3+9 |
= |
|
1+2 |
|
|
|
|
|
T |
R |
O |
I |
A |
|
|
|
- |
- |
|
|
- |
- |
|
|
|
20 |
18 |
15 |
9 |
1 |
|
|
|
6+3 |
= |
|
- |
|
|
|
|
|
2 |
9 |
6 |
9 |
1 |
|
|
|
2+7 |
= |
|
- |
|
|
|
|
|
T |
R |
O |
I |
A |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
- |
- |
- |
1 |
|
|
|
occurs |
x |
|
= |
1 |
- |
|
- |
- |
2 |
-- |
- |
-- |
- |
-- |
- |
|
occurs |
x |
|
= |
2 |
- |
|
3 |
- |
- |
-- |
- |
-- |
- |
-- |
- |
3 |
- |
- |
|
- |
- |
- |
|
4 |
- |
- |
-- |
- |
-- |
- |
-- |
- |
4 |
- |
- |
|
- |
- |
- |
|
5 |
- |
- |
-- |
- |
-- |
- |
-- |
- |
5 |
- |
- |
|
- |
- |
- |
|
- |
- |
- |
-- |
6 |
- |
- |
-- |
- |
|
occurs |
x |
|
= |
6 |
- |
|
7 |
- |
- |
-- |
- |
-- |
- |
- |
- |
7 |
- |
- |
|
- |
- |
- |
|
8 |
- |
- |
-- |
- |
-- |
- |
-- |
- |
8 |
- |
- |
|
- |
- |
- |
|
- |
- |
- |
9 |
- |
9 |
- |
-- |
- |
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
T |
R |
O |
I |
A |
|
|
18 |
|
|
|
|
|
|
|
2+7 |
|
|
9 |
- |
9 |
|
|
|
1+8 |
- |
- |
- |
- |
2+7 |
- |
1+8 |
9 |
|
T |
R |
O |
I |
A |
|
|
9 |
|
|
|
|
|
|
|
|
|
2 |
9 |
6 |
9 |
1 |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
T |
R |
O |
I |
A |
|
|
9 |
|
|
|
|
|
|
|
|
T |
R |
O |
I |
A |
|
|
|
- |
- |
|
|
- |
- |
|
|
- |
- |
6 |
9 |
- |
|
|
|
1+5 |
= |
|
- |
|
|
|
|
- |
- |
15 |
9 |
- |
|
|
|
2+4 |
= |
|
- |
|
|
|
|
T |
R |
O |
I |
A |
|
|
|
- |
- |
|
|
- |
- |
|
|
2 |
9 |
- |
- |
1 |
|
|
|
1+2 |
= |
|
- |
|
|
|
|
20 |
18 |
- |
- |
1 |
|
|
|
3+9 |
= |
|
1+2 |
|
|
|
|
T |
R |
O |
I |
A |
|
|
|
- |
- |
|
|
- |
- |
|
|
20 |
18 |
15 |
9 |
1 |
|
|
|
6+3 |
= |
|
- |
|
|
|
|
2 |
9 |
6 |
9 |
1 |
|
|
|
2+7 |
= |
|
- |
|
|
|
|
T |
R |
O |
I |
A |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
- |
- |
1 |
|
|
|
occurs |
x |
|
= |
1 |
- |
|
- |
2 |
-- |
- |
-- |
- |
-- |
- |
|
occurs |
x |
|
= |
2 |
- |
|
- |
- |
-- |
6 |
- |
- |
-- |
- |
|
occurs |
x |
|
= |
6 |
- |
|
- |
- |
9 |
- |
9 |
- |
-- |
- |
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
T |
R |
O |
I |
A |
|
|
18 |
|
|
|
|
|
|
|
|
|
9 |
- |
9 |
|
|
|
1+8 |
- |
- |
- |
- |
2+7 |
- |
1+8 |
|
T |
R |
O |
I |
A |
|
|
9 |
|
|
|
|
|
|
|
|
2 |
9 |
6 |
9 |
1 |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
|
T |
R |
O |
I |
A |
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
- |
6 |
- |
- |
- |
8 |
- |
- |
1 |
+ |
= |
15 |
1+5 |
= |
6 |
- |
6 |
- |
6 |
|
- |
- |
- |
15 |
- |
- |
- |
8 |
- |
- |
19 |
+ |
= |
42 |
4+2 |
= |
6 |
- |
6 |
- |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
7 |
9 |
- |
4 |
5 |
2 |
- |
5 |
3 |
- |
|
|
|
3+5 |
|
|
- |
|
|
|
|
|
16 |
18 |
- |
13 |
5 |
20 |
- |
5 |
21 |
- |
|
|
|
9+8 |
|
|
1+7 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
16 |
18 |
15 |
13 |
5 |
20 |
8 |
5 |
21 |
19 |
|
|
|
1+4+0 |
|
|
- |
5 |
|
|
|
|
7 |
9 |
6 |
4 |
5 |
2 |
8 |
5 |
3 |
1 |
|
|
|
5+0 |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
1 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
7 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
1+0 |
|
5+0 |
|
4+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
7 |
9 |
6 |
4 |
5 |
2 |
8 |
5 |
3 |
1 |
|
|
- |
|
|
- |
|
- |
|
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
1 |
|
5 |
|
5 |
EUS USE USE EUS
ODYSSEUS
PERSEUS
ZEUS
THESEUS
ORPHEUS
PROMETHEUS
EUS USE USE EUS
5+3+1 3+5+1 3+5+1 5+3+1
- |
ODYSSEUS |
- |
- |
- |
|
O+D+Y+S+S |
82 |
19 |
|
|
E |
5 |
5 |
|
|
U |
21 |
3 |
|
|
S |
19 |
1 |
|
8 |
ODYSSEUS |
127 |
28 |
19 |
- |
- |
1+2+7 |
2+8 |
1+9 |
8 |
ODYSSEUS |
10 |
10 |
10 |
- |
- |
1+0 |
1+0 |
1+0 |
8 |
ODYSSEUS |
1 |
1 |
1 |
PERSEUS PURSUES
- |
PERSEUS |
- |
- |
- |
|
P+E+R+S |
58 |
22 |
4 |
|
E |
5 |
5 |
|
|
U |
21 |
3 |
|
|
S |
19 |
1 |
|
7 |
PERSEUS |
|
|
|
- |
- |
1+0+3 |
3+1 |
2+2 |
7 |
PERSEUS |
|
|
|
|
- |
1+3 |
- |
- |
|
PERSEUS |
|
|
|
- |
PERSEUS |
- |
- |
- |
2 |
PE |
21 |
12 |
3 |
1 |
R |
18 |
9 |
9 |
2 |
SE |
24 |
6 |
6 |
1 |
U |
21 |
3 |
3 |
1 |
S |
19 |
1 |
1 |
7 |
PERSEUS |
|
|
|
- |
- |
1+0+3 |
3+1 |
2+2 |
7 |
PERSEUS |
|
|
|
|
- |
1+3 |
- |
- |
|
PERSEUS |
|
|
|
|
THESEUS |
- |
- |
- |
|
THES |
52 |
16 |
7 |
|
E |
5 |
5 |
|
|
U |
21 |
3 |
|
|
S |
19 |
1 |
|
7 |
THESEUS |
|
|
|
- |
- |
9+7 |
2+5 |
1+6 |
7 |
THESEUS |
|
|
|
|
- |
1+6 |
- |
- |
|
THESEUS |
|
|
|
- |
ORPHEUS |
- |
- |
- |
|
ORPH |
57 |
30 |
|
|
E |
5 |
5 |
|
|
U |
21 |
3 |
|
|
S |
19 |
1 |
|
7 |
ORPHEUS |
102 |
39 |
17 |
- |
- |
1+0+2 |
3+9 |
1+7 |
7 |
ORPHEUS |
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
7 |
ORPHEUS |
3 |
3 |
3 |
- |
PROMETHEUS |
- |
- |
- |
|
PROMETH |
95 |
41 |
|
|
E |
5 |
5 |
|
|
U |
21 |
3 |
|
|
S |
19 |
1 |
|
10 |
PROMETHEUS |
71 |
17 |
17 |
1+0 |
- |
7+1 |
1+7 |
1+7 |
1 |
PROMETHEUS |
8 |
8 |
8 |
|
HERCULES |
- |
- |
- |
|
HERCU |
55 |
28 |
1 |
|
L |
12 |
3 |
|
|
E |
5 |
5 |
|
|
S |
19 |
1 |
|
8 |
HERCULES |
|
|
|
- |
- |
9+7 |
2+5 |
1+6 |
8 |
HERCULES |
|
|
|
|
- |
1+6 |
- |
- |
|
HERCULES |
|
|
|
|
ACHILLES |
- |
- |
- |
|
ACHIL |
33 |
24 |
6 |
|
L |
12 |
3 |
|
|
E |
5 |
5 |
|
|
S |
19 |
1 |
|
8 |
ACHILLES |
|
|
|
- |
- |
9+7 |
2+5 |
1+6 |
8 |
ACHILLES |
|
|
|
|
- |
1+6 |
- |
- |
|
ACHILLES |
|
|
|
- |
ZEUS |
- |
- |
- |
|
Z |
26 |
8 |
|
|
EUS |
45 |
9 |
|
|
ZEUS |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ODYSSEUS |
- |
- |
- |
|
ODYSS |
82 |
19 |
|
|
EUS |
45 |
9 |
|
|
ODYSSEUS |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
PERSEUS |
- |
- |
- |
|
PERS |
58 |
22 |
4 |
|
EUS |
45 |
9 |
|
7 |
PERSEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
THESEUS |
- |
- |
- |
|
THES |
52 |
16 |
7 |
|
EUS |
45 |
9 |
|
|
THESEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
ORPHEUS |
- |
- |
- |
|
ORPH |
57 |
30 |
3 |
|
EUS |
45 |
9 |
|
|
ORPHEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
PROMETHEUS |
- |
- |
- |
|
PROMETH |
95 |
41 |
|
|
EUS |
45 |
9 |
|
10 |
PROMETHEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
HERCULES |
- |
- |
- |
|
HERCU |
55 |
28 |
1 |
|
LES |
36 |
9 |
|
|
HERCULES |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
ACHILLES |
- |
- |
- |
|
ACHIL |
55 |
28 |
1 |
|
LES |
36 |
9 |
|
|
ACHILLES |
- |
- |
- |
- |
ZEUS |
- |
- |
- |
|
Z |
- |
- |
- |
|
EUS |
45 |
9 |
|
|
ZEUS |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ODYSSEUS |
- |
- |
- |
|
ODYSS |
- |
- |
- |
|
EUS |
45 |
9 |
|
|
ODYSSEUS |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
PERSEUS |
- |
- |
- |
|
PERS |
- |
- |
- |
|
EUS |
45 |
9 |
|
7 |
PERSEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
THESEUS |
- |
- |
- |
|
THES |
- |
- |
- |
|
EUS |
45 |
9 |
|
|
THESEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
ORPHEUS |
- |
- |
- |
|
ORPH |
- |
- |
- |
|
EUS |
45 |
9 |
|
|
ORPHEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
PROMETHEUS |
- |
- |
- |
|
PROMETH |
- |
- |
- |
|
EUS |
45 |
9 |
|
10 |
PROMETHEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
HERCULES |
- |
- |
- |
|
HERCU |
- |
- |
- |
|
LES |
36 |
9 |
|
|
HERCULES |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
ACHILLES |
- |
- |
- |
|
ACHIL |
- |
- |
- |
|
LES |
36 |
9 |
|
|
ACHILLES |
- |
- |
- |
- |
ZEUS |
E |
U |
S |
|
Z |
- |
- |
- |
|
EUS |
5 |
3 |
|
|
ZEUS |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ODYSSEUS |
- |
- |
- |
|
ODYSS |
- |
- |
- |
|
EUS |
5 |
3 |
|
|
ODYSSEUS |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
PERSEUS |
- |
- |
- |
|
PERS |
- |
- |
- |
|
EUS |
5 |
3 |
|
7 |
PERSEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
THESEUS |
- |
- |
- |
|
THES |
- |
- |
- |
|
EUS |
5 |
3 |
|
|
THESEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
ORPHEUS |
- |
- |
- |
|
ORPH |
- |
- |
- |
|
EUS |
5 |
3 |
|
|
ORPHEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
PROMETHEUS |
- |
- |
- |
|
PROMETH |
- |
- |
- |
|
EUS |
5 |
3 |
|
10 |
PROMETHEUS |
- |
- |
- |
Need help with a greek word
ww.usingenglish.com › ... › Pronunciation and Phonetics
1 post - 1 author - 21 Dec 2009
Hi I'm preparing a presentation over the winter break. My topic is "Eugenics" the origin of this word comes from the Greeks which is eus (good ...
Hi
I'm preparing a presentation over the winter break.
My topic is "Eugenics" the origin of this word comes from the Greeks which is eus (good or well) genēs(born), so the origin of the word means
"Well Born" I just wanted to know if anyone knew how to pronounce each of these
italicized/bolded words.
Thanks and Happy Holidays everyone ;D
English Word Origins: PART THREE
www.class.uidaho.edu/luschnig/EWO/part_three.htm
3rd-1st declension: -us, -eia, -u; -Çn, -ousa, -on. Rules for making Greek words conform to Latin orthographical and morphological conventions [i.e. rules of ...
Thera - 2.3 The Exodus explained
www.riaanbooysen.com/thera?start=3
The Greek word for 'chariot' is harma ('arma'), and the Greek word eus simply means good. Harmaeus (Hermeus / Armais) therefore means something like "The ...
Question for classically-educated forum members [Archive] - JREF Forum
forums.randi.org › ... › General Topics › History, Literature, and the Arts
20 posts - 12 authors - 12 Aug 2003
To make things more complicated, in Greek, words that end in -eus are stressed in the last syllable. Note that -eus is pronounced -efs ...
Prometheus - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Prometheus
Zeus, king of the Olympian gods, sentenced the Titan to eternal torment for his ... The ancients believed that the name Prometheus derived from the Greek pro (before) + manthano (learn) and the agent suffix -eus, thus meaning "Forethinker". Plato contrasts Prometheus with his dull-witted brother Epimetheus , "Afterthinker".
PERSEUS PURSUES
- |
PERSEUS |
- |
- |
- |
|
P+E+R+S |
58 |
22 |
4 |
|
E |
5 |
5 |
|
|
U |
21 |
3 |
|
|
S |
19 |
1 |
|
7 |
PERSEUS |
|
|
|
- |
- |
1+0+3 |
3+1 |
2+2 |
7 |
PERSEUS |
|
|
|
|
- |
1+3 |
- |
- |
|
PERSEUS |
|
|
|
- |
PERSEUS |
- |
- |
- |
2 |
PE |
21 |
12 |
3 |
1 |
R |
18 |
9 |
9 |
2 |
SE |
24 |
6 |
6 |
1 |
U |
21 |
3 |
3 |
1 |
S |
19 |
1 |
1 |
7 |
PERSEUS |
|
|
|
- |
- |
1+0+3 |
3+1 |
2+2 |
7 |
PERSEUS |
|
|
|
|
- |
1+3 |
- |
- |
|
PERSEUS |
|
|
|
U |
= |
3 |
|
|
ULYSSES |
|
- |
|
|
|
|
|
1 |
U |
21 |
12 |
3 |
|
|
|
|
1 |
L |
12 |
3 |
3 |
|
|
|
|
1 |
Y |
25 |
7 |
7 |
|
|
|
|
1 |
S |
19 |
10 |
1 |
|
|
|
|
1 |
S |
19 |
10 |
1 |
|
|
|
|
1 |
E |
5 |
5 |
5 |
|
|
|
|
1 |
S |
19 |
10 |
1 |
U |
= |
3 |
|
7 |
|
|
|
|
|
|
|
|
1+8 |
|
1+2+0 |
5+7 |
2+1 |
U |
= |
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1+2 |
|
U |
= |
3 |
|
|
|
|
|
|
U |
= |
3 |
|
|
ULYSSES |
|
- |
|
|
|
|
|
1 |
U |
21 |
12 |
3 |
|
|
|
|
1 |
L |
12 |
3 |
3 |
|
|
|
|
1 |
Y+E |
30 |
12 |
3 |
|
|
|
|
1 |
S+S+S |
57 |
30 |
3 |
U |
= |
3 |
|
7 |
|
|
|
|
|
|
|
|
1+8 |
|
1+2+0 |
5+7 |
2+1 |
U |
= |
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1+2 |
|
U |
= |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
1 |
1 |
|
1 |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
19 |
19 |
|
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
|
|
|
|
|
|
- |
- |
- |
3 |
3 |
7 |
|
|
5 |
|
|
|
|
|
|
|
|
|
- |
- |
21 |
12 |
25 |
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
|
|
|
|
|
|
- |
- |
- |
21 |
12 |
25 |
19 |
19 |
5 |
19 |
|
|
|
|
|
|
|
|
- |
- |
3 |
3 |
7 |
1 |
1 |
5 |
1 |
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
3 |
|
|
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
occurs |
x |
|
= |
7 |
|
|
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
1+6 |
|
|
|
|
2+1 |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
3 |
3 |
7 |
1 |
1 |
5 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
1 |
1 |
|
1 |
|
|
|
|
|
|
|
|
- |
|
|
|
19 |
19 |
|
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
|
|
|
|
|
|
- |
- |
3 |
3 |
7 |
|
|
5 |
|
|
|
|
|
|
|
|
|
- |
21 |
12 |
25 |
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
|
|
|
|
|
|
- |
- |
21 |
12 |
25 |
19 |
19 |
5 |
19 |
|
|
|
|
|
|
|
|
- |
3 |
3 |
7 |
1 |
1 |
5 |
1 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
3 |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
|
|
|
|
- |
- |
|
- |
|
|
|
occurs |
x |
|
= |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
1+6 |
|
|
|
|
2+1 |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
3 |
3 |
7 |
1 |
1 |
5 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
U |
= |
3 |
7 |
ULYSSES |
120 |
21 |
3 |
O |
= |
6 |
8 |
ODYSSEUS |
127 |
28 |
1 |
- |
- |
9 |
15 |
First Total |
|
|
|
- |
- |
- |
1+5 |
Add to Reduce |
2+4+7 |
4+9 |
- |
- |
- |
9 |
6 |
Second Total |
|
|
|
- |
- |
- |
|
Reduce to Deduce |
1+3 |
1+3 |
- |
- |
- |
9 |
|
Essence of Number |
|
|
|
T |
= |
2 |
3 |
THE |
33 |
15 |
6 |
O |
= |
6 |
7 |
ODYSSEY |
112 |
31 |
4 |
- |
- |
8 |
10 |
First Total |
|
|
|
- |
- |
- |
1+0 |
Add to Reduce |
1+4+5 |
4+6 |
1+0 |
- |
- |
8 |
1 |
Second Total |
|
|
|
- |
- |
- |
|
Reduce to Deduce |
1+0 |
1+0 |
- |
- |
- |
8 |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
U |
|
|
|
|
|
|
|
|
- |
- |
- |
6 |
|
|
1 |
1 |
|
|
1 |
|
|
|
|
|
|
= |
|
- |
-`` |
15 |
|
|
19 |
19 |
|
|
19 |
|
|
|
7+2 |
|
|
= |
|
|
|
|
|
|
|
|
|
U |
|
|
|
|
|
|
|
|
- |
- |
- |
|
4 |
7 |
|
|
5 |
3 |
|
|
|
|
1+9 |
|
|
1+0 |
|
- |
- |
|
4 |
25 |
|
|
5 |
21 |
|
|
|
|
5+5 |
|
|
1+0 |
|
|
|
|
|
|
|
|
|
U |
|
|
|
|
|
|
|
|
- |
- |
- |
15 |
4 |
25 |
19 |
19 |
5 |
21 |
19 |
|
|
|
1+2+7 |
|
|
1+0 |
|
- |
- |
6 |
4 |
7 |
1 |
1 |
5 |
3 |
1 |
|
|
|
2+8 |
|
|
1+0 |
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
1 |
1 |
|
|
1 |
|
|
|
occurs |
x |
|
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
|
|
- |
|
|
|
|
5 |
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
|
7 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
7 |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+9 |
- |
- |
|
|
|
|
|
|
|
|
|
2+6 |
|
|
|
|
2+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
- |
3 |
3 |
7 |
1 |
1 |
5 |
1 |
|
|
|
|
|
|
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
U |
|
|
|
|
|
|
|
|
- |
- |
- |
6 |
|
|
1 |
1 |
|
|
1 |
|
|
|
|
|
|
= |
|
- |
-`` |
15 |
|
|
19 |
19 |
|
|
19 |
|
|
|
7+2 |
|
|
= |
|
|
|
|
|
|
|
|
|
U |
|
|
|
|
|
|
|
|
- |
- |
- |
|
4 |
7 |
|
|
5 |
3 |
|
|
|
|
1+9 |
|
|
1+0 |
|
- |
- |
|
4 |
25 |
|
|
5 |
21 |
|
|
|
|
5+5 |
|
|
1+0 |
|
|
|
|
|
|
|
|
|
U |
|
|
|
|
|
|
|
|
- |
- |
- |
15 |
4 |
25 |
19 |
19 |
5 |
21 |
19 |
|
|
|
1+2+7 |
|
|
1+0 |
|
- |
- |
6 |
4 |
7 |
1 |
1 |
5 |
3 |
1 |
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2+8 |
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1+0 |
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8 |
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- |
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- |
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1 |
1 |
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1 |
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occurs |
x |
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= |
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- |
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occurs |
x |
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= |
3 |
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occurs |
x |
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= |
4 |
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- |
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5 |
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occurs |
x |
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= |
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6 |
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occurs |
x |
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= |
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- |
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7 |
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occurs |
x |
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= |
7 |
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- |
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- |
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1+9 |
- |
- |
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2+6 |
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2+8 |
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1+0 |
- |
6 |
4 |
7 |
1 |
1 |
5 |
3 |
1 |
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1+0 |
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Argonauts
From Wikipedia, the free encyclopedia
Gathering of the Argonauts, Attic red-figure krater, 460–450 BC, Louvre (G 341)
The Argonauts (Ancient Greek: Ἀργοναῦται, Argonautai) were a band of heroes in Greek mythology, who in the years before the Trojan War, accompanied Jason to Colchis in his quest to find the Golden Fleece. Their name comes from their ship, the Argo, named after its builder, Argus. "Argonauts" literally means "Argo sailors". They were sometimes called Minyans, after a prehistoric tribe in the area.
|
|
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2 |
J+A |
11 |
2 |
|
3 |
S+O+N |
48 |
12 |
|
|
JASON |
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- |
|
5+9 |
1+4 |
- |
|
JASON |
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- |
|
1+4 |
- |
- |
|
JASON |
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J |
= |
1 |
|
JASON |
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A |
= |
1 |
3 |
AND |
19 |
10 |
1 |
T |
= |
2 |
3 |
THE |
33 |
15 |
6 |
A |
= |
1 |
9 |
ARGONAUTS |
116 |
35 |
8 |
- |
- |
5 |
20 |
First Total |
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|
|
- |
- |
- |
2+0 |
Add to Reduce |
2+2+7 |
7+4 |
2+0 |
- |
- |
5 |
2 |
Second Total |
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- |
- |
- |
|
Reduce to Deduce |
1+1 |
1+1 |
- |
- |
- |
5 |
|
Essence of Number |
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1 |
A |
1 |
1 |
|
1 |
R |
18 |
9 |
|
1 |
G |
7 |
7 |
|
1 |
O |
15 |
6 |
|
|
ARGO |
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- |
|
4+1 |
2+3 |
2+3 |
|
ARGO |
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|
|
15 |
THE GOLDEN FLEECE |
126 |
72 |
9 |
3 |
THE |
33 |
15 |
6 |
6 |
GOLDEN |
57 |
30 |
3 |
6 |
FLEECE |
36 |
27 |
9 |
15 |
Add to Reduce |
|
|
|
1+5 |
Reduce to Deduce |
1+2+6 |
7+2 |
1+8 |
|
Essence of Number |
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- |
- |
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- |
- |
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8 |
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6 |
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5 |
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1+9 |
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1+0 |
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- |
- |
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8 |
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15 |
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14 |
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3+7 |
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1+0 |
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- |
- |
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- |
- |
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5 |
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7 |
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3 |
4 |
5 |
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3 |
5 |
5 |
3 |
5 |
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5+3 |
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= |
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- |
- |
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5 |
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7 |
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12 |
4 |
5 |
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12 |
5 |
5 |
3 |
5 |
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8+9 |
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1+7 |
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- |
- |
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- |
- |
20 |
8 |
5 |
|
7 |
15 |
12 |
4 |
5 |
14 |
|
6 |
12 |
5 |
5 |
3 |
5 |
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|
1+2+6 |
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- |
- |
2 |
8 |
5 |
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7 |
6 |
3 |
4 |
5 |
5 |
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6 |
3 |
5 |
5 |
3 |
5 |
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7+2 |
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15 |
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- |
- |
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- |
- |
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- |
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- |
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occurs |
x |
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= |
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= |
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- |
- |
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3 |
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3 |
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3 |
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occurs |
x |
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= |
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= |
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- |
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occurs |
x |
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= |
4 |
= |
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- |
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occurs |
x |
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= |
30 |
3+0 |
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- |
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occurs |
x |
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= |
12 |
1+2 |
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- |
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7 |
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occurs |
x |
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= |
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= |
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- |
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occurs |
x |
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= |
8 |
= |
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- |
- |
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1+0 |
1+5 |
- |
- |
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- |
- |
3+5 |
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1+5 |
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7+2 |
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3+6 |
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- |
2 |
8 |
5 |
|
7 |
6 |
3 |
4 |
5 |
5 |
|
6 |
3 |
5 |
5 |
3 |
5 |
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- |
- |
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|
THE GOLDEN FLEECE
- |
- |
- |
- |
- |
THE GOLDEN FLEECE |
- |
- |
- |
T |
= |
|
- |
3 |
THE |
33 |
15 |
6 |
G |
= |
|
- |
6 |
GOLDEN |
57 |
30 |
3 |
F |
= |
|
- |
6 |
FLEECE |
36 |
27 |
9 |
- |
- |
15 |
- |
|
THE GOLDEN FLEECE |
|
|
|
- |
- |
1+5 |
- |
1+5 |
- |
1+2+6 |
7+2 |
1+8 |
- |
- |
6 |
- |
6 |
THE GOLDEN FLEECE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
- |
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
6 |
GOLDEN |
57 |
30 |
3 |
- |
|
- |
|
|
|
|
|
|
|
F |
= |
6 |
- |
6 |
FLEECE |
63 |
27 |
9 |
- |
- |
|
|
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|
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|
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T |
= |
2 |
1 |
1 |
T |
20 |
2 |
2 |
- |
|
|
|
|
|
|
|
|
|
H |
= |
8 |
2 |
1 |
H |
8 |
8 |
8 |
- |
|
|
|
|
|
|
|
|
|
E |
= |
5 |
3 |
1 |
E |
5 |
5 |
5 |
- |
|
|
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|
|
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|
|
G |
= |
7 |
4 |
1 |
G |
7 |
7 |
7 |
- |
|
|
|
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|
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|
|
|
O |
= |
6 |
5 |
1 |
O |
15 |
6 |
6 |
- |
|
|
|
|
|
|
|
|
|
L |
= |
3 |
6 |
1 |
L |
12 |
3 |
3 |
- |
|
|
|
|
|
|
|
|
|
D |
= |
4 |
7 |
1 |
D |
4 |
4 |
4 |
- |
|
|
- |
|
|
|
|
|
|
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
N |
= |
5 |
9 |
1 |
N |
14 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
F |
= |
6 |
10 |
1 |
F |
6 |
6 |
6 |
- |
|
|
|
|
|
|
|
|
|
L |
= |
3 |
11 |
1 |
L |
12 |
3 |
3 |
- |
|
|
|
|
|
|
|
|
|
E |
= |
5 |
12 |
1 |
E |
5 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
E |
= |
5 |
13 |
1 |
E |
5 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
C |
= |
3 |
14 |
1 |
C |
3 |
3 |
3 |
- |
|
|
|
|
|
|
|
|
|
E |
= |
5 |
15 |
1 |
E |
5 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
72 |
|
15 |
THE GOLDEN FLEECE |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
7+2 |
- |
1+5 |
- |
1+2+6 |
7+2 |
1+8 |
|
|
|
|
|
3+0 |
1+2 |
|
|
|
Q |
- |
9 |
- |
|
THE GOLDEN FLEECE |
|
|
|
|
|
|
|
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
- |
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
6 |
GOLDEN |
57 |
30 |
3 |
- |
|
- |
|
|
|
|
|
|
|
F |
= |
6 |
- |
6 |
FLEECE |
63 |
27 |
9 |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
1 |
1 |
T |
20 |
2 |
2 |
- |
|
|
|
|
|
|
|
|
|
L |
= |
3 |
6 |
1 |
L |
12 |
3 |
3 |
- |
|
|
|
|
|
|
|
|
|
L |
= |
3 |
11 |
1 |
L |
12 |
3 |
3 |
- |
|
|
|
|
|
|
|
|
|
C |
= |
3 |
14 |
1 |
C |
3 |
3 |
3 |
- |
|
|
|
|
|
|
|
|
|
D |
= |
4 |
7 |
1 |
D |
4 |
4 |
4 |
- |
|
|
- |
|
|
|
|
|
|
E |
= |
5 |
3 |
1 |
E |
5 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
N |
= |
5 |
9 |
1 |
N |
14 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
E |
= |
5 |
12 |
1 |
E |
5 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
E |
= |
5 |
13 |
1 |
E |
5 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
E |
= |
5 |
15 |
1 |
E |
5 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
O |
= |
6 |
5 |
1 |
O |
15 |
6 |
6 |
- |
|
|
|
|
|
|
|
|
|
F |
= |
6 |
10 |
1 |
F |
6 |
6 |
6 |
- |
|
|
|
|
|
|
|
|
|
G |
= |
7 |
4 |
1 |
G |
7 |
7 |
7 |
- |
|
|
|
|
|
|
|
|
|
H |
= |
8 |
2 |
1 |
H |
8 |
8 |
8 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
72 |
|
15 |
THE GOLDEN FLEECE |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
7+2 |
- |
1+5 |
- |
1+2+6 |
7+2 |
1+8 |
|
|
|
|
|
3+0 |
1+2 |
|
|
|
Q |
- |
9 |
- |
|
THE GOLDEN FLEECE |
|
|
|
|
|
|
|
|
3 |
3 |
|
|
|
15 |
THE GOLDEN FLEECE |
126 |
72 |
9 |
5 |
JASON |
59 |
14 |
5 |
- |
- |
- |
- |
- |
THE GOLDEN RATIO |
- |
- |
- |
T |
= |
|
- |
3 |
THE |
33 |
15 |
6 |
G |
= |
|
- |
6 |
GOLDEN |
57 |
30 |
3 |
R |
= |
|
- |
5 |
RATIO |
63 |
27 |
9 |
- |
- |
18 |
- |
|
THE GOLDEN RATIO |
|
|
|
- |
- |
1+8 |
- |
1+4 |
- |
1+5+3 |
7+2 |
1+8 |
- |
- |
9 |
- |
5 |
THE GOLDEN RATIO |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
8 |
|
|
|
6 |
|
|
|
5 |
|
|
|
|
9 |
6 |
|
|
|
3+4 |
|
|
|
|
|
|
- |
- |
|
8 |
|
|
|
15 |
|
|
|
14 |
|
|
|
|
9 |
15 |
|
|
|
6+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
5 |
|
7 |
|
3 |
4 |
5 |
|
|
9 |
1 |
2 |
|
|
|
|
|
3+8 |
|
|
1+1 |
|
|
|
- |
- |
|
|
5 |
|
7 |
|
12 |
4 |
5 |
|
|
18 |
1 |
20 |
|
|
|
|
|
9+2 |
|
|
1+1 |
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
20 |
8 |
5 |
|
7 |
15 |
12 |
4 |
5 |
14 |
|
18 |
1 |
20 |
9 |
15 |
|
|
|
1+5+3 |
|
|
|
|
|
|
- |
- |
2 |
8 |
5 |
|
7 |
6 |
3 |
4 |
5 |
5 |
|
9 |
1 |
2 |
9 |
6 |
|
|
|
7+2 |
|
|
|
|
|
|
|
14 |
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
- |
|
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|
|
|
|
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|
|
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|
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|
occurs |
x |
|
= |
|
= |
|
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|
|
- |
|
- |
|
|
|
|
|
|
|
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|
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|
occurs |
x |
|
= |
|
= |
|
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|
- |
- |
|
|
|
|
3 |
|
|
|
|
|
|
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|
occurs |
x |
|
= |
|
= |
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|
- |
|
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|
|
|
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|
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|
occurs |
x |
|
= |
4 |
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
occurs |
x |
|
= |
15 |
1+5 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
|
|
- |
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
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|
occurs |
x |
|
= |
|
= |
|
|
- |
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
1+4 |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
4+5 |
|
|
1+4 |
|
7+2 |
|
3+6 |
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
2 |
8 |
5 |
|
7 |
6 |
3 |
4 |
5 |
5 |
|
9 |
1 |
2 |
9 |
6 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE GOLDEN RATIO
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
- |
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
6 |
GOLDEN |
57 |
30 |
3 |
- |
|
- |
|
|
|
|
|
|
|
R |
= |
9 |
- |
5 |
RATIO |
63 |
27 |
9 |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
1 |
1 |
T |
20 |
2 |
2 |
- |
|
|
|
|
|
|
|
|
|
H |
= |
8 |
2 |
1 |
H |
8 |
8 |
8 |
- |
|
|
|
|
|
|
|
|
|
E |
= |
5 |
3 |
1 |
E |
5 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
G |
= |
7 |
4 |
1 |
G |
7 |
7 |
7 |
- |
|
|
|
|
|
|
|
|
|
O |
= |
6 |
5 |
1 |
O |
15 |
6 |
6 |
- |
|
|
|
|
|
|
|
|
|
L |
= |
3 |
6 |
1 |
L |
12 |
3 |
3 |
- |
|
|
|
|
|
|
|
|
|
D |
= |
4 |
7 |
1 |
D |
4 |
4 |
4 |
- |
|
|
- |
|
|
|
|
|
|
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
N |
= |
5 |
9 |
1 |
N |
14 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
|
|
|
|
|
|
|
|
|
A |
= |
1 |
11 |
1 |
A |
1 |
1 |
1 |
- |
|
|
|
|
|
|
|
|
|
T |
= |
2 |
12 |
1 |
T |
20 |
2 |
2 |
- |
|
|
|
|
|
|
|
|
|
I |
= |
9 |
13 |
1 |
I |
9 |
9 |
9 |
- |
|
|
|
|
|
|
|
|
|
O |
= |
6 |
14 |
1 |
O |
15 |
6 |
6 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
72 |
|
14 |
THE GOLDEN RATIO |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
7+2 |
- |
1+4 |
- |
1+5+3 |
7+2 |
7+2 |
|
|
|
|
|
1+5 |
1+2 |
|
|
1+8 |
Q |
- |
9 |
- |
|
THE GOLDEN RATIO |
|
|
|
|
|
|
|
|
6 |
3 |
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
- |
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
6 |
GOLDEN |
57 |
30 |
3 |
- |
|
- |
|
|
|
|
|
|
|
R |
= |
9 |
- |
5 |
RATIO |
63 |
27 |
9 |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
11 |
1 |
A |
1 |
1 |
1 |
- |
|
|
|
|
|
|
|
|
|
T |
= |
2 |
1 |
1 |
T |
20 |
2 |
2 |
- |
|
|
|
|
|
|
|
|
|
T |
= |
2 |
12 |
1 |
T |
20 |
2 |
2 |
- |
|
|
|
|
|
|
|
|
|
L |
= |
3 |
6 |
1 |
L |
12 |
3 |
3 |
- |
|
|
|
|
|
|
|
|
|
D |
= |
4 |
7 |
1 |
D |
4 |
4 |
4 |
- |
|
|
- |
|
|
|
|
|
|
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
E |
= |
5 |
3 |
1 |
E |
5 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
N |
= |
5 |
9 |
1 |
N |
14 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
O |
= |
6 |
5 |
1 |
O |
15 |
6 |
6 |
- |
|
|
|
|
|
|
|
|
|
O |
= |
6 |
14 |
1 |
O |
15 |
6 |
6 |
- |
|
|
|
|
|
|
|
|
|
G |
= |
7 |
4 |
1 |
G |
7 |
7 |
7 |
- |
|
|
|
|
|
|
|
|
|
H |
= |
8 |
2 |
1 |
H |
8 |
8 |
8 |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
|
|
|
|
|
|
|
|
|
I |
= |
9 |
13 |
1 |
I |
9 |
9 |
9 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
72 |
|
14 |
THE GOLDEN RATIO |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
7+2 |
- |
1+4 |
- |
1+5+3 |
7+2 |
7+2 |
|
|
|
|
|
1+5 |
1+2 |
|
|
1+8 |
Q |
- |
9 |
- |
|
THE GOLDEN RATIO |
|
|
|
|
|
|
|
|
6 |
3 |
|
|
9 |
T |
= |
2 |
3 |
THE |
33 |
15 |
6 |
O |
= |
6 |
7 |
ODYSSEY |
112 |
31 |
4 |
- |
- |
8 |
10 |
First Total |
|
|
|
- |
- |
- |
1+0 |
Add to Reduce |
1+4+5 |
4+6 |
1+0 |
- |
- |
8 |
1 |
Second Total |
|
|
|
- |
- |
- |
|
Reduce to Deduce |
1+0 |
1+0 |
- |
- |
- |
8 |
|
Essence of Number |
|
|
|
|
REDEEMER |
- |
- |
- |
|
R |
18 |
9 |
9 |
|
E+D |
9 |
9 |
9 |
- |
E |
5 |
5 |
5 |
- |
E |
5 |
5 |
5 |
|
M+E |
18 |
9 |
9 |
|
R |
18 |
9 |
9 |
8 |
REDEEMER |
73 |
46 |
46 |
|
|
7+3 |
4+6 |
4+6 |
8 |
REDEEMER |
10 |
10 |
10 |
|
|
1+0 |
- |
- |
8 |
REDEEMER |
1 |
1 |
1 |
ANU 153 ANU
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
5 |
|
|
|
|
|
= |
|
|
|
- |
|
|
14 |
|
|
|
|
1+4 |
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
|
3 |
|
|
|
|
= |
|
|
|
- |
|
1 |
|
21 |
|
|
|
2+2 |
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
14 |
21 |
|
|
|
3+6 |
= |
|
|
|
- |
|
1 |
5 |
3 |
|
|
|
|
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
-- |
- |
|
|
|
- |
|
|
occurs |
x |
|
= |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
36 |
|
|
|
|
|
|
|
|
|
|
|
|
3+6 |
|
|
|
|
|
|
- |
- |
|
|
- |
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
5 |
3 |
|
|
|
|
|
|
|
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
5 |
|
|
|
|
|
= |
|
|
|
|
|
14 |
|
|
|
|
1+4 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
|
3 |
|
|
|
|
= |
|
|
|
|
1 |
|
21 |
|
|
|
2+2 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
14 |
21 |
|
|
|
3+6 |
= |
|
|
|
|
1 |
5 |
3 |
|
|
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
5 |
3 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
YOU ARE GOING ON A JOURNEY A VERY SPECIAL JOURNEY DO HAVE A PLEASANT JOURNEY DO
|
REDEEMER |
- |
- |
- |
|
R |
18 |
9 |
|
|
E+D |
9 |
9 |
|
- |
E |
5 |
5 |
5 |
- |
E |
5 |
5 |
5 |
|
M+E |
18 |
9 |
|
|
R |
18 |
9 |
|
8 |
REDEEMER |
73 |
46 |
41 |
|
|
7+3 |
4+6 |
4+1 |
8 |
REDEEMER |
10 |
10 |
5 |
|
|
1+0 |
- |
- |
8 |
REDEEMER |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
18 |
5 |
4 |
5 |
5 |
13 |
5 |
18 |
|
|
|
7+3 |
|
|
1+0 |
|
|
|
- |
- |
9 |
5 |
4 |
5 |
5 |
4 |
5 |
9 |
|
|
|
4+6 |
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
18 |
5 |
4 |
5 |
5 |
13 |
5 |
18 |
|
|
|
7+3 |
|
|
1+0 |
|
|
|
- |
- |
9 |
5 |
4 |
5 |
5 |
4 |
5 |
9 |
|
|
|
4+6 |
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
18 |
5 |
4 |
5 |
5 |
13 |
5 |
18 |
|
|
|
7+3 |
|
|
1+0 |
|
|
|
- |
- |
9 |
5 |
4 |
5 |
5 |
4 |
5 |
9 |
|
|
|
4+6 |
|
|
1+0 |
|
|
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
ONE |
1 |
- |
- |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
TWO |
2 |
- |
- |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
THREE |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
2+0 |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
SIX |
6 |
- |
- |
- |
- |
- |
7 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
SEVEN |
7 |
- |
- |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
EIGHT |
8 |
- |
- |
- |
- |
- |
- |
- |
9 |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
|
|
|
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|
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|
|
|
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|
|
|
|
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|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
- |
|
4+6 |
|
1+9 |
9 |
8 |
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
5 |
4 |
5 |
5 |
4 |
5 |
9 |
|
|
- |
|
|
- |
|
1+0 |
|
1+0 |
9 |
8 |
R |
|
|
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|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
18 |
5 |
4 |
5 |
5 |
13 |
5 |
18 |
|
|
|
7+3 |
|
|
1+0 |
|
|
|
- |
- |
9 |
5 |
4 |
5 |
5 |
4 |
5 |
9 |
|
|
|
4+6 |
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
18 |
5 |
4 |
5 |
5 |
13 |
5 |
18 |
|
|
|
7+3 |
|
|
1+0 |
|
|
|
- |
- |
9 |
5 |
4 |
5 |
5 |
4 |
5 |
9 |
|
|
|
4+6 |
|
|
1+0 |
|
|
|
|
|
|
|
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|
|
|
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|
- |
- |
|
- |
- |
18 |
5 |
4 |
5 |
5 |
13 |
5 |
18 |
|
|
|
7+3 |
|
|
1+0 |
|
|
|
- |
- |
9 |
5 |
4 |
5 |
5 |
4 |
5 |
9 |
|
|
|
4+6 |
|
|
1+0 |
|
|
|
|
8 |
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
2+0 |
|
- |
- |
9 |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
- |
|
4+6 |
|
1+9 |
9 |
8 |
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
5 |
4 |
5 |
5 |
4 |
5 |
9 |
|
|
- |
|
|
- |
|
1+0 |
|
1+0 |
9 |
8 |
R |
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
4 |
WISE |
- |
- |
- |
|
W |
23 |
5 |
|
|
IS |
28 |
10 |
|
|
E |
5 |
5 |
|
4 |
WISE |
56 |
20 |
11 |
- |
- |
5+6 |
2+0 |
1+1 |
4 |
WISE |
11 |
2 |
2 |
- |
- |
1+1 |
- |
- |
4 |
WISE |
2 |
2 |
2 |
|
|
|
|
|
|
|
|
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|
|
|
|
- |
|
- |
- |
- |
|
9 |
1 |
|
|
|
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1+0 |
|
|
= |
|
= |
|
- |
- |
|
9 |
19 |
|
|
|
|
2+8 |
|
|
1+0 |
|
= |
|
|
|
|
|
|
|
|
|
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|
|
- |
|
- |
- |
- |
5 |
|
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5 |
|
|
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1+0 |
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= |
|
= |
|
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- |
23 |
|
|
5 |
|
|
|
2+8 |
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1+0 |
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= |
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|
|
|
|
|
|
|
|
- |
|
- |
- |
- |
23 |
9 |
19 |
5 |
|
|
|
5+6 |
|
|
1+1 |
|
= |
|
- |
- |
5 |
9 |
1 |
5 |
|
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2+0 |
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= |
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= |
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4 |
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- |
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- |
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- |
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|
- |
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occurs |
x |
|
= |
1 |
= |
1 |
|
|
- |
- |
|
|
- |
|
|
|
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|
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- |
- |
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- |
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- |
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- |
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5 |
- |
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5 |
- |
|
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occurs |
x |
|
= |
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1+0 |
|
|
|
- |
- |
|
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- |
|
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- |
- |
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- |
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- |
- |
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- |
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- |
9 |
|
|
- |
|
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occurs |
x |
|
= |
9 |
= |
9 |
|
|
|
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|
|
- |
|
|
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|
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2+0 |
|
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- |
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1+5 |
|
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2+0 |
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1+1 |
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|
5 |
9 |
1 |
5 |
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- |
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9 |
1 |
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1+0 |
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= |
|
= |
|
- |
|
9 |
19 |
|
|
|
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2+8 |
|
|
1+0 |
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= |
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- |
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- |
- |
5 |
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5 |
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1+0 |
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= |
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= |
|
- |
23 |
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5 |
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2+8 |
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1+0 |
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- |
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23 |
9 |
19 |
5 |
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5+6 |
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1+1 |
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5 |
9 |
1 |
5 |
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2+0 |
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4 |
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- |
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- |
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- |
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- |
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occurs |
x |
|
= |
1 |
= |
1 |
|
5 |
- |
|
5 |
- |
|
|
occurs |
x |
|
= |
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1+0 |
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- |
9 |
|
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- |
|
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occurs |
x |
|
= |
9 |
= |
9 |
|
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- |
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- |
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1+5 |
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2+0 |
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1+1 |
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5 |
9 |
1 |
5 |
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|
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4 |
WISE |
- |
- |
- |
|
W |
23 |
5 |
|
|
IS |
28 |
10 |
|
|
E |
5 |
5 |
|
4 |
WISE |
56 |
20 |
11 |
- |
- |
5+6 |
2+0 |
1+1 |
4 |
WISE |
11 |
2 |
2 |
- |
- |
1+1 |
- |
- |
4 |
WISE |
2 |
2 |
2 |
|
|
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- |
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9 |
1 |
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1+0 |
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|
- |
- |
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9 |
19 |
- |
|
|
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2+8 |
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1+0 |
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- |
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- |
- |
5 |
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5 |
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1+0 |
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- |
23 |
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5 |
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2+8 |
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1+0 |
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- |
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23 |
- |
9 |
19 |
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5 |
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5+6 |
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1+1 |
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= |
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- |
5 |
- |
9 |
1 |
- |
5 |
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2+0 |
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= |
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4 |
|
- |
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- |
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- |
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- |
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- |
- |
|
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- |
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- |
|
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occurs |
x |
|
= |
1 |
= |
1 |
|
|
- |
- |
- |
|
- |
|
- |
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- |
- |
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- |
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- |
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5 |
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- |
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- |
5 |
- |
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occurs |
x |
|
= |
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1+0 |
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- |
- |
- |
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- |
|
- |
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- |
- |
- |
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- |
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- |
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- |
- |
- |
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- |
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- |
- |
9 |
|
- |
|
- |
|
|
occurs |
x |
|
= |
9 |
= |
9 |
|
|
|
- |
|
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- |
|
- |
|
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|
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2+0 |
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- |
|
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- |
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- |
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1+5 |
|
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2+0 |
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1+1 |
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5 |
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9 |
1 |
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5 |
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1 |
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19 |
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2+8 |
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1+0 |
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5 |
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4 |
WISE |
- |
- |
- |
|
W |
23 |
5 |
|
|
IS |
28 |
10 |
|
|
E |
5 |
5 |
|
4 |
WISE |
56 |
20 |
11 |
- |
- |
5+6 |
2+0 |
1+1 |
4 |
WISE |
11 |
2 |
2 |
- |
- |
1+1 |
- |
- |
4 |
WISE |
2 |
2 |
2 |
WISE W IS E WISE
WISE W IS E WISE
5IS5 5 IS 5 5IS5
WISE W IS E WISE
WISE W IS E WISE
|
WISE |
- |
- |
- |
|
W |
23 |
5 |
|
|
IS |
- |
- |
- |
|
E |
5 |
5 |
|
2 |
WISE |
28 |
10 |
10 |
- |
- |
2+8 |
2+0 |
1+0 |
2 |
WISE |
10 |
1 |
1 |
- |
- |
1+0 |
- |
- |
2 |
WISE |
1 |
1 |
1 |
|
WISDOM |
- |
- |
- |
|
W |
23 |
5 |
|
|
IS |
- |
- |
- |
|
D+O+M |
32 |
14 |
|
4 |
WISDOM |
55 |
19 |
10 |
- |
- |
5+5 |
1+9 |
1+0 |
4 |
WISDOM |
10 |
10 |
1 |
- |
- |
1+0 |
1+1 |
|
4 |
WISDOM |
1 |
1 |
1 |
WISDOM W IS DOM WISDOM
WISDOM W IS DOM WISDOM
5IS5 5 IS 5 5IS5
WISDOM W IS DOM WISDOM
WISDOM W IS DOM WISDOM
6 |
WISDOM |
- |
- |
- |
|
W |
23 |
5 |
|
|
IS |
28 |
10 |
|
|
D+O+M |
32 |
14 |
|
6 |
WISDOM |
83 |
29 |
10 |
- |
- |
8+3 |
2+9 |
2+0 |
6 |
WISDOM |
11 |
11 |
2 |
- |
- |
1+1 |
1+1 |
|
6 |
WISDOM |
2 |
2 |
2 |
6 |
WISDOM |
- |
- |
- |
|
W |
23 |
5 |
|
|
I |
9 |
9 |
|
|
S+D+O+M |
51 |
15 |
|
6 |
WISDOM |
83 |
29 |
20 |
- |
- |
8+3 |
2+9 |
2+0 |
6 |
WISDOM |
11 |
11 |
2 |
- |
- |
1+1 |
1+1 |
|
6 |
WISDOM |
2 |
2 |
2 |
|
|
|
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|
|
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|
|
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|
- |
- |
- |
|
9 |
1 |
|
6 |
|
|
|
|
1+6 |
|
|
= |
|
- |
- |
|
9 |
19 |
|
15 |
|
|
|
|
4+3 |
|
|
= |
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
- |
- |
- |
5 |
|
|
4 |
|
4 |
|
|
|
1+3 |
|
|
= |
|
-`` |
- |
23 |
|
|
4 |
|
13 |
|
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|
4+0 |
|
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= |
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|
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|
|
- |
- |
- |
23 |
9 |
19 |
4 |
15 |
13 |
|
|
|
8+3 |
|
|
1+1 |
|
- |
- |
5 |
9 |
1 |
4 |
6 |
4 |
|
|
|
2+9 |
|
|
1+1 |
|
|
6 |
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- |
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- |
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- |
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occurs |
x |
|
= |
1 |
|
|
- |
- |
|
- |
- |
- |
- |
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- |
- |
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- |
- |
- |
- |
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|
- |
- |
|
4 |
- |
4 |
- |
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occurs |
x |
|
= |
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|
5 |
- |
|
- |
- |
- |
- |
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|
occurs |
x |
|
= |
5 |
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- |
- |
|
- |
6 |
- |
- |
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occurs |
x |
|
= |
6 |
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- |
- |
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- |
- |
- |
- |
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- |
- |
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- |
- |
- |
- |
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- |
9 |
|
- |
- |
- |
- |
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occurs |
x |
|
= |
9 |
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- |
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2+0 |
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- |
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- |
- |
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2+5 |
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2+9 |
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5 |
9 |
1 |
4 |
6 |
4 |
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1+1 |
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- |
- |
|
9 |
1 |
|
6 |
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1+6 |
|
|
= |
|
- |
|
9 |
19 |
|
15 |
|
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|
4+3 |
|
|
= |
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- |
- |
5 |
|
|
4 |
|
4 |
|
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|
1+3 |
|
|
= |
|
- |
23 |
|
|
4 |
|
13 |
|
|
|
4+0 |
|
|
= |
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|
|
|
|
|
- |
- |
23 |
9 |
19 |
4 |
15 |
13 |
|
|
|
8+3 |
|
|
1+1 |
|
- |
5 |
9 |
1 |
4 |
6 |
4 |
|
|
|
2+9 |
|
|
1+1 |
|
6 |
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|
- |
|
- |
|
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|
- |
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|
occurs |
x |
|
= |
1 |
|
- |
- |
|
4 |
- |
4 |
- |
|
|
occurs |
x |
|
= |
|
|
5 |
- |
|
- |
- |
- |
- |
|
|
occurs |
x |
|
= |
5 |
|
- |
- |
|
- |
6 |
- |
- |
|
|
occurs |
x |
|
= |
6 |
|
- |
9 |
|
- |
- |
- |
- |
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
- |
|
2+5 |
|
|
|
|
2+9 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
5 |
9 |
1 |
4 |
6 |
4 |
|
|
|
|
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|
1+1 |
|
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|
|
|
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|
|
IN
THE
BEGINNING
WAS THE WORD AND THE WORD WAS
WITH
GOD AND THE WORD WAS GOD
- |
OSIRIS |
- |
- |
- |
2 |
S+O |
34 |
7 |
7 |
3 |
I+R+I |
36 |
27 |
9 |
1 |
S |
19 |
10 |
1 |
6 |
OSIRIS |
- |
- |
- |
- |
OSIRIS |
- |
- |
- |
2 |
S+O |
34 |
7 |
7 |
4 |
I+R+I+S |
55 |
28 |
1 |
6 |
OSIRIS |
89 |
35 |
8 |
- |
- |
8+9 |
3+5 |
- |
6 |
OSIRIS |
17 |
8 |
8 |
- |
- |
1+7 |
- |
- |
6 |
OSIRIS |
8 |
8 |
8 |
T |
= |
2 |
3 |
THE |
33 |
15 |
6 |
W |
= |
5 |
5 |
WHITE |
65 |
29 |
2 |
R |
= |
9 |
7 |
RABBITZ |
78 |
33 |
6 |
- |
- |
16 |
15 |
First Total |
|
|
|
- |
- |
1+6 |
1+5 |
Add to Reduce |
1+7+6 |
7+7 |
1+4 |
Q |
- |
|
6 |
Second Total |
|
|
|
- |
- |
|
- |
Reduce to Deduce |
1+4 |
1+4 |
- |
- |
- |
|
|
Essence of Number |
|
|
|
- |
MATTER |
- |
- |
- |
4 |
M+A+T+T |
54 |
9 |
9 |
1 |
E |
5 |
5 |
5 |
1 |
R |
18 |
9 |
9 |
6 |
MATTER |
77 |
23 |
23 |
- |
- |
7+7 |
2+3 |
2+3 |
6 |
MATTER |
14 |
5 |
5 |
- |
- |
1+4 |
- |
- |
6 |
MATTER |
5 |
5 |
5 |
7 |
REALITY |
90 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
-- |
- |
- |
7 |
QUANTUM |
107 |
26 |
8 |
4 |
MIND |
40 |
22 |
4 |
3 |
AND |
19 |
10 |
1 |
6 |
MATTER |
77 |
23 |
5 |
20 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
2+4+3 |
8+1 |
1+8 |
|
Essence of Number |
|
|
|
6 |
HEAVEN |
55 |
28 |
1 |
4 |
TIME |
47 |
20 |
2 |
9 |
ALONENESS |
104 |
32 |
5 |
9 |
ATONENESS |
104 |
32 |
5 |
10 |
ALL-ONE-NESS |
116 |
35 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
ALL-ONE-NESS IS |
- |
- |
- |
|
ALL |
25 |
7 |
|
|
ONE |
34 |
16 |
|
|
NESS |
57 |
12 |
|
|
IS |
28 |
10 |
|
10 |
ALL IS-ONE-NESS |
144 |
45 |
18 |
1+0 |
|
1+1+6 |
3+5 |
1+8 |
1 |
ALL-ONE-NESS IS |
9 |
9 |
9 |
9 |
MERNEPTAH |
- |
- |
- |
|
M+E |
18 |
9 |
|
|
|
18 |
9 |
|
|
N+E |
19 |
10 |
|
|
P+T |
36 |
9 |
|
|
A+H |
9 |
9 |
|
9 |
MERNEPTAH |
100 |
46 |
37 |
- |
|
1+0+0 |
4+6 |
3+7 |
9 |
MERNEPTAH |
1 |
10 |
10 |
- |
|
- |
1+0 |
1+0 |
9 |
MERNEPTAH |
1 |
1 |
1 |
9 |
MERNEPTAH |
- |
- |
- |
|
M+E+R |
36 |
18 |
|
|
N+E |
19 |
10 |
|
|
P+T+A+H |
45 |
18 |
|
9 |
MERNEPTAH |
100 |
46 |
19 |
- |
|
1+0+0 |
4+6 |
1+9 |
9 |
MERNEPTAH |
1 |
10 |
10 |
- |
|
- |
1+0 |
1+0 |
9 |
MERNEPTAH |
1 |
1 |
1 |
9 |
MERNEPTAH |
100 |
46 |
1 |
9 |
MERENPTAH |
100 |
46 |
1 |
AMEN THE NAME
4 |
AMEN |
33 |
15 |
6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
ALL |
25 |
7 |
|
|
WOMEN |
70 |
25 |
|
8 |
ALL WOMEN |
95 |
32 |
14 |
- |
|
9+5 |
3+2 |
1+4 |
8 |
ALL WOMEN |
14 |
5 |
5 |
- |
|
1+4 |
- |
- |
8 |
ALL WOMEN |
5 |
5 |
5 |
4 |
AMEN |
33 |
15 |
6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
ALL |
25 |
7 |
|
|
MEN |
32 |
14 |
|
6 |
ALL MEN |
57 |
21 |
12 |
- |
- |
5+7 |
2+1 |
1+2 |
6 |
ALL MEN |
12 |
3 |
3 |
- |
- |
1+2 |
- |
- |
6 |
ALL MEN |
3 |
3 |
3 |
AMEN THE NAME THE NAME AMEN
ME AND YOU AND YOU AND ME
I
MEAN
THAT
- |
AMEN- |
- |
- |
- |
|
A |
1 |
1 |
|
|
|
18 |
9 |
|
|
N |
14 |
5 |
|
4 |
|
33 |
15 |
6 |
- |
|
3+3 |
1+5 |
1+1 |
4 |
AMEN |
6 |
6 |
6 |
THE
SUN
GOD RA ATUM ATUM RA SUN GOD
RA ATUM 91 I234 3241 19 4321 AR MUTA
4 |
ATUM |
55 |
10 |
1 |
4 |
ISIS |
56 |
20 |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
DAMSEL |
54 |
18 |
9 |
4 |
MAID |
27 |
18 |
9 |
ISISIS DIVINE FEMININE FEMININE DIVINE ISISIS
ISISIS 919919919 THAT 919919919 ISISIS
ISISIS 919191 THAT 919191ISISIS
8 |
THE ENNEA |
|
|
|
|
THE |
33 |
15 |
|
|
ENNEA |
39 |
21 |
|
8 |
THE ENNEA |
72 |
36 |
9 |
- |
- |
7+2 |
3+6 |
- |
8 |
THE ENNEA |
9 |
9 |
9 |
7 |
THE MYTH |
- |
- |
- |
|
THE |
33 |
15 |
|
|
MYTH |
66 |
21 |
|
7 |
THE MYTH |
99 |
36 |
9 |
- |
- |
9+9 |
3+6 |
- |
7 |
THE MYTH |
18 |
9 |
9 |
- |
- |
1+8 |
- |
- |
7 |
THE MYTH |
9 |
9 |
9 |
8 |
THE ENNEA |
|
|
|
|
THE |
33 |
15 |
|
|
ENNEA |
39 |
21 |
|
8 |
THE ENNEA |
72 |
36 |
9 |
- |
- |
7+2 |
3+6 |
- |
8 |
THE ENNEA |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
- |
- |
1 |
- |
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
19 |
- |
- |
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
4 |
1 |
4 |
- |
5 |
3 |
|
|
|
|
|
|
|
|
|
4 |
1 |
13 |
- |
5 |
12 |
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
4 |
1 |
13 |
19 |
5 |
12 |
|
|
|
|
|
|
|
9 |
|
4 |
1 |
4 |
1 |
5 |
3 |
|
|
|
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|
- |
|
|
1 |
- |
1 |
- |
- |
|
|
|
occurs |
x |
|
= |
2 |
- |
- |
- |
- |
- |
- |
3 |
|
|
|
occurs |
x |
|
= |
3 |
- |
4 |
- |
4 |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
8 |
- |
- |
- |
- |
- |
5 |
- |
|
|
|
occurs |
x |
|
= |
5 |
|
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|
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|
1+3 |
|
|
- |
|
1+8 |
|
|
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I |
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|
- |
- |
|
|
- |
- |
- |
6 |
1 |
- |
- |
- |
9 |
5 |
- |
+ |
= |
21 |
2+1 |
= |
3 |
- |
3 |
- |
3 |
|
- |
- |
- |
15 |
19 |
- |
- |
- |
9 |
14 |
- |
+ |
= |
57 |
5+7 |
= |
12 |
1+2 |
3 |
- |
3 |
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
7 |
9 |
- |
- |
5 |
9 |
7 |
|
|
5 |
|
|
|
5+1 |
|
|
- |
|
|
|
|
|
16 |
18 |
- |
- |
5 |
18 |
16 |
|
|
5 |
|
|
|
7+8 |
|
|
1+5 |
6 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
16 |
18 |
15 |
19 |
5 |
18 |
16 |
9 |
14 |
5 |
|
|
|
1+3+5 |
|
|
- |
9 |
|
|
|
|
7 |
9 |
6 |
1 |
5 |
9 |
7 |
9 |
5 |
5 |
|
|
|
6+3 |
|
|
- |
|
|
|
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- |
- |
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occurs |
x |
|
= |
1 |
= |
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- |
- |
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- |
- |
- |
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- |
- |
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- |
- |
- |
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- |
- |
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- |
- |
- |
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|
5 |
|
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|
occurs |
x |
|
= |
15 |
1+5 |
|
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occurs |
x |
|
= |
6 |
- |
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|
occurs |
x |
|
= |
14 |
1+4 |
|
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- |
- |
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- |
- |
- |
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|
9 |
|
|
|
|
|
occurs |
x |
|
= |
27 |
2+7 |
|
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I |
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|
|
|
|
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2+8 |
|
|
1+0 |
|
6+3 |
|
2+7 |
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
7 |
9 |
6 |
1 |
5 |
9 |
7 |
9 |
5 |
5 |
|
|
1+0 |
|
|
- |
|
- |
|
- |
8 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
1 |
|
|
1 |
|
9 |
|
9 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
6 |
1 |
- |
- |
- |
9 |
5 |
- |
+ |
= |
21 |
2+1 |
= |
3 |
- |
3 |
- |
3 |
- |
- |
- |
15 |
19 |
- |
- |
- |
9 |
14 |
- |
+ |
= |
57 |
5+7 |
= |
12 |
1+2 |
3 |
- |
3 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
7 |
9 |
- |
- |
5 |
9 |
7 |
|
|
5 |
|
|
|
5+1 |
|
|
- |
|
|
|
|
16 |
18 |
- |
- |
5 |
18 |
16 |
|
|
5 |
|
|
|
7+8 |
|
|
1+5 |
6 |
|
|
|
|
|
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|
I |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
16 |
18 |
15 |
19 |
5 |
18 |
16 |
9 |
14 |
5 |
|
|
|
1+3+5 |
|
|
- |
9 |
|
|
|
7 |
9 |
6 |
1 |
5 |
9 |
7 |
9 |
5 |
5 |
|
|
|
6+3 |
|
|
- |
|
|
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- |
- |
|
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|
occurs |
x |
|
= |
1 |
= |
|
|
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|
|
|
5 |
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
|
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|
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|
occurs |
x |
|
= |
6 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
14 |
1+4 |
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
occurs |
x |
|
= |
27 |
2+7 |
|
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|
I |
|
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|
2+8 |
|
|
1+0 |
|
6+3 |
|
2+7 |
|
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|
I |
|
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|
7 |
9 |
6 |
1 |
5 |
9 |
7 |
9 |
5 |
5 |
|
|
1+0 |
|
|
- |
|
- |
|
- |
|
|
|
|
|
|
|
|
I |
|
|
|
|
1 |
|
|
1 |
|
9 |
|
9 |
|
20 |
S |
|
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|
|
|
|
|
|
|
|
|
- |
|
- |
1 |
6 |
|
8 |
9 |
|
|
|
|
2+4 |
|
|
= |
|
|
- |
19 |
15 |
|
8 |
9 |
|
|
|
|
5+1 |
|
|
= |
|
|
20 |
S |
|
|
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|
|
|
|
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|
- |
|
- |
|
|
7 |
|
|
1 |
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|
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|
= |
|
|
- |
|
|
16 |
|
|
1 |
|
|
|
1+7 |
|
|
1+7 |
|
|
20 |
S |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
19 |
15 |
16 |
8 |
9 |
1 |
|
|
|
6+8 |
|
|
1+4 |
|
|
- |
1 |
6 |
7 |
8 |
9 |
1 |
|
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|
3+2 |
|
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- |
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occurs |
x |
|
= |
2 |
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- |
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|
occurs |
x |
|
= |
6 |
|
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|
|
|
|
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|
|
|
occurs |
x |
|
= |
7 |
- |
- |
- |
- |
- |
8 |
- |
- |
|
|
|
occurs |
x |
|
= |
8 |
- |
- |
- |
- |
- |
- |
9 |
- |
|
|
|
occurs |
x |
|
= |
9 |
14 |
20 |
|
|
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|
|
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|
|
1+4 |
2+0 |
- |
|
|
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|
3+1 |
|
|
- |
|
3+2 |
5 |
2 |
|
|
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|
20 |
S |
|
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|
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|
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|
|
|
|
|
- |
- |
1 |
6 |
|
8 |
9 |
|
|
|
|
2+4 |
|
|
= |
|
- |
19 |
15 |
|
8 |
9 |
|
|
|
|
5+1 |
|
|
= |
|
20 |
S |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
7 |
|
|
1 |
|
|
|
|
|
|
= |
|
- |
|
|
16 |
|
|
1 |
|
|
|
1+7 |
|
|
1+7 |
|
20 |
S |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
19 |
15 |
16 |
8 |
9 |
1 |
|
|
|
6+8 |
|
|
1+4 |
|
- |
1 |
6 |
7 |
8 |
9 |
1 |
|
|
|
3+2 |
|
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|
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|
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|
|
|
|
- |
|
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|
|
|
|
occurs |
x |
|
= |
2 |
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
|
|
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|
|
|
|
occurs |
x |
|
= |
7 |
|
|
|
|
|
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|
|
|
|
occurs |
x |
|
= |
8 |
|
|
|
|
|
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|
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|
|
occurs |
x |
|
= |
|
20 |
|
|
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|
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|
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|
|
2+0 |
- |
|
|
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|
3+1 |
|
|
- |
|
3+2 |
2 |
|
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4 |
|
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|
- |
- |
- |
8 |
|
|
1 |
|
|
|
|
|
|
|
|
- |
- |
26 |
|
|
19 |
|
|
|
4+5 |
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
5 |
3 |
|
|
|
|
|
|
|
|
|
- |
- |
|
5 |
21 |
|
|
|
|
2+6 |
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
26 |
5 |
21 |
19 |
|
|
|
7+1 |
|
|
|
|
- |
- |
8 |
5 |
3 |
1 |
|
|
|
1+7 |
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
1 |
|
- |
|
|
|
|
|
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|
|
|
|
|
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|
occurs |
x |
|
= |
3 |
|
- |
|
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|
occurs |
x |
|
= |
5 |
|
|
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|
|
|
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|
|
|
|
|
|
7 |
- |
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
|
- |
8 |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
8 |
9 |
- |
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
28 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
2+8 |
- |
|
|
|
|
|
|
1+7 |
|
|
- |
|
1+7 |
10 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
- |
8 |
5 |
3 |
1 |
|
|
|
- |
|
|
- |
|
1 |
4 |
|
|
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|
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|
4 |
|
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|
|
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|
- |
- |
8 |
|
|
1 |
|
|
|
|
|
|
|
|
- |
26 |
|
|
19 |
|
|
|
4+5 |
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
5 |
3 |
|
|
|
|
|
|
|
|
|
- |
|
5 |
21 |
|
|
|
|
2+6 |
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
26 |
5 |
21 |
19 |
|
|
|
7+1 |
|
|
|
|
- |
8 |
5 |
3 |
1 |
|
|
|
1+7 |
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
1 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
- |
8 |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
8 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
1+7 |
|
|
- |
|
1+7 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
8 |
5 |
3 |
1 |
|
|
|
- |
|
|
- |
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
ZEUS |
- |
- |
- |
|
Z |
26 |
8 |
|
|
E |
5 |
5 |
|
|
U |
21 |
3 |
|
|
S |
19 |
1 |
|
4 |
ZEUS |
71 |
17 |
17 |
- |
- |
7+1 |
1+7 |
1+7 |
4 |
ZEUS |
8 |
8 |
8 |
ODYSSEY ODYSSEUS ODYSSEUS ODYSSEY
ODYSSE ODYSSE ODYSSE ODYSSE
ODYSSEUS ODYSSEY ODYSSEY ODYSSEUS
3 |
THE |
33 |
15 |
6 |
7 |
ODYSSEY |
112 |
31 |
4 |
10 |
First Total |
145 |
46 |
10 |
1+0 |
Add to Reduce |
1+4+5 |
4+6 |
1+0 |
1 |
Second Total |
10 |
10 |
1 |
- |
Reduce to Deduce |
1+0 |
1+0 |
- |
1 |
Essence of Number |
1 |
1 |
1 |
- |
|
- |
- |
|
- |
|
- |
- |
|
|
ODYSSEUS |
- |
- |
- |
|
O+D |
19 |
10 |
|
|
Y+S+S |
63 |
9 |
|
|
E+U+S |
45 |
9 |
|
8 |
ODYSSEUS |
127 |
28 |
19 |
- |
- |
1+2+7 |
2+8 |
1+9 |
8 |
ODYSSEUS |
10 |
10 |
10 |
- |
- |
1+0 |
1+0 |
1+0 |
8 |
ODYSSEUS |
1 |
1 |
1 |
8 |
|
127 |
28 |
|
2 |
|
21 |
12 |
|
6 |
|
42 |
24 |
|
|
First Total |
|
|
|
1+6 |
Add to Reduce |
1+9+0 |
6+4 |
1+0 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
|
|
Essence of Number |
|
|
|
|
ODYSSEUS |
- |
- |
- |
|
O+D+Y+S |
63 |
18 |
|
|
S |
19 |
10 |
|
|
E+U+S |
45 |
9 |
|
8 |
ODYSSEUS |
127 |
28 |
19 |
- |
- |
1+2+7 |
2+8 |
1+9 |
8 |
ODYSSEUS |
10 |
10 |
10 |
- |
- |
1+0 |
1+0 |
1+0 |
8 |
ODYSSEUS |
1 |
1 |
1 |
EUS USE USE EUS
ODYSSEUS
PERSEUS
THESEUS
- |
ODYSSEUS |
- |
- |
- |
|
O+D+Y+S+S |
82 |
19 |
|
|
E |
5 |
5 |
|
|
U |
21 |
3 |
|
|
S |
19 |
1 |
|
8 |
ODYSSEUS |
127 |
28 |
19 |
- |
- |
1+2+7 |
2+8 |
1+9 |
8 |
ODYSSEUS |
10 |
10 |
10 |
- |
- |
1+0 |
1+0 |
1+0 |
8 |
ODYSSEUS |
1 |
1 |
1 |
PERSEUS PURSUES
- |
PERSEUS |
- |
- |
- |
|
P+E+R+S |
58 |
22 |
4 |
|
E |
5 |
5 |
|
|
U |
21 |
3 |
|
|
S |
19 |
1 |
|
7 |
PERSEUS |
|
|
|
- |
- |
1+0+3 |
3+1 |
2+2 |
7 |
PERSEUS |
|
|
|
|
- |
1+3 |
- |
- |
|
PERSEUS |
|
|
|
- |
PERSEUS |
- |
- |
- |
2 |
PE |
21 |
12 |
3 |
1 |
R |
18 |
9 |
9 |
2 |
SE |
24 |
6 |
6 |
1 |
U |
21 |
3 |
3 |
1 |
S |
19 |
1 |
1 |
7 |
PERSEUS |
|
|
|
- |
- |
1+0+3 |
3+1 |
2+2 |
7 |
PERSEUS |
|
|
|
|
- |
1+3 |
- |
- |
|
PERSEUS |
|
|
|
|
THESEUS |
- |
- |
- |
|
THES |
52 |
16 |
7 |
|
E |
5 |
5 |
|
|
U |
21 |
3 |
|
|
S |
19 |
1 |
|
7 |
THESEUS |
|
|
|
- |
- |
9+7 |
2+5 |
1+6 |
7 |
THESEUS |
|
|
|
|
- |
1+6 |
- |
- |
|
THESEUS |
|
|
|
- |
ORPHEUS |
- |
- |
- |
|
ORPH |
57 |
30 |
|
|
E |
5 |
5 |
|
|
U |
21 |
3 |
|
|
S |
19 |
1 |
|
7 |
ORPHEUS |
102 |
39 |
17 |
- |
- |
1+0+2 |
3+9 |
1+7 |
7 |
ORPHEUS |
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
7 |
ORPHEUS |
3 |
3 |
3 |
- |
PROMETHEUS |
- |
- |
- |
|
PROMETH |
95 |
41 |
|
|
E |
5 |
5 |
|
|
U |
21 |
3 |
|
|
S |
19 |
1 |
|
10 |
PROMETHEUS |
71 |
17 |
17 |
1+0 |
- |
7+1 |
1+7 |
1+7 |
1 |
PROMETHEUS |
8 |
8 |
8 |
|
HERCULES |
- |
- |
- |
|
HERCU |
55 |
28 |
1 |
|
L |
12 |
3 |
|
|
E |
5 |
5 |
|
|
S |
19 |
1 |
|
8 |
HERCULES |
|
|
|
- |
- |
9+7 |
2+5 |
1+6 |
8 |
HERCULES |
|
|
|
|
- |
1+6 |
- |
- |
|
HERCULES |
|
|
|
|
ACHILLES |
- |
- |
- |
|
ACHIL |
33 |
24 |
6 |
|
L |
12 |
3 |
|
|
E |
5 |
5 |
|
|
S |
19 |
1 |
|
8 |
ACHILLES |
|
|
|
- |
- |
9+7 |
2+5 |
1+6 |
8 |
ACHILLES |
|
|
|
|
- |
1+6 |
- |
- |
|
ACHILLES |
|
|
|
- |
ZEUS |
- |
- |
- |
|
Z |
26 |
8 |
|
|
EUS |
45 |
9 |
|
|
ZEUS |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ODYSSEUS |
- |
- |
- |
|
ODYSS |
82 |
19 |
|
|
EUS |
45 |
9 |
|
|
ODYSSEUS |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
PERSEUS |
- |
- |
- |
|
PERS |
58 |
22 |
4 |
|
EUS |
45 |
9 |
|
7 |
PERSEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
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THESEUS |
- |
- |
- |
|
THES |
52 |
16 |
7 |
|
EUS |
45 |
9 |
|
|
THESEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
ORPHEUS |
- |
- |
- |
|
ORPH |
57 |
30 |
3 |
|
EUS |
45 |
9 |
|
|
ORPHEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
PROMETHEUS |
- |
- |
- |
|
PROMETH |
95 |
41 |
|
|
EUS |
45 |
9 |
|
10 |
PROMETHEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
HERCULES |
- |
- |
- |
|
HERCU |
55 |
28 |
1 |
|
LES |
36 |
9 |
|
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HERCULES |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
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ACHILLES |
- |
- |
- |
|
ACHIL |
55 |
28 |
1 |
|
LES |
36 |
9 |
|
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ACHILLES |
- |
- |
- |
- |
ZEUS |
- |
- |
- |
|
Z |
- |
- |
- |
|
EUS |
45 |
9 |
|
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- |
- |
- |
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- |
- |
- |
- |
- |
- |
- |
- |
- |
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ODYSSEUS |
- |
- |
- |
|
ODYSS |
- |
- |
- |
|
EUS |
45 |
9 |
|
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ODYSSEUS |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
PERSEUS |
- |
- |
- |
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PERS |
- |
- |
- |
|
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45 |
9 |
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7 |
PERSEUS |
- |
- |
- |
|
- |
- |
- |
- |
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- |
- |
- |
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THESEUS |
- |
- |
- |
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THES |
- |
- |
- |
|
EUS |
45 |
9 |
|
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THESEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
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ORPHEUS |
- |
- |
- |
|
ORPH |
- |
- |
- |
|
EUS |
45 |
9 |
|
|
ORPHEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
PROMETHEUS |
- |
- |
- |
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PROMETH |
- |
- |
- |
|
EUS |
45 |
9 |
|
10 |
PROMETHEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
HERCULES |
- |
- |
- |
|
HERCU |
- |
- |
- |
|
LES |
36 |
9 |
|
|
HERCULES |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
ACHILLES |
- |
- |
- |
|
ACHIL |
- |
- |
- |
|
LES |
36 |
9 |
|
|
ACHILLES |
- |
- |
- |
- |
ZEUS |
E |
U |
S |
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Z |
- |
- |
- |
|
EUS |
5 |
3 |
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ZEUS |
- |
- |
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- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ODYSSEUS |
- |
- |
- |
|
ODYSS |
- |
- |
- |
|
EUS |
5 |
3 |
|
|
ODYSSEUS |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
PERSEUS |
- |
- |
- |
|
PERS |
- |
- |
- |
|
EUS |
5 |
3 |
|
7 |
PERSEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
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THESEUS |
- |
- |
- |
|
THES |
- |
- |
- |
|
EUS |
5 |
3 |
|
|
THESEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
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ORPHEUS |
- |
- |
- |
|
ORPH |
- |
- |
- |
|
EUS |
5 |
3 |
|
|
ORPHEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
PROMETHEUS |
- |
- |
- |
|
PROMETH |
- |
- |
- |
|
EUS |
5 |
3 |
|
10 |
PROMETHEUS |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
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1 |
1 |
|
15 |
6 |
|
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|
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|
|
|
|
2 |
1 |
|
18 |
9 |
|
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3 |
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4 |
1 |
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8 |
8 |
|
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5 |
1 |
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5 |
5 |
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|
|
|
|
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6 |
1 |
|
21 |
3 |
|
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|
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|
|
|
|
|
|
|
|
7 |
1 |
|
19 |
10 |
|
|
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|
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|
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|
3+9 |
|
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1+0+2 |
4+8 |
3+9 |
|
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1+2 |
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1+2 |
1+2 |
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7 |
1 |
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19 |
10 |
|
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6 |
1 |
|
21 |
3 |
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5 |
1 |
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5 |
5 |
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1 |
1 |
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15 |
6 |
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3 |
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4 |
1 |
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8 |
8 |
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2 |
1 |
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18 |
9 |
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3+9 |
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1+0+2 |
4+8 |
3+9 |
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1+2 |
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1+2 |
1+2 |
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19 |
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6 |
1 |
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21 |
3 |
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5 |
1 |
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5 |
5 |
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1 |
1 |
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15 |
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18 |
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3+9 |
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1+0+2 |
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1+2 |
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Orpheus - Wikipedia
https://en.wikipedia.org/wiki/Orpheus
Mythology - Orpheus is a legendary musician, poet, and prophet in ancient Greek religion and myth. The major stories about him are centered on ...
?Eurydice · Orphism (religion) ·Orpheus and Eurydice · Orpheus Monument
Orpheus
From Wikipedia, the free encyclopedia
Orpheus
DSC00355 - Orfeo (epoca romana) - Foto G. Dall'Orto.jpg
Roman mosaic depicting Orpheus, wearing a Phrygian cap and surrounded by the beasts charmed by the music of his lyre
Abode
Pimpleia, Pieria
Symbol
Lyre
Personal Information
Born
Pimpleia, Pieria
Died
Pangaion Hills, Macedonia, Greece
Spouse
Eurydice
Children
Musaeus
Parents
Oeagrus or Apollo and Calliope
Siblings
The Graces, Linus
Orpheus (/'??rfi?s, '??rfju?s/; Greek: ??fe??) is a legendary musician, poet, and prophet in ancient Greek religion and myth. The major stories about him are centered on his ability to charm all living things and even stones with his music, his attempt to retrieve his wife, Eurydice, from the underworld, and his death at the hands of those who could not hear his divine music. As an archetype of the inspired singer, Orpheus is one of the most significant figures in the reception of classical mythology in Western culture, portrayed or alluded to in countless forms of art and popular culture including poetry, film, opera, music, and painting.[1]
Orpheus was born as a son of the Muse Kalliope and the Thracian king Oeagrus in a cave between Pimpleia and Leivithra.[2]
For the Greeks, Orpheus was a founder and prophet of the so-called "Orphic" mysteries. He was credited with the composition of the Orphic Hymns, a collection of which only two have survived.[3] Shrines containing purported relics of Orpheus were regarded as oracles. Some ancient Greek sources note Orpheus' Thracian origins.[4]
Orpheus (left, with lyre) among the Thracians, from an Attic red-figure bell-krater (c. 440 BC)[5]
The earliest literary reference to Orpheus is a two-word fragment of the sixth-century BC lyric poet Ibycus: onomaklyton Orphen ("Orpheus famous-of-name"). He is not mentioned in Homer or Hesiod.[6] Most ancient sources accept his historical existence; Aristotle is an exception.[7][8]
Pindar calls Orpheus "the father of songs"[9] and identifies him as a son of the Thracian king Oeagrus[10] and the Muse Calliope.[11]
Greeks of the Classical age venerated Orpheus as the greatest of all poets and musicians; it was said that while Hermes had invented the lyre, Orpheus had perfected it. Poets such as Simonides of Ceos said that Orpheus' music and singing could charm the birds, fish and wild beasts, coax the trees and rocks into dance,[12] and divert the course of rivers. Orpheus was one of the handful of Greek heroes[13] to visit the Underworld and return; his music and song even had power over Hades.
Some sources credit Orpheus with further gifts to mankind: medicine, which is more usually under the aegis of Aesculapius or Apollo; writing,[14] which is usually credited to Cadmus; and agriculture, where Orpheus assumes the Eleusinian role of Triptolemus as giver of Demeter's knowledge to mankind. Orpheus was an augur and seer; he practiced magical arts and astrology, founded cults to Apollo and Dionysus[15] and prescribed the mystery rites preserved in Orphic texts. Pindar and Apollonius of Rhodes[16] place Orpheus as the harpist and companion of Jason and the Argonauts. Orpheus had a brother named Linus, who went to Thebes and became a Theban.[17] He is claimed by Aristophanes and Horace to have taught cannibals to subsist on fruit, and to have made lions and tigers obedient to him. Horace believed, however, that Orpheus had only introduced order and civilization to savages.[18]
Bertrand Russell noted:[19]
The Orphics were an ascetic sect; wine, to them, was only a symbol, as, later, in the Christian sacrament. The intoxication that they sought was that of "enthusiasm," of union with the god. They believed themselves, in this way, to acquire mystic knowledge not obtainable by ordinary means. This mystical element entered into Greek philosophy with Pythagoras, who was a reformer of Orphism as Orpheus was a reformer of the religion of Dionysus. From Pythagoras Orphic elements entered into the philosophy of Plato, and from Plato into most later philosophy that was in any degree religious.
Strabo[20] (64 BC – c. AD 24) presents Orpheus as a mortal, who lived and died in a village close to Olympus. "Some, of course, received him willingly, but others, since they suspected a plot and violence, combined against him and killed him." He made money as a musician and "wizard" – Strabo uses agurteúonta (a???te???ta),[21] also used by Sophocles in Oedipus Tyrannus to characterize Teiresias as a trickster with an excessive desire for possessions. Agúrtes (a???t??) most often meant charlatan[22] and always had a negative connotation. Pausanias writes of an unnamed Egyptian who considered Orpheus a mágeuse (µ??e?se), i.e., magician.[23][non-primary source needed]
Mythology[edit]
Important sites in the life and travels of Orpheus
Early life[edit]
According to Apollodorus[24] and a fragment of Pindar,[25] Orpheus' father was Oeagrus, a Thracian king; or, according to another version of the story, the god Apollo. His mother was the muse Calliope; or, a daughter of Pierus,[26] son of Makednos. His birthplace and place of residence was in Pimpleia,[27][28][29] Olympus. In Argonautica the location of Oeagrus and Calliope's wedding is close to Pimpleia,[30] near Olympus.[29][31] While living with his mother and her eight beautiful sisters in Parnassus,[32] he met Apollo, who was courting the laughing muse Thalia. Apollo, as the god of music, gave Orpheus a golden lyre and taught him to play it. Orpheus' mother taught him to make verses for singing. Strabo mentions that he lived in Pimpleia.[29] He is also said to have studied in Egypt.[33]
According to Diodorus Siculus, Musaeus of Athens was the son of Orpheus.[34]
Orpheus is said to have established the worship of Hecate in Aegina.[35] In Laconia Orpheus is said to have brought the worship of Demeter Chthonia[36] and that of the Kores Soteiras (Greek,???e? S?te??a?) savior maid.[clarification needed][37] Also in Taygetus a wooden image of Orpheus was said to have been kept by Pelasgians in the sanctuary of the Eleusinian Demeter.[38]
Travelling as an Argonaut[edit]
Main article: Argonautica
The Argonautica (Greek: ?????a?t???) is a Greek epic poem written by Apollonius Rhodius in the 3rd century BC. Orpheus took part in this adventure and used his skills to aid his companions. Chiron told Jason that without the aid of Orpheus, the Argonauts would never be able to pass the Sirens—the same Sirens encountered by Odysseus in Homer's epic poem the Odyssey. The Sirens lived on three small, rocky islands called Sirenum scopuli and sang beautiful songs that enticed sailors to come to them, which resulted in the crashing of their ships into the islands. When Orpheus heard their voices, he drew his lyre and played music that was louder and more beautiful, drowning out the Sirens' bewitching songs. According to 3rd century BC Hellenistic elegiac poet Phanocles, Orpheus loved the young Argonaut Calais, "the son of Boreas, with all his heart, and went often in shaded groves still singing of his desire, nor was his heart at rest. But always, sleepless cares wasted his spirits as he looked at fresh Calais."[39][40]
Death of Eurydice[edit]
Orpheus with the lyre and surrounded by beasts (Byzantine & Christian Museum, Athens)
See also: Descent to the underworld
The most famous story in which Orpheus figures is that of his wife Eurydice (sometimes referred to as Euridice and also known as Argiope). While walking among her people, the Cicones, in tall grass at her wedding, Eurydice was set upon by a satyr. In her efforts to escape the satyr, Eurydice fell into a nest of vipers and suffered a fatal bite on her heel. Her body was discovered by Orpheus who, overcome with grief, played such sad and mournful songs that all the nymphs and gods wept. On their advice, Orpheus travelled to the underworld. His music softened the hearts of Hades and Persephone, who agreed to allow Eurydice to return with him to earth on one condition: he should walk in front of her and not look back until they both had reached the upper world. He set off with Eurydice following, and, in his anxiety, as soon as he reached the upper world, he turned to look at her, forgetting that both needed to be in the upper world, and she vanished for the second time, but now forever.
The story in this form belongs to the time of Virgil, who first introduces the name of Aristaeus (by the time of Virgil's Georgics, the myth has Aristaeus chasing Eurydice when she was bitten by a serpent) and the tragic outcome.[41] Other ancient writers, however, speak of Orpheus' visit to the underworld in a more negative light; according to Phaedrus in Plato's Symposium,[42] the infernal gods only "presented an apparition" of Eurydice to him. In fact, Plato's representation of Orpheus is that of a coward, as instead of choosing to die in order to be with the one he loved, he instead mocked the gods by trying to go to Hades to bring her back alive. Since his love was not "true"—he did not want to die for love—he was actually punished by the gods, first by giving him only the apparition of his former wife in the underworld, and then by being killed by women. Ovid says that Eurydice's death was not caused by fleeing from Aristaeus but by dancing with naiads on her wedding day.
Virgil wrote in his poem that Dryads wept from Epirus and Hebrus up to the land of the Getae (north east Danube valley) and even describes him wandering into Hyperborea and Tanais (ancient Greek city in the Don river delta)[43] due to his grief.
The story of Eurydice may actually be a late addition to the Orpheus myths. In particular, the name Eurudike ("she whose justice extends widely") recalls cult-titles attached to Persephone. According to the theories of poet Robert Graves, the myth may have been derived from another Orpheus legend, in which he travels to Tartarus and charms the goddess Hecate.[44]
The myth theme of not looking back, an essential precaution in Jason's raising of chthonic Brimo Hekate under Medea's guidance,[45] is reflected in the Biblical story of Lot's wife when escaping from Sodom. More directly, the story of Orpheus is similar to the ancient Greek tales of Persephone captured by Hades and similar stories of Adonis captive in the underworld. However, the developed form of the Orpheus myth was entwined with the Orphic mystery cults and, later in Rome, with the development of Mithraism and the cult of Sol Invictus.
Thracian Girl Carrying the Head of Orpheus on His Lyre by Gustave Moreau (1865)
Death[edit]
According to a Late Antique summary of Aeschylus' lost play Bassarids, Orpheus, towards the end of his life, disdained the worship of all gods except the sun, whom he called Apollo. One early morning he went to the oracle of Dionysus at Mount Pangaion[46] to salute his god at dawn, but was ripped to shreds by Thracian Maenads for not honoring his previous patron (Dionysus) and buried in Pieria.[15][47] Here his death is analogous with that of Pentheus, who was also torn to pieces by Maenads; and it has been speculated that the Orphic mystery cult regarded Orpheus as a parallel figure to or even an incarnation of Dionysus.[48] Both made similar journeys into Hades, and Dionysus Zagreus suffered an identical death.[49] Pausanias writes that Orpheus was buried in Dion and that he met his death there.[50] He writes that the river Helicon sank underground when the women that killed Orpheus tried to wash off their blood-stained hands in its waters.[51]
Ovid recounts that Orpheus .. had abstained from the love of women, either because things ended badly for him, or because he had sworn to do so. Yet, many felt a desire to be joined with the poet, and many grieved at rejection. Indeed, he was the first of the Thracian people to transfer his affection to young boys and enjoy their brief springtime, and early flowering this side of manhood.
—?Ovid. trans. A. S. Kline, Ovid: The Metamorphoses, Book X
Feeling spurned by Orpheus for taking only male lovers, the Ciconian women, followers of Dionysus,[52] first threw sticks and stones at him as he played, but his music was so beautiful even the rocks and branches refused to hit him. Enraged, the women tore him to pieces during the frenzy of their Bacchic orgies.[53] In Albrecht Dürer's drawing of Orpheus' death, based on an original, now lost, by Andrea Mantegna, a ribbon high in the tree above him is lettered Orfeus der erst puseran ("Orpheus, the first pederast").[54]
Death of Orpheus, by Dürer (1494)
His head and lyre, still singing mournful songs, floated down the swift Hebrus to the Mediterranean shore. There, the winds and waves carried them on to the Lesbos shore,[55] where the inhabitants buried his head and a shrine was built in his honour near Antissa;[56] there his oracle prophesied, until it was silenced by Apollo.[57] In addition to the people of Lesbos, Greeks from Ionia and Aetolia consulted the oracle, and his reputation spread as far as Babylon.[58]
Cave of Orpheus' oracle in Antissa, Lesbos
The lyre was carried to heaven by the Muses, and was placed among the stars. The Muses also gathered up the fragments of his body and buried them at Leibethra[59] below Mount Olympus, where the nightingales sang over his grave. After the river Sys flooded[60] Leibethra, the Macedonians took his bones to Dion. Orpheus' soul returned to the underworld where he was reunited at last with his beloved Eurydice.
Another legend places his tomb at Dion,[46] near Pydna in Macedon. In another version of the myth, Orpheus travels to Aornum in Thesprotia, Epirus to an old oracle for the dead. In the end Orpheus commits suicide from his grief unable to find Eurydice.[61]
Another account relates that he was struck with lightning by Zeus for having lied about the stories and the mysteries of the gods.
Orphic poems and rites[edit]
Nymphs Finding the Head of Orpheus by John William Waterhouse
Main article: Orphism (religion)
A number of Greek religious poems in hexameters were attributed to Orpheus, as they were to similar miracle-working figures, like Bakis, Musaeus, Abaris, Aristeas, Epimenides, and the Sibyl. Of this vast literature, only two examples survived whole: a set of hymns composed at some point in the second or third century, and an Orphic Argonautica composed somewhere between the fourth and sixth centuries. Earlier Orphic literature, which may date back as far as the sixth century BC, survives only in papyrus fragments or in quotations. Some of the earliest fragments may have been composed by Onomacritus.[62]
Nymphs Listening to the Songs of Orpheus, 1853 by Charles Jalabert
In addition to serving as a storehouse of mythological data along the lines of Hesiod's Theogony, Orphic poetry was recited in mystery-rites and purification rituals. Plato in particular tells of a class of vagrant beggar-priests who would go about offering purifications to the rich, a clatter of books by Orpheus and Musaeus in tow.[63] Those who were especially devoted to these rituals and poems often practiced vegetarianism and abstention from sex, and refrained from eating eggs and beans — which came to be known as the Orphikos bios, or "Orphic way of life".[64]
The Derveni papyrus, found in Derveni, Macedonia (Greece) in 1962, contains a philosophical treatise that is an allegorical commentary on an Orphic poem in hexameters, a theogony concerning the birth of the gods, produced in the circle of the philosopher Anaxagoras, written in the second half of the fifth century BC. Fragments of the poem are quoted making it "the most important new piece of evidence about Greek philosophy and religion to come to light since the Renaissance".[65] The papyrus dates to around 340 BC, during the reign of Philip II of Macedon, making it Europe's oldest surviving manuscript.
The historian William Mitford wrote in 1784 that the very earliest form of a higher and cohesive ancient Greek religion was manifest in the Orphic poems.[66]
W. K. C. Guthrie wrote that Orpheus was the founder of mystery religions and the first to reveal to men the meanings of the initiation rites.[67
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4+3 |
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1+1+5 |
5+2 |
4+3 |
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4+3 |
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1+1+5 |
5+2 |
4+3 |
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MORPHEUS - Greek God or Spirit of the Dreams of Kings
www.theoi.com › Greek Gods
In Greek mythology Morpheus was the leader of the Oneiroi, the personified spirits (daimones) of dreams. He was a messenger of the gods who appeared in the ...
MORPHEUS was the leader of the Oneiroi, the personified spirits (daimones) of dreams. He was a messenger of the gods who appeared in the dreams of kings in human guise.
Morpheus was probably equated with the unnamed dream-spirit sent by Zeus to deliver a message to King Agamemnon in the Iliad (see the Oneiroi page)
FAMILY OF MORPHEUS
PARENTS
HYPNOS (Ovid Metamorphoses 11.592)
ENCYCLOPEDIA
MORPHEUS (Morpheus), the son of Sleep, and the god of dreams. The name signifies the fashioner or moulder, because he shaped or formed the dreams which appeared to the sleeper. (Ov. Met. xi. 635.)
Source: Dictionary of Greek and Roman Biography and Mythology.
CLASSICAL LITERATURE QUOTES
Ovid, Metamorphoses 11. 585 ff (trans. Melville) (Roman epic C1st B.C. to C1st A.D.) :
"[Hera commands the messenger Iris summon Dream :] ‘Iris (Rainbow), my voice's trustiest messenger, hie quickly to the drowsy hall of Somnus (Sleep) [Hypnos], and bid him send a Dream of Ceyx drowned to break the tidings to [his wife] Alcyone.'
Then Iris, in her thousand hues enrobed traced through the sky her arching bow and reached the cloud-hid palace of the drowsy king [the God of Sleep] . . . Around him everywhere in various guise lie empty Somnia (Dreams) [Oneiroi], countless as ears of corn at harvest time or sands cast on the shore or leaves that fall upon the forest floor.
There Iris entered, brushing the Somnia (Dreams) aside, and the bright sudden radiance of her robe lit up the hallowed place; slowly the god his heavy eyelids raised, and sinking back time after time, his languid drooping head nodding upon his chest, at last he shook himself out of himself, and leaning up he recognized her and asked why she came, and she replied : ‘Somnus (Sleep) [Hypnos], quietest of the gods, Somnus, peace of all the world, balm of the soul, who drives care away, who gives ease to weary limbs after the hard day's toil and strength renewed to meet the morrow's tasks, bid now thy Dreams, whose perfect mimicry matches the truth, in Ceyx's likeness formed appear in Trachis to Alcyone and feign the shipwreck and her dear love drowned. So Juno [Hera] orders.’
Then, her task performed, Iris departed, for she could no more endure the power of Somnus, as drowsiness stole seeping through her frame, and fled away back o'er the arching rainbow as she came. The father Somnus (Sleep) chose from among his sons, his thronging thousand sons, one who in skill excelled to imitate the human form; Morpheus his name, than whom none can present more cunningly the features, gait and speech of men, their wonted clothes and turn of phrase. He mirrors only men; another forms the beasts and birds and the long sliding snakes. The gods have named him Icelos; here below the tribe of mortals call him Phobetor. A third, excelling in an art diverse, is Phantasos; he wears the cheating shapes of earth, rocks, water, trees--inanimate things. To kings and chieftains these at night display their phantom features; other dreams will roam among the people, haunting common folk. All these dream-brothers the old god passed by and chose Morpheus alone to undertake Thaumantias' [Iris'] commands; then in sweet drowsiness on his high couch he sank his head to sleep.
Soon through the dewy dark on noiseless wings flew Morpheus and with brief delay arrived at Trachis town and, laying his wings aside, took Ceyx's [ghostly] form and face and, deathly pale and naked, stood beside the poor wife's bed. His beard was wet and from his sodden hair the sea-drips flowed; then leaning over her, weeping, he said : ‘Poor, poor Alcyone! Do you know me, your Ceyx? Am I changed in death? Look! Now you see, you recognize--ah! Not your husband but your husband's ghost. Your prayers availed me nothing. I am dead. Feed not your heart with hope, hope false and vain. A wild sou'wester in the Aegaeum sea, striking my ship, in its huge hurricane destroyed her. Over my lips, calling your name--calling in vain--the waters washed. These tidings no dubious courier brings, no vague report: myself, here, shipwrecked, my own fate reveal. Come, rise and weep! Put on your mourning! Weep! Nor unlamented suffer me to join the shadowy spirits of Tartara (the Underworld).’
So Morpheus spoke, spoke too in such a voice as she must think her husband's (and his tears she took for true), and used her Ceyx' gestures. Asleep, she moaned and wept and stretched her arms to hold him, but embraced the empty air. ‘Oh wait for me!’ she cried, ‘Why haste away? I will come too.’
Roused by her voice's sound and by her husband's ghost, now wide awake, she looked . . . but found him nowhere . . . She cried, ‘. . . He is dead, shipwrecked and drowned. I saw him, knew him, tried to hold him--as he vanished--in my arms. He was a ghost, but yet distinct and clear, truly my husband's ghost, though to be sure his face was changed, his shining grace was gone. Naked and deathly pale, with dripping hair, I saw him--woe is me!’"
[N.B. Ovid uses the original Greek names for the three gods of dreams.]
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8 |
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5 |
1 |
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5 |
5 |
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1 |
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21 |
3 |
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3+9 |
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1+0+2 |
4+8 |
3+9 |
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1+2 |
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1+2 |
1+2 |
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1 |
1 |
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15 |
6 |
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2 |
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18 |
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4 |
1 |
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8 |
8 |
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5 |
1 |
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5 |
5 |
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6 |
1 |
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21 |
3 |
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7 |
1 |
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19 |
10 |
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39 |
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7 |
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102 |
48 |
39 |
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1 |
1 |
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13 |
4 |
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2 |
1 |
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15 |
6 |
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3 |
1 |
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18 |
9 |
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4 |
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5 |
1 |
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8 |
8 |
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6 |
1 |
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5 |
5 |
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7 |
1 |
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21 |
3 |
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8 |
1 |
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19 |
10 |
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43 |
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8 |
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115 |
52 |
43 |
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First Total |
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|
|
|
|
|
|
|
|
|
|
|
|
8+2 |
|
1+5 |
Add to Reduce |
2+1+7 |
1+0+0 |
8+2 |
|
|
|
|
|
1+0 |
1+2 |
1+4 |
1+6 |
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
Reduce to Deduce |
1+0 |
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
43 |
|
8 |
|
115 |
52 |
43 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8+2 |
|
1+5 |
Add to Reduce |
2+1+7 |
1+0+0 |
8+2 |
|
|
|
|
|
1+0 |
1+2 |
1+4 |
1+6 |
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
Reduce to Deduce |
1+0 |
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
43 |
|
8 |
|
115 |
52 |
43 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8+2 |
|
1+5 |
Add to Reduce |
2+1+7 |
1+0+0 |
8+2 |
|
|
|
|
|
1+0 |
1+2 |
1+4 |
1+6 |
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
Reduce to Deduce |
1+0 |
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
6 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
14 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
8 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
43 |
|
8 |
|
115 |
52 |
43 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8+2 |
|
1+5 |
Add to Reduce |
2+1+7 |
1+0+0 |
8+2 |
|
|
|
|
|
1+0 |
1+2 |
1+4 |
1+6 |
1+8 |
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
Reduce to Deduce |
1+0 |
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
- |
H |
8 |
8 |
8 |
- |
E |
5 |
5 |
5 |
- |
R |
18 |
9 |
9 |
- |
A |
1 |
1 |
1 |
4 |
HERA |
32 |
23 |
23 |
- |
- |
3+2 |
2+3 |
2+3 |
4 |
HERA |
5 |
5 |
5 |
Hera
Wikipedia
https://en.wikipedia.org › wiki › Hera
Hera is the goddess of marriage and childbirth rather than motherhood, and much of her mythology revolves around her marriage with her brother Zeus. She is ...
?Hera (disambiguation) · ?Barberini Hera · ?Hera Farnese · ?Angelos (mythology)
Queen of the Gods
Goddess of marriage, women, marital harmony, and the protector of women during childbirth
Member of the Twelve Olympians
The Campana Hera, a Roman copy of a Hellenistic original, from the Louvre
Major cult center Argos, Mycenae, Samos
Abode Mount Olympus
Animals Cow, cuckoo, peacock
Symbol Pomegranate, sceptre, crown (polos or diadem)
Personal information
Parents Cronus and Rhea
Siblings Poseidon, Hades, Demeter, Hestia, Zeus
Consort Zeus
Children Angelos, Arge, Ares, the Charites, Eileithyia, Eleutheria, Eris, Hebe, Hephaestus
Equivalents
Roman equivalent Juno
Part of a series on
Ancient Greek religion
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Sacred Places
Deities
Concepts
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Philosophy
Philosophers
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In ancient Greek religion, Hera (/'h?r?, 'h??r?/; Greek: ??a, translit. H?ra; ???, H?re in Ionic and Homeric Greek) is the goddess of marriage, women, and family, and the protector of women during childbirth. In Greek mythology, she is queen of the twelve Olympians and Mount Olympus, sister and wife of Zeus, and daughter of the Titans Cronus and Rhea. One of her defining characteristics in myth is her jealous and vengeful nature in dealing with any who offended her, especially Zeus's numerous adulterous lovers and illegitimate offspring.
Her iconography usually presents her as a dignified, matronly figure, upright or enthroned, crowned with a polos or diadem, sometimes veiled as a married woman.[1] She is the patron goddess of lawful marriage. She presides over weddings, blesses and legalises marital unions, and protects women from harm during childbirth. Her sacred animals include the cow, cuckoo, and peacock. She is sometimes shown holding a pomegranate as an emblem of immortality. Her Roman counterpart is Juno.[2]
Etymology
The name Hera has several possible and mutually exclusive etymologies. One possibility is to connect it with Greek ??a hora, season, and to interpret it as ripe for marriage and according to Plato ??at? erate, "beloved"[3] as Zeus is said to have married her for love.[4] According to Plutarch, Hera was an allegorical name and an anagram of aer (???, "air").[5] So begins the section on Hera in Walter Burkert's Greek Religion.[6] In a note, he records other scholars' arguments "for the meaning Mistress as a feminine to Heros, Master." John Chadwick, a decipherer of Linear B, remarks "her name may be connected with heros, ????, 'hero', but that is no help since it too is etymologically obscure."[7] A. J. van Windekens,[8] offers "young cow, heifer", which is consonant with Hera's common epithet ß??p?? (boopis, "cow-eyed"). R. S. P. Beekes has suggested a Pre-Greek origin.[9] Her name is attested in Mycenaean Greek written in the Linear B syllabic script as ???? e-ra, appearing on tablets found in Pylos and Thebes,[10] as well as in the Cypriotic dialect in the dative e-ra-i.[11]
4 |
|
|
|
|
- |
H |
8 |
8 |
8 |
- |
E |
5 |
5 |
5 |
- |
R |
18 |
9 |
9 |
- |
A |
1 |
1 |
1 |
4 |
|
32 |
23 |
23 |
- |
- |
3+2 |
2+3 |
2+3 |
4 |
|
5 |
5 |
5 |
4 |
|
|
|
|
- |
R |
18 |
9 |
9 |
- |
H |
8 |
8 |
8 |
- |
E |
5 |
5 |
5 |
- |
A |
1 |
1 |
1 |
4 |
|
32 |
23 |
23 |
- |
- |
3+2 |
2+3 |
2+3 |
4 |
|
5 |
5 |
5 |
4 |
|
|
|
|
- |
Z |
26 |
8 |
8 |
- |
E |
5 |
5 |
5 |
- |
U |
21 |
3 |
3 |
- |
S |
19 |
10 |
1 |
4 |
|
71 |
26 |
23 |
- |
- |
7+1 |
2+3 |
2+3 |
4 |
|
8 |
5 |
5 |
ZEUS Z 531- Z - Z -531 ZEUS
Wikipedia
https://en.wikipedia.org › wiki › Zeus
Zeus is the sky and thunder god in ancient Greek religion and mythology, who rules as king of the gods on Mount Olympus. His name is cognate with the first ...
?Name · ?Mythology
Rhea (mythology)
Wikipedia
https://en.wikipedia.org › wiki › Rhea_(mythology)
rhea zeus from en.wikipedia.org
In it, as storytellers say, Rhea gave birth to Zeus; it is a sacred place and no one is to go near it, whether god or mortal. At the appointed time each year a ...
?Mythology · ?Cult · ?Depiction in ancient literature · ?Descendants
6 |
SCYLLA |
72 |
18 |
9 |
9 |
CHARYBDIS |
89 |
44 |
8 |
6 |
TYPHON |
89 |
35 |
8 |
8 |
HERACLES |
71 |
35 |
8 |
8 |
POSEIDON |
97 |
43 |
7 |
4 |
GAEA |
14 |
14 |
5 |
7 |
GLAUCUS |
84 |
21 |
3 |
5 |
CIRCE |
19 |
10 |
1 |
7 |
INCIDIT |
68 |
41 |
5 |
7 |
SCYLLAM |
85 |
22 |
4 |
3 |
QUI |
47 |
20 |
2 |
4 |
VULT |
75 |
12 |
3 |
6 |
VITARE |
75 |
30 |
3 |
9 |
CHRAYBDIS |
89 |
44 |
8 |
36 |
First Total |
|
|
|
3+6 |
Add to Reduce |
4+3+9 |
1+6+9 |
2+5 |
3 |
Second Total |
|
|
|
3+6 |
Reduce to Deduce |
1+6 |
1+6 |
- |
3 |
Essence of Number |
|
|
|
9 |
INBETWEEN |
97 |
43 |
7 |
1 |
A |
1 |
1 |
1 |
4 |
ROCK |
47 |
20 |
2 |
3 |
AND |
19 |
10 |
1 |
1 |
A |
1 |
1 |
1 |
4 |
HARD |
31 |
22 |
4 |
5 |
PLACE |
37 |
19 |
1 |
27 |
First Total |
|
|
|
2+7 |
Add to Reduce |
2+3+3 |
1+1+6 |
1+7 |
9 |
Second Total |
|
|
|
|
I |
9 |
9 |
|
|
INCA |
- |
- |
- |
|
I |
9 |
9 |
|
|
N |
14 |
5 |
|
- |
C |
3 |
3 |
|
|
A |
1 |
1 |
|
4 |
INCA |
27 |
18 |
18 |
- |
- |
2+7 |
1+8 |
1+8 |
4 |
INCA |
9 |
9 |
9 |
I - NCA 9 - 531 - I -531I - 9 - NCA
-
|
I |
9 |
9 |
|
|
INCA |
- |
- |
- |
|
I |
9 |
9 |
|
|
NCA |
18 |
9 |
|
4 |
INCA |
27 |
18 |
18 |
- |
- |
2+7 |
1+8 |
1+8 |
1 |
INCA |
9 |
9 |
9 |
|
INCA |
N |
C |
A |
|
I |
- |
- |
- |
|
NCA |
5 |
3 |
|
4 |
INCA |
- |
- |
- |
I INCA SON OF THE SUN
J - ESUS - 1 513 - 315 - 1 - SUSE - J
5 |
LIVING |
73 |
37 |
1 |
3 |
THE |
33 |
15 |
6 |
4 |
MYTH |
66 |
21 |
3 |
10 |
THE ODYSSEY |
- |
- |
- |
|
THE |
33 |
15 |
|
|
ODYSSEY |
112 |
31 |
|
10 |
THE ODYSSEY |
145 |
46 |
10 |
1+0 |
- |
1+4+5 |
4+6 |
1+0 |
1 |
THE ODYSSEY |
10 |
10 |
1 |
- |
- |
1+0 |
1+0 |
- |
1 |
THE ODYSSEY |
1 |
1 |
1 |
3 |
THE |
33 |
15 |
6 |
6 |
HEROIC |
58 |
40 |
4 |
7 |
JOURNEY |
108 |
36 |
9 |
16 |
First Total |
|
|
|
|
Add to Reduce |
1+0+0 |
9+1 |
1+9 |
7 |
Second Total |
|
|
|
|
Reduce to Deduce |
- |
1+0 |
1+0 |
7 |
Essence of Number |
|
|
|
5 |
HOMER |
- |
- |
- |
|
MORE |
51 |
24 |
|
|
H |
8 |
8 |
|
5 |
HOMER |
59 |
32 |
14 |
- |
- |
5+9 |
3+2 |
1+4 |
5 |
HOMER |
14 |
5 |
5 |
- |
- |
1+4 |
- |
- |
5 |
HOMER |
5 |
5 |
5 |
5 |
ILIAD |
|
|
|
|
I |
9 |
9 |
|
|
L |
12 |
3 |
|
|
I |
9 |
9 |
|
|
A+D |
5 |
5 |
|
5 |
ILIAD |
35 |
26 |
26 |
- |
- |
3+5 |
2+6 |
2+6 |
5 |
ILIAD |
8 |
8 |
8 |
5 |
HOMER |
59 |
32 |
5 |
10 |
THE ODYSSEY |
145 |
46 |
1 |
8 |
ODYSSEUS |
127 |
28 |
1 |
23 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
3+3+1 |
1+0+6 |
- |
5 |
Essence of Number |
|
|
|
-- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
6 |
|
|
1 |
1 |
|
|
1 |
|
|
|
|
|
|
|
|
- |
|
15 |
|
|
19 |
19 |
|
|
19 |
|
|
|
|
|
|
|
|
-- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
4 |
7 |
|
|
5 |
3 |
|
|
|
|
|
|
|
|
|
- |
|
|
4 |
25 |
|
|
5 |
21 |
|
|
|
|
|
|
|
|
|
-- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
15 |
4 |
25 |
19 |
19 |
5 |
21 |
19 |
|
|
|
|
|
|
|
|
- |
|
6 |
4 |
7 |
1 |
1 |
5 |
3 |
1 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
- |
- |
|
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|
occurs |
x |
|
= |
3 |
|
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|
|
2 |
|
|
|
|
|
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|
occurs |
x |
|
= |
3 |
|
|
|
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|
|
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|
|
|
|
occurs |
x |
|
= |
4 |
|
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|
|
occurs |
x |
|
= |
5 |
|
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|
occurs |
x |
|
= |
6 |
|
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occurs |
x |
|
= |
7 |
|
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|
8 |
|
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9 |
|
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|
|
2+6 |
|
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|
2+8 |
|
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|
|
|
|
|
|
|
|
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|
|
|
|
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
6 |
|
|
1 |
1 |
|
|
1 |
|
|
|
|
|
|
|
|
|
15 |
|
|
19 |
19 |
|
|
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
4 |
7 |
|
|
5 |
3 |
|
|
|
|
|
|
|
|
|
|
|
4 |
25 |
|
|
5 |
21 |
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
15 |
4 |
25 |
19 |
19 |
5 |
21 |
19 |
|
|
|
|
|
|
|
|
|
6 |
4 |
7 |
1 |
1 |
5 |
3 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
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|
|
occurs |
x |
|
= |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+6 |
|
|
|
|
2+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
THE GREAT BOW |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
5 |
GREAT |
51 |
24 |
6 |
3 |
BOW |
40 |
13 |
4 |
2 |
OF |
21 |
12 |
3 |
4 |
KING |
41 |
23 |
5 |
8 |
ODYSSEUS |
127 |
28 |
1 |
25 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
3+1+3 |
1+1+5 |
2+5 |
7 |
Essence of Number |
|
|
|
7 |
THE MYTH |
- |
- |
- |
|
THE |
33 |
15 |
|
|
MYTH |
66 |
21 |
|
7 |
THE MYTH |
99 |
36 |
9 |
- |
- |
9+9 |
3+6 |
- |
7 |
THE MYTH |
18 |
9 |
9 |
- |
- |
1+8 |
- |
- |
7 |
THE MYTH |
9 |
9 |
9 |
4 |
GODS |
45 |
18 |
9 |
2 |
OF |
21 |
12 |
3 |
7 |
OLYMPUS |
121 |
31 |
4 |
13 |
First Total |
|
|
|
|
Add to Reduce |
1+8+7 |
6+1 |
1+6 |
4 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+6 |
- |
- |
4 |
Essence of Number |
|
|
|
3 |
|
33 |
15 |
|
9 |
|
137 |
47 |
|
2 |
|
21 |
12 |
|
3 |
|
26 |
17 |
|
|
First Total |
|
|
|
1+7 |
Add to Reduce |
2+1+7 |
9+1 |
1+9 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
|
|
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
5 |
RIVER |
72 |
36 |
9 |
2 |
OF |
21 |
12 |
3 |
5 |
OCEAN |
38 |
20 |
2 |
15 |
First Total |
|
|
|
|
Add to Reduce |
1+6+4 |
8+3 |
2+0 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+1 |
1+1 |
- |
6 |
Essence of Number |
|
|
|
6 |
SCYLLA |
72 |
18 |
9 |
9 |
CHARYBDIS |
89 |
44 |
8 |
|
|
|
|
|
3 |
A+G+A |
9 |
9 |
9 |
2 |
M+E |
18 |
18 |
9 |
2 |
M+N |
27 |
9 |
9 |
2 |
O+N |
29 |
11 |
2 |
9 |
|
|
|
|
|
|
8+3 |
4+7 |
2+9 |
9 |
|
|
|
|
|
|
1+1 |
1+1 |
1+1 |
9 |
|
|
|
|
|
|
|
|
|
1 |
A |
1 |
1 |
1 |
4 |
NOME |
47 |
20 |
2 |
4 |
GAME |
26 |
17 |
8 |
|
|
|
|
|
2 |
M+E |
18 |
9 |
9 |
6 |
N+E+L+A+U+S |
72 |
18 |
9 |
|
|
|
|
|
|
|
9+0 |
2+7 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
M+E |
18 |
9 |
9 |
2 |
M+N |
27 |
9 |
9 |
2 |
O+N |
29 |
11 |
2 |
- |
5 |
M |
I |
D |
A |
|
|
|
|
|
|
|
|
- |
- |
- |
|
9 |
|
|
1 |
|
|
|
1+0 |
|
|
- |
|
- |
- |
|
9 |
|
|
19 |
|
|
|
2+8 |
|
|
1+0 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
4 |
|
4 |
1 |
|
|
|
|
|
|
|
- |
|
- |
- |
13 |
|
4 |
1 |
|
|
|
|
1+8 |
|
|
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
13 |
9 |
4 |
1 |
19 |
|
|
|
4+6 |
|
|
1+0 |
1 |
- |
- |
4 |
9 |
4 |
1 |
1 |
|
|
|
1+9 |
|
|
1+0 |
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
|
|
|
|
occurs |
x |
|
= |
2 |
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
- |
- |
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
|
- |
|
|
|
|
occurs |
x |
|
= |
8 |
|
|
|
- |
|
- |
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
- |
- |
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
- |
- |
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
- |
- |
|
|
|
|
|
|
|
- |
- |
|
|
- |
9 |
- |
|
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+1 |
|
- |
|
- |
- |
|
|
|
1+4 |
|
|
- |
|
1+9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
9 |
4 |
1 |
1 |
|
|
|
|
|
|
- |
1+0 |
4 |
5 |
M |
I |
D |
A |
|
|
|
|
|
|
|
|
|
|
M |
I |
D |
A |
|
|
|
|
|
|
|
|
- |
- |
|
9 |
|
|
1 |
|
|
|
1+0 |
|
|
- |
|
- |
|
9 |
|
|
19 |
|
|
|
2+8 |
|
|
1+0 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
|
4 |
1 |
|
|
|
|
|
|
|
- |
|
- |
13 |
|
4 |
1 |
|
|
|
|
1+8 |
|
|
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
9 |
4 |
1 |
19 |
|
|
|
4+6 |
|
|
1+0 |
1 |
- |
4 |
9 |
4 |
1 |
1 |
|
|
|
1+9 |
|
|
1+0 |
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
- |
- |
|
|
|
|
|
occurs |
x |
|
= |
2 |
|
|
- |
|
- |
|
|
|
|
occurs |
x |
|
= |
8 |
|
- |
9 |
- |
|
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
- |
|
|
|
1+4 |
|
|
- |
|
1+9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
4 |
9 |
4 |
1 |
1 |
|
|
|
|
|
|
- |
1+0 |
5 |
M |
I |
D |
A |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
M |
13 |
4 |
4 |
1 |
I |
9 |
9 |
9 |
1 |
N |
14 |
5 |
5 |
1 |
O |
15 |
6 |
6 |
1 |
S |
19 |
10 |
1 |
|
|
|
|
|
|
|
7+0 |
3+4 |
2+5 |
|
|
|
|
|
|
|
|
|
|
3 |
M+I+N |
36 |
18 |
9 |
4 |
O+T+A+U |
57 |
12 |
3 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
- |
|
1+1+1 |
3+9 |
2+1 |
|
|
|
|
|
- |
|
- |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
2 |
IM |
22 |
13 |
4 |
3 |
SON |
48 |
12 |
3 |
5 |
MINOS |
70 |
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
9 |
5 |
6 |
1 |
|
|
|
2+1 |
|
|
|
|
- |
- |
|
9 |
14 |
15 |
19 |
|
|
|
5+7 |
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
|
|
|
|
|
|
|
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
13 |
9 |
14 |
15 |
19 |
|
|
|
7+0 |
|
|
|
|
- |
- |
4 |
9 |
5 |
6 |
1 |
|
|
|
2+5 |
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
- |
|
|
|
|
occurs |
x |
|
= |
1 |
|
|
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
|
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
9 |
- |
- |
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+0 |
|
- |
|
|
|
|
|
|
2+5 |
|
|
|
|
2+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
9 |
5 |
6 |
1 |
|
|
|
2+1 |
|
|
|
|
- |
- |
|
9 |
14 |
15 |
19 |
|
|
|
5+7 |
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
|
|
|
|
|
|
|
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
13 |
9 |
14 |
15 |
19 |
|
|
|
7+0 |
|
|
|
|
- |
- |
4 |
9 |
5 |
6 |
1 |
|
|
|
2+5 |
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
- |
|
|
|
|
occurs |
x |
|
= |
1 |
|
|
|
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
|
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
9 |
- |
- |
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+0 |
|
- |
|
|
|
|
|
|
2+5 |
|
|
|
|
2+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
9 |
5 |
6 |
|
|
|
|
|
|
|
2+0 |
|
|
|
|
|
|
- |
- |
|
9 |
14 |
15 |
|
|
|
|
|
|
|
3+8 |
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
4 |
|
|
|
2 |
1 |
3 |
9 |
|
|
|
1+9 |
|
|
1+0 |
|
|
|
- |
- |
13 |
|
|
|
20 |
1 |
21 |
18 |
|
|
|
7+3 |
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
13 |
9 |
14 |
15 |
20 |
1 |
21 |
18 |
|
|
|
1+1+1 |
|
|
- |
|
|
|
- |
- |
4 |
9 |
5 |
6 |
2 |
1 |
3 |
9 |
|
|
|
3+9 |
|
|
1+2 |
|
|
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
- |
- |
1 |
|
|
|
|
|
occurs |
x |
|
= |
1 |
|
|
|
|
- |
|
- |
|
2 |
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
|
|
|
|
- |
- |
- |
|
|
|
3 |
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
4 |
- |
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
- |
5 |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
9 |
- |
- |
- |
|
|
9 |
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+5 |
|
- |
|
|
|
|
- |
|
|
|
|
3+0 |
|
|
|
|
3+9 |
|
3+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
9 |
5 |
6 |
2 |
1 |
3 |
9 |
|
|
|
|
|
|
- |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
9 |
5 |
6 |
|
|
|
|
|
|
|
2+0 |
|
|
|
|
|
|
- |
|
9 |
14 |
15 |
|
|
|
|
|
|
|
3+8 |
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
4 |
|
|
|
2 |
1 |
3 |
9 |
|
|
|
1+9 |
|
|
1+0 |
|
|
|
- |
13 |
|
|
|
20 |
1 |
21 |
18 |
|
|
|
7+3 |
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
13 |
9 |
14 |
15 |
20 |
1 |
21 |
18 |
|
|
|
1+1+1 |
|
|
- |
|
|
|
- |
4 |
9 |
5 |
6 |
2 |
1 |
3 |
9 |
|
|
|
3+9 |
|
|
1+2 |
|
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
|
|
- |
- |
1 |
|
|
|
|
|
occurs |
x |
|
= |
1 |
|
|
|
- |
|
- |
|
2 |
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
|
|
|
- |
- |
- |
|
|
|
3 |
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
4 |
- |
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
- |
5 |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
- |
9 |
- |
- |
- |
|
|
9 |
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
3+0 |
|
|
|
|
3+9 |
|
3+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
4 |
9 |
5 |
6 |
2 |
1 |
3 |
9 |
|
|
|
|
|
|
- |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
A |
1 |
1 |
1 |
6 |
VERMIN |
81 |
36 |
9 |
|
|
|
|
|
- |
|
8+2 |
3+7 |
1+0 |
|
|
|
|
|
|
|
1+0 |
1+0 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
9 |
5 |
|
|
|
|
|
|
|
1+4 |
|
|
|
|
|
|
- |
- |
|
9 |
14 |
|
|
|
|
|
|
|
2+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
4 |
|
|
5 |
9 |
4 |
1 |
|
|
|
2+3 |
|
|
|
|
|
|
- |
- |
13 |
|
|
5 |
18 |
22 |
1 |
|
|
|
5+9 |
|
|
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
13 |
9 |
14 |
5 |
18 |
22 |
1 |
|
|
|
8+2 |
|
|
1+0 |
|
|
|
- |
- |
4 |
9 |
5 |
5 |
9 |
4 |
1 |
|
|
|
3+7 |
|
|
1+0 |
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
- |
- |
|
|
|
|
occurs |
x |
|
= |
1 |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
- |
|
|
5 |
- |
- |
|
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
9 |
- |
- |
9 |
- |
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+6 |
|
- |
|
|
|
|
- |
- |
|
|
1+9 |
|
|
|
|
3+7 |
|
1+9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
9 |
5 |
5 |
9 |
4 |
1 |
|
|
1+0 |
|
|
|
- |
1+0 |
- |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
9 |
5 |
|
|
|
|
|
|
|
1+4 |
|
|
|
|
|
|
- |
|
9 |
14 |
|
|
|
|
|
|
|
2+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
4 |
|
|
5 |
9 |
4 |
1 |
|
|
|
2+3 |
|
|
|
|
|
|
- |
13 |
|
|
5 |
18 |
22 |
1 |
|
|
|
5+9 |
|
|
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
13 |
9 |
14 |
5 |
18 |
22 |
1 |
|
|
|
8+2 |
|
|
1+0 |
|
|
|
- |
4 |
9 |
5 |
5 |
9 |
4 |
1 |
|
|
|
3+7 |
|
|
1+0 |
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
- |
- |
- |
- |
|
|
|
|
occurs |
x |
|
= |
1 |
|
|
|
4 |
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
- |
|
|
5 |
- |
- |
|
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
|
|
- |
9 |
- |
- |
9 |
- |
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
- |
|
|
1+9 |
|
|
|
|
3+7 |
|
1+9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
4 |
9 |
5 |
5 |
9 |
4 |
1 |
|
|
1+0 |
|
|
|
- |
1+0 |
- |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
3 |
18 |
5 |
20 |
5 |
|
|
|
5+1 |
|
|
|
|
|
|
- |
- |
3 |
9 |
5 |
2 |
5 |
|
|
|
2+4 |
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
|
|
|
- |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
8 |
|
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+6 |
|
|
|
|
|
|
|
|
1+9 |
|
|
|
|
2+4 |
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
3 |
9 |
5 |
2 |
5 |
- |
- |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
3 |
18 |
5 |
20 |
5 |
|
|
|
5+1 |
|
|
|
|
|
|
- |
3 |
9 |
5 |
2 |
5 |
|
|
|
2+4 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
|
|
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
|
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+9 |
|
|
|
|
2+4 |
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
3 |
9 |
5 |
2 |
5 |
- |
- |
1+0 |
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- |
- |
|
- |
- |
- |
6 |
- |
- |
- |
8 |
- |
- |
1 |
+ |
= |
15 |
1+5 |
= |
6 |
- |
6 |
- |
6 |
- |
- |
- |
15 |
- |
- |
- |
8 |
- |
- |
19 |
+ |
= |
42 |
4+2 |
= |
6 |
- |
6 |
- |
6 |
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- |
- |
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7 |
9 |
- |
4 |
5 |
2 |
- |
5 |
3 |
- |
|
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|
3+5 |
|
|
- |
|
|
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|
16 |
18 |
- |
13 |
5 |
20 |
- |
5 |
21 |
- |
|
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|
9+8 |
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1+7 |
8 |
|
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- |
- |
|
|
16 |
18 |
15 |
13 |
5 |
20 |
8 |
5 |
21 |
19 |
|
|
|
1+4+0 |
|
|
- |
5 |
|
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|
7 |
9 |
6 |
4 |
5 |
2 |
8 |
5 |
3 |
1 |
|
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|
5+0 |
|
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- |
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- |
- |
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occurs |
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= |
1 |
= |
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occurs |
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2 |
= |
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occurs |
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= |
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occurs |
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4 |
= |
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occurs |
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= |
10 |
1+0 |
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occurs |
x |
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= |
6 |
- |
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occurs |
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7 |
= |
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occurs |
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8 |
= |
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occurs |
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9 |
= |
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4+5 |
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1+0 |
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5+0 |
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4+1 |
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7 |
9 |
6 |
4 |
5 |
2 |
8 |
5 |
3 |
1 |
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- |
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- |
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- |
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- |
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9 |
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1 |
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5 |
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5 |
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P |
H |
A |
E |
D |
R |
U |
S |
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- |
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- |
8 |
- |
- |
- |
- |
- |
1 |
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- |
= |
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- |
8 |
- |
- |
- |
- |
- |
19 |
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2+7 |
= |
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P |
H |
A |
E |
D |
R |
U |
S |
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- |
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7 |
- |
1 |
5 |
4 |
9 |
3 |
- |
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2+9 |
= |
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1+1 |
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16 |
- |
1 |
5 |
4 |
18 |
21 |
- |
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6+5 |
= |
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1+1 |
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H |
A |
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U |
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- |
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16 |
8 |
1 |
5 |
4 |
18 |
21 |
19 |
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9+2 |
= |
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1+1 |
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7 |
8 |
1 |
5 |
4 |
9 |
3 |
1 |
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3+8 |
= |
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1+1 |
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H |
A |
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- |
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occurs |
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2 |
- |
- |
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- |
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- |
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6 |
- |
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3+7 |
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3+8 |
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7 |
8 |
1 |
5 |
4 |
9 |
3 |
1 |
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1+0 |
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1+1 |
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P |
H |
A |
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R |
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1 |
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P |
H |
A |
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D |
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8 |
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8 |
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19 |
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2+7 |
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P |
H |
A |
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D |
R |
U |
S |
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- |
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7 |
- |
1 |
5 |
4 |
9 |
3 |
- |
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2+9 |
= |
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1+1 |
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|
16 |
- |
1 |
5 |
4 |
18 |
21 |
- |
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6+5 |
= |
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1+1 |
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P |
H |
A |
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D |
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U |
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- |
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16 |
8 |
1 |
5 |
4 |
18 |
21 |
19 |
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9+2 |
= |
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1+1 |
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7 |
8 |
1 |
5 |
4 |
9 |
3 |
1 |
|
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3+8 |
= |
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1+1 |
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P |
H |
A |
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D |
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- |
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occurs |
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2 |
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occurs |
x |
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= |
3 |
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- |
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occurs |
x |
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= |
4 |
- |
- |
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- |
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- |
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occurs |
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- |
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- |
- |
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occurs |
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= |
7 |
- |
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- |
- |
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occurs |
x |
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= |
8 |
- |
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|
- |
- |
|
occurs |
x |
|
= |
9 |
|
P |
H |
A |
E |
D |
R |
U |
S |
|
|
37 |
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
|
|
3+7 |
- |
- |
- |
Q |
3+8 |
|
P |
H |
A |
E |
D |
R |
U |
S |
|
|
10 |
|
|
|
|
|
|
7 |
8 |
1 |
5 |
4 |
9 |
3 |
1 |
|
|
1+0 |
- |
- |
- |
Q |
1+1 |
|
P |
H |
A |
E |
D |
R |
U |
S |
|
|
1 |
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
5 |
DANCE |
27 |
18 |
9 |
2 |
OF |
21 |
12 |
3 |
5 |
STARS |
77 |
14 |
5 |
15 |
First Total |
|
|
|
1+5 |
Add to Reduce |
1+5+8 |
5+9 |
2+3 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+4 |
1+4 |
- |
|
Essence of Number |
|
|
|
1 |
A |
1 |
1 |
1 |
5 |
DANCE |
27 |
18 |
9 |
2 |
OF |
21 |
12 |
3 |
5 |
STARS |
77 |
14 |
5 |
13 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
1+2+6 |
4+5 |
1+8 |
|
Essence of Number |
|
|
|
5 |
DANCE |
27 |
18 |
9 |
2 |
OF |
21 |
12 |
3 |
5 |
STARS |
77 |
14 |
5 |
12 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
1+2+5 |
4+4 |
1+7 |
|
Essence of Number |
|
|
|
- |
8 |
|
|
|
|
T |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
8 |
|
|
|
8 |
6 |
5 |
|
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|
2+7 |
|
|
|
|
|
|
- |
- |
|
8 |
|
|
|
8 |
15 |
14 |
|
|
|
4+5 |
|
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|
8 |
|
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|
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|
- |
|
|
- |
- |
7 |
|
1 |
5 |
2 |
|
|
|
|
|
|
1+5 |
|
|
|
|
|
|
- |
- |
16 |
|
1 |
5 |
20 |
|
|
|
|
|
|
4+2 |
|
|
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|
|
|
8 |
|
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|
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|
- |
|
|
- |
- |
16 |
8 |
1 |
5 |
20 |
8 |
15 |
14 |
|
|
|
8+7 |
|
|
1+5 |
|
|
|
- |
- |
7 |
8 |
1 |
5 |
2 |
8 |
6 |
5 |
|
|
|
4+2 |
|
|
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8 |
|
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- |
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- |
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- |
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occurs |
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= |
1 |
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occurs |
x |
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= |
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- |
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- |
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- |
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occurs |
x |
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= |
10 |
1+0 |
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- |
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- |
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occurs |
x |
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= |
6 |
|
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- |
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occurs |
x |
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= |
7 |
|
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|
occurs |
x |
|
= |
16 |
1+6 |
|
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- |
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1+6 |
|
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- |
|
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|
2+9 |
|
|
|
|
4+2 |
|
2+4 |
7 |
8 |
|
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|
T |
|
|
|
|
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|
|
|
|
|
|
|
|
- |
- |
7 |
8 |
1 |
5 |
2 |
8 |
6 |
5 |
|
|
1+1 |
|
|
- |
|
- |
|
- |
7 |
8 |
|
|
|
|
T |
|
|
|
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|
8 |
|
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T |
|
|
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|
|
|
|
|
|
|
- |
- |
|
- |
|
8 |
|
|
|
8 |
6 |
5 |
|
|
|
2+7 |
|
|
|
|
|
|
- |
|
8 |
|
|
|
8 |
15 |
14 |
|
|
|
4+5 |
|
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|
8 |
|
|
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|
|
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- |
|
|
- |
7 |
|
1 |
5 |
2 |
|
|
|
|
|
|
1+5 |
|
|
|
|
|
|
- |
16 |
|
1 |
5 |
20 |
|
|
|
|
|
|
4+2 |
|
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|
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|
|
8 |
|
|
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|
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- |
|
|
- |
16 |
8 |
1 |
5 |
20 |
8 |
15 |
14 |
|
|
|
8+7 |
|
|
1+5 |
|
|
|
- |
7 |
8 |
1 |
5 |
2 |
8 |
6 |
5 |
|
|
|
4+2 |
|
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8 |
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- |
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- |
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- |
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occurs |
x |
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= |
1 |
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occurs |
x |
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= |
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- |
|
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|
|
occurs |
x |
|
= |
10 |
1+0 |
|
- |
|
|
|
|
- |
|
|
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|
|
occurs |
x |
|
= |
6 |
|
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- |
|
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occurs |
x |
|
= |
7 |
|
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|
occurs |
x |
|
= |
16 |
1+6 |
|
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- |
|
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|
2+9 |
|
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|
4+2 |
|
2+4 |
|
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|
7 |
8 |
1 |
5 |
2 |
8 |
6 |
5 |
|
|
1+1 |
|
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I
SAY
THREAD THAT THREAD
THREAD READ DEATH DEATH READ THREAD
THREAD R DEATH DEATH R THREAD
READ THREAD DEAR
THE NEW ELIZABETHAN
REFERENCE DICTIONARY
An up-to-date vocabulary of the living English language
Circa 1900
FOURTH EDITION
Page 1472
thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.
THE NEW ELIZABETHAN
REFERENCE DICTIONARY
An up-to-date vocabulary of the living English language
FOURTH EDITION
Circa 1900
Page 1472
thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.
l
isle t
hread: l
isle t
hread
A strong tightly twisted cotton thread (usually made of long-staple cotton) - lisle. Derived forms: lisle threads. Type of: cotton. Nearest ... www.wordwebonline.com/en/LISLETHREAD
Def
in
it
ion - of L
isle f
rom
Dictiona
ry.net
Lisle thread, a hard twisted cotton thread, originally produced at Lisle. Source: Webster's Revised Unabridged Dictionary (1913) ... www.dictionary.net/lisle - 9k
CASSELL'S ENGLISH DICTIONARY
1974
Lisle thread (lil thred) [ town in France, now Lille], n, A fine, hard thread orig. made at Lille.
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4 |
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32 |
23 |
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60 |
42 |
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27 |
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1+0+4 |
2+3 |
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1+4 |
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Essence of Number |
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1 |
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9 |
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DEATH |
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20 |
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I |
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R |
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1+6 |
- |
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- |
- |
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3+6 |
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1+6 |
|
8+1 |
|
3+6 |
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I |
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R |
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8 |
1 |
5 |
7 |
|
5 |
7 |
|
2 |
7 |
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1 |
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2 |
8 |
9 |
5 |
1 |
4 |
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I |
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R |
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I
SAY
READ ME ME READ
TREAD THAT PATH THAT PATH TREAD
THAT ISISIS ISISIS THAT
ISISIS
THAT IS THAT
MATTER MIND MIND MATTER
THAT I THAT
ME I ME
DREAM THAT THAT THAT DREAM
DREAMER REDEEMER REDEEMER DREAMER
THAT ISISIS ISISIS THAT
BEYOND MEASURE MEASURE BEYOND
OLDEN GOLDEN OLDEN OLDEN
THREAD THAT THREAD
THREAD READ DEATH DEATH READ THREAD
THREAD R DEATH DEATH R THREAD
READ THREAD DEAR
- |
RED |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
2 |
E+D |
9 |
9 |
9 |
3 |
|
27 |
18 |
18 |
- |
- |
2+7 |
1+8 |
1+8 |
3 |
|
9 |
9 |
9 |
|
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- |
- |
- |
18 |
5 |
4 |
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2+7 |
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- |
- |
9 |
5 |
4 |
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1+8 |
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- |
- |
- |
18 |
5 |
4 |
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|
2+7 |
|
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|
- |
- |
9 |
5 |
4 |
|
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1+8 |
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- |
- |
- |
18 |
5 |
4 |
|
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|
2+7 |
|
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- |
- |
9 |
5 |
4 |
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1+8 |
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3 |
|
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- |
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|
- |
- |
- |
- |
- |
1 |
- |
- |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
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- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
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occurs |
x |
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= |
4 |
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occurs |
x |
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= |
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- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
- |
7 |
|
- |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
- |
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- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
9 |
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occurs |
x |
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= |
9 |
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2+7 |
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1+8 |
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1+8 |
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- |
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9 |
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4 |
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18 |
5 |
4 |
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2+7 |
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- |
9 |
5 |
4 |
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1+8 |
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- |
- |
- |
18 |
5 |
4 |
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2+7 |
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- |
- |
9 |
5 |
4 |
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1+8 |
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- |
- |
- |
18 |
5 |
4 |
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2+7 |
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- |
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9 |
5 |
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1+8 |
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3 |
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- |
- |
- |
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occurs |
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= |
4 |
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occurs |
x |
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= |
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- |
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9 |
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occurs |
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9 |
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2+7 |
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1+8 |
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1+8 |
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- |
- |
9 |
5 |
4 |
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The Gnostic Jung: Including Seven Sermons to the Dead
https://books.google.co.uk/books?isbn=1317761960
C.G. Jung, ?Robert Segal - 2013 - ?Psychology
To him is addressed the cry of the celebrants: “The Mistress has borne the divine boy, Brimo has borne Brimos!” A “lower” correspondence to the high Eleusinian ...
T |
= |
2 |
3 |
THE |
33 |
15 |
6 |
M |
= |
4 |
8 |
MISTRESS |
122 |
32 |
5 |
H |
= |
8 |
3 |
HAS |
28 |
10 |
1 |
B |
= |
2 |
5 |
BORNE |
54 |
27 |
9 |
T |
= |
2 |
3 |
THE |
33 |
15 |
6 |
D |
= |
4 |
6 |
DIVINE |
63 |
36 |
9 |
B |
= |
2 |
3 |
BOY |
42 |
15 |
6 |
B |
= |
2 |
5 |
BRIMO |
57 |
30 |
3 |
H |
= |
8 |
3 |
HAS |
28 |
10 |
1 |
B |
= |
2 |
5 |
BORNE |
54 |
27 |
9 |
B |
= |
2 |
6 |
BRIMOS |
76 |
31 |
4 |
- |
- |
38 |
50 |
First Total |
|
|
|
- |
- |
3+8 |
5+0 |
Add to Reduce |
5+9+0 |
2+4+8 |
5+9 |
Q |
- |
11 |
5 |
Second Total |
|
|
|
- |
- |
1+1 |
- |
Reduce to Deduce |
1+4 |
1+4 |
1+4 |
- |
- |
2 |
5 |
Essence of Number |
|
|
|
Works of C.G. Jung: The First Complete English Edition of ...
https://books.google.co.uk/books?isbn=1317530160
C.G. Jung, ?Gerhard Adler, ?Michael Fordham - 2015 - ?Psychology
... voice: “The great goddess has borne a divine boy, Brimo has borne Brimos! ... Jupiter is said to have had intercourse with his mother Deo (Demeter) in the ...
Symbols of Transformation - Page 343 - Google Books Result
https://books.google.co.uk/books?isbn=131754045X
C.G. Jung, ?Gerhard Adler, ?Michael Fordham - 2014 - ?PSYCHOLOGY
... voice: “The great goddess has borne a divine boy, Brimo has borne Brimos! ... Jupiter is said to have had intercourse with his mother Deo (Demeter) in the ...
Science of Mythology: Essays on the Myth of the Divine Child and the ...
https://books.google.co.uk/books?isbn=0415267420
Carl Gustav Jung, ?Karl Kerényi - 2002 - ?Archetype (Psychology)
Essays on the Myth of the Divine Child and the Mysteries of Eleusis Carl Gustav Jung, Karl ... resounded: "The great goddess has borne a sacred child: Brimo has borne Brimos!"1 Which of them bore the child — the mother or the daughter?
The Owl was a Baker's Daughter: Obesity, Anorexia Nervosa and the ...
https://books.google.co.uk/books?isbn=0919123031
Marion Woodman - 1980 - ?Medical
Demeter, as Great Earth Mother, conferred immortality on the son of the mythical king of Eleusis. ... in a manger of fire, thus transforming him into a divine child. ... shouted, "The great goddess has borne a sacred child; Brimo has borne Brimos.
The Long Journey Home: Revisioning the Myth of Demeter and ...
https://books.google.co.uk/books?isbn=083482888X
Christine Downing - 2001 - ?Psychology
experienced in the mystery, has the heuresis, the reunion of the young Kore turned woman, with Demeter, the Great Mother, been fulfilled. Only then ... with Demeter becomes the Olympian Kore, the immortal and divine principle, the beatific light. ... Brimo has borne Brimos,” preserves the name of an ancient and presumably ...
The Eleusinian Mysteries - E-Telescope
www.e-telescope.gr/en/mystery/the-eleusinian-mysteries
19 Mar 2012 - Mother and daughter, the spirits of barleycorn and love, and the queen of ... The divine son in Greece was Dionysos, known to the later Greeks and ..... secret mystery, saying, ”The Holy Brimo has borne a sacred child, Brimos.
HERMES MYTHS 4 LOVES - Greek Mythology
www.theoi.com › Greek Gods
The most famous of his loves include the nymph Penelopeia--mother of Pan--, ... BRIMO A goddess of the underworld (probably Hekate), whose virginity was lost to .... "Hermaphroditos, as he has been called, who was born of Hermes and .... and begat a son inspired with the divine voice of prophecy, [the Pan] Agreus, well ...
Heritage of Mabon - Sonic
www.sonic.net/~webofoz/heritage/Mabon.shtml
This is the Mystery of Kore and Demeter, maiden of flowers and mother of fruit ... Flame leapt from the roof of the temple, and we cried out, "Brimo has borne Brimos. ... Her older name is Isis, whose Feast of Divine Life was held at the equinox.
Footsteps of the Goddess in Britain and Ireland
www.second-congress-matriarchal-studies.com/dames.html
Ysbaddaden, Chief Giant of Wales, has a daughter called Olwen. ... from, a spirit of divine coherence, expressed through mythic dramas of the deities, ... of death and renewal in Irish myth, sits the mother of the pantheon called An, Anu, or Danu. ..... in the course of the night … the heiro-phant shouts: 'Holy Brimo has born a ...
The Eleusinian Mysteries - AskWhy!
www.askwhy.co.uk/christianity/0670Eleusis.php
In Crete, the only deity was the mother earth goddess, and Greek writers said they .... meadows, Pluto took her off and bore her down with him to the underworld. ..... it is announced that the divine Brimo has brought forth a sacred child, Brimos.
Searches related to the mother has borne the divine brimo
who is hermes wife
aphrodite and hermes
what does hermes protect
hermes relationships with other gods
what does hermes need
what does hermes fear
hermes and aphrodite child
what does consorts mean
1
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10
CULT OF KYBELE
Ancient Greek and Phyrgian religion
... he cried out 'evoe saboe,' and 'hyes attes, attes hyes' ; for these words are in the ritual of Sabazios [the Phrygian Dionysos] and the Meter (Mother)." ... www.theoi.com/Cult/KybeleCult.
Strabo, Geography 10. 3. 18 :
"The Phrygia [i.e. the rites of Kybele] [are mentioned] by Demosthenes [Athenian statesman C4th B.C.], when he casts the reproach upon Aiskhines' mother and Aiskhines himself that he was with her when she conducted initiations, that he joined her in leading the Dionysiac march, and that many a time he cried out 'evoe saboe,' and 'hyes attes, attes hyes' ; for these words are in the ritual of Sabazios [the Phrygian Dionysos] and the Meter (Mother)."
SHEBA CONQUERS KYBELE
Going back again to the Kabeiri shouting of, "evoe saboe," and "'hyes attes," we might translate "evoe," as do many websites, as Eve, but this may not be ... www.tribwatch.com/sheba.htm
"It's interesting that Zagreus was cut into pieces with a knife by Titans (Dedanites?), this having the meaning that a single peoples was scattered in many directions so as to make many branches (and such were the Apiru as per historical documents, clinging to various peoples/rulers wherever they found acceptance). And so I went to a website explaining Zagreus, and when I came across the phrase written by Strabo, "...Aeskhines' mother and Aeskhines himself...", my mind focused in because I had been looking for such a term to describe the Ashkenazi Hebrews of Iran, for it was in Iran that the Ashkenazi Aryans lived, and so I expected that the proto-Kabala Hebrews had mixed with them there. Ashkenaz was the literal brother of Togarmah, and they were literal sons of Gomer (Genesis 10:3), for we can't compare the literal approach of the Bible to the non-literal approach of mythology.
I also noticed the spelling of "Aeskhines," starting with "Aes" as it does, and wondered if the Aesir pantheon of Scandinavia wasn't from this very Hebrew-Aryan mix. I was about to be proven correct within minutes, for immediately afterward, in the same Strabo sentence, there was this that caught my eye : "...when [Aeskhines' mother] conducted initiations, that [Aeskhines] joined her in leading the Dionysiac march, and that many a time he cried out 'evoe saboe,' and 'hyes attes, attes hyes'; for these words are in the ritual of Sabazios [Zagreos] and the Mother... - Strabo, Geography 10.3.18" (Zagreos brackets not mine).
http://www.theoi.com/Georgikos/Zagreus.html
I stared at that cry. What did it mean. I went searching online to find the meaning because it wasn't given in the article. I couldn't find the translation. But as I stared at the phrase, knowing that "attes" was Attis, it hit me like a ton of bullion that "saboe" was Kybele! And when I saw that Zagreus was the same as Sabazios, it was like when a man searches for pecans under a pecan tree, months after harvest when nuts are scarce, and when he sees one and stoops to pick it up, he looks forward and sees two more, and as he picks them up he looks slightly to the side and sees four more. Then he looks up and sees that he is directly under a pay-load branch that had held its fruit for an extra-ordinary span of time."
THE MYSTERIES OF EGYPT
Secret Rites and Traditions of the nile
Lewis Spence 1929
CHAPTER
IV
ORIGIN OF THE MYSTERIES
Page 104
These societies had special codes or laws of their own, dealing with the conditions of admission, times of assembly, amount of subscription, and so forth. They had both lay officials and officiating priests and priestesses who conducted the rites, presided over the initiation of members and celebrated the mysteries. The sacred premises consisted usually of a temple, a banqueting hall and accommodation for initiates /
Page 105 /
during the period of their preliminary exercises. In the ritual books of these private or semi-private societies the precise acts to be performed by the novice, his attitude and gesture at each stage in the proceedings were prescribed and contained.
The general procedure in vogue (and we are always dealing with early Greece) seems to have been very much as follows : The candidate for initiation was placed under the protection of the presiding deity by having the skin of a fawn cast over his shoulders. A rite of purification followed. The neophyte was stripped naked and made to kneel, when bowls of water were poured over him to fit him symbolically for the coming rites. Sometimes the candidate was smeared or cleansed with clay, mud, or a mixture of clay and bran.
The neophyte, during this purification, was encouraged by loud and ecstatic cries from the surrounding initiates, and after the ceremony was ordered to rise and to exclaim " I have escaped the bad and I have found the better." This signified that he was now purified in heart and prepared spiritually for the actual mystery. This rite, in the case of certain of the early Greek mysteries, was of the nature of a sacramental meal, a reversion to the early practice of attempting to achieve communion with the god by the consumption of his animal representatives.
A procession was then formed which paraded the streets, the new initiate wearing a garland of fennel or poplar, or bearing the mystic cist, or the sacred winnowing-fan, or even a serpent above his head in both hands. Thus accommodated he danced along, crying : " Evoe Saboe Hyes Attés, Attes Hyes 1 "
It is obvious that the ceremony of initiation would /
Page 106 /
have been imperfect without some oral instruction or interpretation of the nature of the Mysteries from the lips of the hierophant. What was the nature of this sermon or harangue ? From several ancient texts we can gauge its character with considerable accuracy.
The Legomena, as it was called, was a communication to the Greek mystic promising him safety in his progress through the unknown, and giving him the necessary courage to face the ordeal. We cannot doubt that it was modelled on similar Egyptian practice. But the hierophant had no choice in the expressions he was to make use of. These were ritually fixed.
We know from Saint Hippolytus that one of the formulae employed on this occasion was : " The divine Brimo, the infant Brimos, the divine child." This was the ritual revelation of the secret name of the god Dionysus. The Legomena, we may be sure, consisted of a number of short ritual phrases of the kind which completed the revelation of what the mystics had seen and explained the nature of their visions.
Page 105
A procession was then formed which paraded the streets, the new initiate wearing a garland of fennel or poplar, or bearing the mystic cist, or the sacred winnowing-fan, or even a serpent above his head in both hands. Thus accommodated he danced along, crying : " Evoe Saboe Hyes Attes, Attes Hyes 1 "
|
= |
5 |
|
|
|
|
|
|
|
= |
1 |
|
|
SABOE |
42 |
15 |
|
|
= |
8 |
|
|
HYES |
57 |
21 |
|
|
= |
1 |
|
|
ATTES |
65 |
11 |
|
A |
= |
1 |
|
|
ATTES |
65 |
11 |
|
|
= |
8 |
|
|
HYES |
57 |
21 |
|
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|
23 |
|
|
Add |
|
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|
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|
2+3 |
|
2+7 |
Reduce |
3+3+3 |
9+9 |
1+8 |
|
|
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|
Deduce |
|
|
|
EVOE SABOE HYES ATTES ATTES HYES
|
27 |
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6 |
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1 |
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|
6 |
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8 |
|
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1 |
|
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|
1 |
|
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|
1 |
|
8 |
|
|
1 |
+ |
= |
|
3+3 |
= |
|
|
|
|
|
|
|
|
|
15 |
|
|
19 |
|
|
15 |
|
|
8 |
|
|
19 |
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|
19 |
|
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19 |
|
8 |
|
|
19 |
+ |
= |
|
1+4+1 |
= |
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27 |
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5 |
4 |
|
5 |
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1 |
2 |
|
5 |
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|
7 |
5 |
|
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1 |
2 |
2 |
5 |
|
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1 |
2 |
2 |
5 |
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|
7 |
5 |
|
+ |
= |
|
6+6 |
= |
|
1+2 |
|
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|
|
5 |
22 |
|
5 |
|
|
1 |
2 |
|
5 |
|
|
25 |
5 |
|
|
1 |
20 |
20 |
5 |
|
|
1 |
20 |
20 |
5 |
|
|
|
25 |
5 |
|
+ |
= |
|
1+9+2 |
= |
|
1+2 |
|
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|
27 |
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|
5 |
22 |
15 |
5 |
|
19 |
1 |
2 |
15 |
5 |
|
8 |
25 |
5 |
19 |
|
1 |
20 |
20 |
5 |
19 |
|
1 |
20 |
20 |
5 |
19 |
|
8 |
25 |
5 |
19 |
+ |
= |
|
3+3+3 |
= |
|
|
|
|
|
|
|
5 |
4 |
6 |
5 |
|
1 |
1 |
2 |
6 |
5 |
|
8 |
7 |
5 |
1 |
|
1 |
2 |
2 |
5 |
1 |
|
1 |
2 |
2 |
5 |
1 |
|
8 |
7 |
5 |
1 |
+ |
= |
|
9+9 |
= |
|
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27 |
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1 |
1 |
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1 |
|
1 |
|
|
|
1 |
|
1 |
|
|
|
1 |
|
|
|
|
1 |
|
|
|
occurs |
x |
8 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
2 |
2 |
|
|
|
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
5 |
= |
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
4 |
|
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|
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|
|
|
|
|
|
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|
|
|
|
|
|
occurs |
x |
1 |
= |
|
|
|
|
|
5 |
|
|
5 |
|
|
|
|
|
5 |
|
|
|
5 |
|
|
|
|
|
5 |
|
|
|
|
|
5 |
|
|
|
|
5 |
|
|
|
|
occurs |
x |
7 |
= |
|
3+5 |
|
|
|
|
|
6 |
|
|
|
|
|
6 |
|
|
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|
|
|
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|
|
|
|
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|
|
|
|
|
|
occurs |
x |
2 |
= |
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
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|
|
|
|
|
|
|
|
|
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|
7 |
|
|
|
|
|
occurs |
x |
2 |
= |
|
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
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|
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|
8 |
|
|
|
|
|
|
occurs |
x |
2 |
= |
|
1+6 |
|
|
|
|
- |
|
|
|
- |
|
|
|
|
|
|
- |
|
- |
|
|
- |
- |
|
- |
|
|
- |
- |
|
- |
|
|
- |
|
- |
|
|
|
|
|
|
|
|
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|
|
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
2+7 |
|
|
|
|
|
1 |
1 |
|
|
|
|
|
|
|
1 |
|
1 |
|
|
|
1 |
|
1 |
|
|
|
1 |
|
|
|
|
1 |
|
|
4+5 |
|
|
2+7 |
|
9+9 |
|
3+6 |
|
|
|
|
|
|
|
|
|
|
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|
|
|
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|
|
|
|
|
|
|
|
5 |
4 |
6 |
5 |
|
1 |
1 |
2 |
6 |
5 |
|
8 |
7 |
5 |
1 |
|
1 |
2 |
2 |
5 |
1 |
|
1 |
2 |
2 |
5 |
1 |
|
8 |
7 |
5 |
1 |
|
|
|
|
|
|
|
1+8 |
|
|
3 |
9 |
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
EVOE SABOE HYES ATTES ATTES HYES
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
|
|
|
|
|
6 |
|
|
1 |
|
|
6 |
|
|
8 |
|
|
1 |
|
|
|
|
|
1 |
|
|
|
|
|
1 |
|
8 |
|
|
1 |
+ |
= |
|
3+3 |
= |
|
|
|
|
|
|
|
|
15 |
|
|
19 |
|
|
15 |
|
|
8 |
|
|
19 |
|
|
|
|
|
19 |
|
|
|
|
|
19 |
|
8 |
|
|
19 |
+ |
= |
|
1+4+1 |
= |
|
|
|
|
|
27 |
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
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|
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|
|
|
|
5 |
4 |
|
5 |
|
|
1 |
2 |
|
5 |
|
|
7 |
5 |
|
|
1 |
2 |
2 |
5 |
|
|
1 |
2 |
2 |
5 |
|
|
|
7 |
5 |
|
+ |
= |
|
6+6 |
= |
|
1+2 |
|
|
|
|
5 |
22 |
|
5 |
|
|
1 |
2 |
|
5 |
|
|
25 |
5 |
|
|
1 |
20 |
20 |
5 |
|
|
1 |
20 |
20 |
5 |
|
|
|
25 |
5 |
|
+ |
= |
|
1+9+2 |
= |
|
1+2 |
|
|
|
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
22 |
15 |
5 |
|
19 |
1 |
2 |
15 |
5 |
|
8 |
25 |
5 |
19 |
|
1 |
20 |
20 |
5 |
19 |
|
1 |
20 |
20 |
5 |
19 |
|
8 |
25 |
5 |
19 |
+ |
= |
|
3+3+3 |
= |
|
|
|
|
|
|
5 |
4 |
6 |
5 |
|
1 |
1 |
2 |
6 |
5 |
|
8 |
7 |
5 |
1 |
|
1 |
2 |
2 |
5 |
1 |
|
1 |
2 |
2 |
5 |
1 |
|
8 |
7 |
5 |
1 |
+ |
= |
|
9+9 |
= |
|
|
|
|
|
27 |
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
|
|
|
|
|
|
1 |
1 |
|
|
|
|
|
|
|
1 |
|
1 |
|
|
|
1 |
|
1 |
|
|
|
1 |
|
|
|
|
1 |
|
|
|
occurs |
x |
8 |
= |
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
2 |
2 |
|
|
|
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
5 |
= |
|
1+0 |
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
1 |
= |
|
|
|
|
5 |
|
|
5 |
|
|
|
|
|
5 |
|
|
|
5 |
|
|
|
|
|
5 |
|
|
|
|
|
5 |
|
|
|
|
5 |
|
|
|
|
occurs |
x |
7 |
= |
|
3+5 |
|
|
|
|
6 |
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
2 |
= |
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
occurs |
x |
2 |
= |
|
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
occurs |
x |
2 |
= |
|
1+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
2+7 |
|
|
|
|
|
1 |
1 |
|
|
|
|
|
|
|
1 |
|
1 |
|
|
|
1 |
|
1 |
|
|
|
1 |
|
|
|
|
1 |
|
|
4+5 |
|
|
2+7 |
|
9+9 |
|
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
4 |
6 |
5 |
|
1 |
1 |
2 |
6 |
5 |
|
8 |
7 |
5 |
1 |
|
1 |
2 |
2 |
5 |
1 |
|
1 |
2 |
2 |
5 |
1 |
|
8 |
7 |
5 |
1 |
|
|
|
|
|
|
|
1+8 |
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
EVOE SABOE HYES ATTES ATTES HYES
|
= |
5 |
|
|
|
|
|
|
|
= |
1 |
|
|
SABOE |
42 |
15 |
|
|
= |
8 |
|
|
HYES |
57 |
21 |
|
|
= |
1 |
|
|
ATTES |
65 |
11 |
|
A |
= |
1 |
|
|
ATTES |
65 |
11 |
|
|
= |
8 |
|
|
HYES |
57 |
21 |
|
|
|
23 |
|
|
Add |
|
|
|
|
|
2+3 |
|
2+7 |
Reduce |
3+3+3 |
9+9 |
1+8 |
|
|
|
|
|
Deduce |
|
|
|
EVOE SABOE HYES ATTES ATTES HYES
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
|
SABOE |
42 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
|
HYES |
57 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
|
ATTES |
65 |
20 |
|
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
|
|
ATTES |
65 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
|
HYES |
57 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
|
|
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
|
2+7 |
Reduce |
3+3+3 |
9+9 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
|
5 |
|
47 |
20 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
5 |
|
42 |
24 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
|
5 |
|
57 |
30 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
|
5 |
|
65 |
20 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
|
16 |
|
65 |
20 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
|
5 |
|
57 |
30 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
3+5 |
1+2 |
1+4 |
1+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
|
SABOE |
42 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
|
HYES |
57 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
|
ATTES |
65 |
20 |
|
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
|
|
ATTES |
65 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
|
HYES |
57 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
|
|
Add to Reduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
|
2+7 |
Reduce to Deduce |
3+3+3 |
9+9 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
|
SABOE |
42 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
|
HYES |
57 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
|
ATTES |
65 |
20 |
|
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
|
|
ATTES |
65 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
|
HYES |
57 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
|
|
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
|
2+7 |
Reduce |
3+3+3 |
9+9 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
3+5 |
1+2 |
1+4 |
1+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
|
SABOE |
42 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
|
HYES |
57 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
|
ATTES |
65 |
20 |
|
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
|
|
ATTES |
65 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
|
HYES |
57 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
|
|
Add to Reduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
|
2+7 |
Reduce to Deduce |
3+3+3 |
9+9 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
|
SABOE |
42 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
|
HYES |
57 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
|
ATTES |
65 |
20 |
|
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
|
|
ATTES |
65 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
|
HYES |
57 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
|
|
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
|
2+7 |
Reduce |
3+3+3 |
9+9 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
3+5 |
1+2 |
1+4 |
1+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
|
SABOE |
42 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
|
HYES |
57 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
|
ATTES |
65 |
20 |
|
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
|
|
ATTES |
65 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
|
HYES |
57 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
|
|
Add to Reduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
|
2+7 |
Reduce to Deduce |
3+3+3 |
9+9 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
THE LIGHT IS RISING NOW RISING IS THE LIGHT
O |
= |
6 |
6 |
OSIRIS |
89 |
35 |
8 |
T |
= |
2 |
3 |
THE |
33 |
15 |
6 |
L |
= |
3 |
4 |
LORD |
49 |
22 |
4 |
O |
= |
6 |
2 |
OF |
21 |
12 |
3 |
A |
= |
1 |
3 |
ALL |
25 |
7 |
7 |
W |
= |
5 |
3 |
WAS |
43 |
7 |
7 |
C |
= |
3 |
6 |
COMING |
61 |
34 |
7 |
T |
= |
2 |
2 |
TO |
35 |
8 |
8 |
T |
= |
2 |
3 |
THE |
33 |
15 |
6 |
L |
= |
3 |
5 |
LIGHT |
56 |
47 |
2 |
O |
= |
6 |
2 |
OF |
21 |
12 |
3 |
D |
= |
4 |
3 |
DAY |
30 |
12 |
3 |
- |
- |
43 |
36 |
First Total |
|
|
|
- |
|
4+3 |
3+6 |
Add to Reduce |
4+9+6 |
2+2+6 |
6+4 |
Q |
- |
7 |
9 |
Second Total |
|
|
|
- |
- |
- |
|
Reduce to Deduce |
1+9 |
1+0 |
1+0 |
Q |
- |
7 |
9 |
Third Total |
|
|
|
- |
- |
- |
|
Reduce to Deduce |
1+0 |
- |
- |
- |
- |
7 |
9 |
Essence of Total |
|
|
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
9 |
|
|
|
|
5 |
6 |
|
|
|
1 |
|
|
|
|
6 |
|
8 |
+ |
= |
|
4+3 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
9 |
|
|
|
|
14 |
15 |
|
|
|
19 |
|
|
|
|
24 |
|
26 |
+ |
= |
|
1+1+5 |
= |
|
|
|
|
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
1 |
2 |
3 |
4 |
|
|
7 |
8 |
9 |
|
2 |
3 |
4 |
5 |
|
7 |
|
+ |
= |
|
8+3 |
= |
|
1+1 |
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
10 |
11 |
12 |
13 |
|
|
16 |
17 |
18 |
|
20 |
21 |
22 |
23 |
|
25 |
|
+ |
= |
|
2+3+6 |
= |
|
1+1 |
|
|
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
|
3+5+1 |
= |
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
|
1+2+6 |
= |
|
|
|
|
|
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
4 |
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
1+2 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
5 |
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
1+5 |
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
6 |
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
1+8 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
7 |
|
+ |
= |
|
occurs |
x |
3 |
= |
|
2+1 |
|
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
8 |
+ |
= |
|
occurs |
x |
3 |
= |
|
2+4 |
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
9 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
2 |
= |
|
1+8 |
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
2+6 |
|
1+2+6 |
|
5+4 |
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
|
|
|
|
|
|
|
|
|
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
- |
- |
|
THE |
33 |
15 |
|
|
RAINBOW |
82 |
37 |
|
|
LIGHT |
56 |
29 |
|
|
|
|
|
|
1+5 |
|
1+7+1 |
8+1 |
- |
|
|
|
|
|
THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
18 |
- |
|
|
|
1+8 |
- |
1+8+9 |
9+0 |
1+8 |
9 |
- |
|
|
|
|
- |
1+8 |
- |
- |
|
- |
|
|
|
PEACE BE UNTO YOU BELOVED CHILDREN OF THE RAINBOW LIGHT
1 |
I |
9 |
9 |
9 |
2 |
AM |
14 |
5 |
5 |
3 |
THE |
33 |
15 |
6 |
8 |
OPPOSITE |
115 |
43 |
7 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
8 |
OPPOSITE |
115 |
43 |
7 |
1 |
I |
9 |
9 |
9 |
2 |
AM |
14 |
5 |
5 |
3 |
THE |
33 |
15 |
6 |
8 |
OPPOSITE |
115 |
43 |
7 |
2 |
OF |
21 |
12 |
3 |
8 |
OPPOSITE |
115 |
43 |
7 |
2 |
IS |
28 |
19 |
1 |
3 |
THE |
33 |
15 |
6 |
2 |
AM |
14 |
5 |
5 |
1 |
I |
9 |
9 |
9 |
6 |
ALWAYS |
81 |
18 |
9 |
2 |
AM |
14 |
5 |
5 |
64 |
First Total |
|
|
|
6+4 |
Add to Reduce |
7+9+3 |
3+2+5 |
1+0+9 |
10 |
Second Total |
|
10 |
10 |
1+0 |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
Essence of Number |
|
|
|
6 |
BEYOND |
65 |
29 |
2 |
3 |
THE |
33 |
15 |
6 |
4 |
VEIL |
48 |
21 |
3 |
7 |
ANOTHER |
81 |
36 |
9 |
4 |
VEIL |
48 |
21 |
3 |
7 |
ANOTHER |
81 |
36 |
9 |
4 |
VEIL |
48 |
21 |
3 |
6 |
BEYOND |
65 |
29 |
2 |
41 |
First Total |
|
|
|
4+1 |
Add to Reduce |
4+6+9 |
2+0+8 |
3+7 |
5 |
Second Total |
|
|
|
- |
Add to Reduce |
1+9 |
1+0 |
1+0 |
5 |
Third Total |
|
|
|
|
Reduce to Deduce |
1+0 |
- |
- |
|
Essence of Number |
|
|
|
4 |
GODS |
45 |
18 |
9 |
6 |
SPIRIT |
91 |
37 |
1 |
4 |
IRIS |
55 |
28 |
1 |
4 |
ISIS |
56 |
20 |
2 |
6 |
OSIRIS |
89 |
35 |
8 |
6 |
VISHNU |
93 |
30 |
3 |
5 |
SHIVA |
59 |
59 |
5 |
7 |
KRISHNA |
80 |
35 |
8 |
7 |
SHRISTI |
102 |
39 |
3 |
5 |
RISHI |
63 |
36 |
9 |
4 |
ISHI |
45 |
27 |
9 |
6 |
CHRIST |
77 |
32 |
5 |
......
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
6 |
|
|
|
|
|
= |
|
= |
|
- |
|
|
15 |
|
|
|
|
1+5 |
= |
|
= |
|
- |
|
|
|
|
|
|
|
- |
|
|
- |
|
- |
|
7 |
|
4 |
|
|
|
1+1 |
= |
|
= |
|
- |
|
7 |
|
4 |
|
|
|
1+1 |
= |
|
= |
|
- |
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
7 |
15 |
4 |
|
|
|
2+6 |
= |
|
= |
|
- |
|
7 |
6 |
4 |
|
|
|
1+7 |
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
1 |
|
|
|
|
|
|
|
ONE |
1 |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
2 |
TWO |
2 |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
3 |
THREE |
3 |
- |
- |
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
|
- |
|
|
|
|
|
|
FIVE |
5 |
- |
- |
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
7 |
|
- |
- |
- |
- |
- |
- |
8 |
EIGHT |
8 |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
9 |
NINE |
9 |
- |
- |
- |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
2+8 |
|
|
|
|
|
|
1+7 |
- |
- |
|
- |
1+7 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
7 |
6 |
4 |
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
6 |
|
|
|
|
|
= |
|
= |
|
|
|
15 |
|
|
|
|
1+5 |
= |
|
= |
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
7 |
|
4 |
|
|
|
1+1 |
= |
|
= |
|
|
7 |
|
4 |
|
|
|
1+1 |
= |
|
= |
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
7 |
15 |
4 |
|
|
|
2+6 |
= |
|
= |
|
|
7 |
6 |
4 |
|
|
|
1+7 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
|
|
|
|
|
occurs |
x |
|
= |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+7 |
- |
- |
|
- |
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
6 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
......
3 |
|
26 |
17 |
|
1 |
|
15 |
6 |
|
3 |
|
26 |
17 |
|
7 |
First Total |
|
|
|
|
Add to Reduce |
6+7 |
4+0 |
2+2 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+3 |
- |
- |
|
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
- |
|
|
6 |
|
|
6 |
|
|
6 |
|
|
|
|
1+8 |
= |
|
= |
|
= |
|
- |
|
|
15 |
|
|
15 |
|
|
15 |
|
|
|
|
4+5 |
= |
|
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
|
- |
|
7 |
|
4 |
|
|
|
7 |
|
4 |
|
|
|
2+2 |
= |
|
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
|
- |
|
7 |
15 |
4 |
|
15 |
|
7 |
15 |
4 |
|
|
|
6+7 |
= |
|
1+3 |
|
= |
|
- |
|
7 |
6 |
4 |
|
6 |
|
7 |
6 |
4 |
|
|
|
4+0 |
= |
|
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
ONE |
1 |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
TWO |
2 |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
THREE |
3 |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
FIVE |
5 |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
14 |
1+4 |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
EIGHT |
8 |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
NINE |
9 |
- |
- |
- |
- |
- |
28 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
2+8 |
|
|
|
|
|
|
|
|
|
|
|
|
1+7 |
- |
- |
|
- |
4+0 |
- |
2+2 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
7 |
6 |
4 |
|
6 |
|
7 |
6 |
4 |
|
|
|
- |
- |
|
- |
- |
- |
- |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
|
|
6 |
|
|
6 |
|
|
6 |
|
|
|
|
1+8 |
= |
|
= |
|
= |
|
|
|
15 |
|
|
15 |
|
|
15 |
|
|
|
|
4+5 |
= |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
|
|
7 |
|
4 |
|
|
|
7 |
|
4 |
|
|
|
2+2 |
= |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
|
|
7 |
15 |
4 |
|
15 |
|
7 |
15 |
4 |
|
|
|
6+7 |
= |
|
1+3 |
|
= |
|
|
7 |
6 |
4 |
|
6 |
|
7 |
6 |
4 |
|
|
|
4+0 |
= |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
14 |
1+4 |
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+7 |
- |
- |
|
- |
4+0 |
- |
2+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
6 |
4 |
|
6 |
|
7 |
6 |
4 |
|
|
|
- |
- |
|
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
......
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
6 |
|
- |
|
6 |
|
|
|
|
|
|
|
|
14 |
1+4 |
|
= |
|
= |
|
- |
|
|
15 |
|
- |
|
15 |
|
|
|
|
|
|
|
|
6+8 |
= |
|
1+4 |
|
= |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
- |
|
7 |
|
4 |
- |
7 |
|
4 |
4 |
5 |
|
|
|
|
|
3+1 |
= |
|
= |
|
= |
|
- |
|
7 |
|
4 |
- |
7 |
|
4 |
4 |
5 |
|
|
|
|
|
3+1 |
= |
|
= |
|
= |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
- |
|
7 |
15 |
4 |
- |
7 |
15 |
4 |
4 |
5 |
19 |
19 |
|
|
|
9+9 |
= |
|
1+8 |
|
= |
|
- |
|
7 |
6 |
4 |
- |
7 |
6 |
4 |
4 |
5 |
1 |
1 |
|
|
|
6+3 |
= |
|
= |
|
= |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
``- |
- |
- |
- |
- |
- |
2 |
TWO |
2 |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
THREE |
3 |
- |
- |
- |
- |
- |
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
= |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
= |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
= |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
14 |
= |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
``- |
- |
- |
- |
- |
- |
8 |
EIGHT |
8 |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
NINE |
9 |
- |
- |
- |
- |
- |
22 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+2 |
1+0 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
2+3 |
- |
- |
1+0 |
- |
4+5 |
- |
1+8 |
4 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
7 |
6 |
4 |
- |
7 |
6 |
4 |
4 |
5 |
1 |
1 |
|
|
|
|
|
|
|
- |
- |
|
4 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
6 |
|
- |
|
6 |
|
|
|
|
|
|
|
|
14 |
1+4 |
|
= |
|
= |
|
|
|
15 |
|
- |
|
15 |
|
|
|
|
|
|
|
|
6+8 |
= |
|
1+4 |
|
= |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
|
7 |
|
4 |
- |
7 |
|
4 |
4 |
5 |
|
|
|
|
|
3+1 |
= |
|
= |
|
= |
|
|
7 |
|
4 |
- |
7 |
|
4 |
4 |
5 |
|
|
|
|
|
3+1 |
= |
|
= |
|
= |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
|
7 |
15 |
4 |
- |
7 |
15 |
4 |
4 |
5 |
19 |
19 |
|
|
|
9+9 |
= |
|
1+8 |
|
= |
|
|
7 |
6 |
4 |
- |
7 |
6 |
4 |
4 |
5 |
1 |
1 |
|
|
|
6+3 |
= |
|
= |
|
= |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
= |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
= |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
= |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
14 |
= |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
2+3 |
- |
- |
1+0 |
- |
4+5 |
- |
1+8 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
6 |
4 |
- |
7 |
6 |
4 |
4 |
5 |
1 |
1 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
6 |
|
|
6 |
|
|
|
|
|
|
|
|
14 |
1+4 |
|
= |
|
= |
|
|
|
15 |
|
|
15 |
|
|
|
|
|
|
|
|
6+8 |
= |
|
1+4 |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
|
7 |
|
4 |
7 |
|
4 |
4 |
5 |
|
|
|
|
|
3+1 |
= |
|
= |
|
= |
|
|
7 |
|
4 |
7 |
|
4 |
4 |
5 |
|
|
|
|
|
3+1 |
= |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
|
7 |
15 |
4 |
7 |
15 |
4 |
4 |
5 |
19 |
19 |
|
|
|
9+9 |
= |
|
1+8 |
|
= |
|
|
7 |
6 |
4 |
7 |
6 |
4 |
4 |
5 |
1 |
1 |
|
|
|
6+3 |
= |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
14 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
- |
- |
1+0 |
- |
4+5 |
- |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
6 |
4 |
7 |
6 |
4 |
4 |
5 |
1 |
1 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
6 |
|
|
|
|
|
|
|
|
|
= |
|
= |
|
- |
|
|
15 |
|
|
|
|
|
|
|
|
5+3 |
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
- |
|
7 |
|
4 |
4 |
5 |
|
|
|
|
|
2+0 |
= |
|
= |
|
- |
|
7 |
|
4 |
4 |
5 |
|
|
|
|
|
2+0 |
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
7 |
15 |
4 |
4 |
5 |
19 |
19 |
|
|
|
7+3 |
= |
|
1+0 |
|
- |
|
7 |
6 |
4 |
4 |
5 |
1 |
1 |
|
|
|
2+8 |
= |
|
1+0 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
- |
- |
- |
- |
``- |
- |
- |
- |
- |
- |
2 |
TWO |
2 |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
THREE |
3 |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
7 |
|
- |
- |
- |
- |
``- |
- |
- |
- |
- |
- |
8 |
EIGHT |
8 |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
NINE |
9 |
- |
- |
- |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+2 |
|
|
|
|
|
|
|
|
|
|
2+3 |
- |
- |
|
- |
2+8 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
7 |
6 |
4 |
4 |
5 |
1 |
1 |
|
|
|
|
|
|
|
1+0 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GODDESS OF GOODNESS IS O IS GOODNESS OF GODDESS
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
6 |
|
|
|
|
|
|
|
|
|
= |
|
= |
|
|
|
15 |
|
|
|
|
|
|
|
|
5+3 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
7 |
|
4 |
4 |
5 |
|
|
|
|
|
2+0 |
= |
|
= |
|
|
7 |
|
4 |
4 |
5 |
|
|
|
|
|
2+0 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
7 |
15 |
4 |
4 |
5 |
19 |
19 |
|
|
|
7+3 |
= |
|
1+0 |
|
|
7 |
6 |
4 |
4 |
5 |
1 |
1 |
|
|
|
2+8 |
= |
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
- |
- |
|
- |
2+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
6 |
4 |
4 |
5 |
1 |
1 |
|
|
|
|
|
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
....
|
|
|
|
|
2 |
G+D |
11 |
11 |
2 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
2+6 |
1+7 |
- |
|
|
|
|
|
|
|
|
|
|
1 |
G |
7 |
7 |
7 |
1 |
O |
15 |
15 |
6 |
1 |
D |
4 |
4 |
4 |
|
|
|
|
|
|
|
2+6 |
2+6 |
1+7 |
|
|
|
|
|
3 |
|
33 |
15 |
|
9 |
|
137 |
47 |
|
2 |
|
21 |
12 |
|
3 |
|
26 |
17 |
|
|
First Total |
|
|
|
1+7 |
Add to Reduce |
2+1+7 |
9+1 |
1+9 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
|
|
Essence of Number |
|
|
|